Ben was difficult to satisfy, and he hated it in vain. Five more neglectful, one tree is merciless. The thin eunuch stem is still widespread, and the old garden has been flattened. Annoyed Jun is the most vigilant, and I am also a clean family.
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Li Shangyin, who lived in the late Tang Dynasty, was a person who pursued perfection for writing poetry.

<h1>The pursuit of poetic perfection</h1>
Li Shangyin's pursuit of perfect poetry is first reflected in neat confrontations, such as "Zhuang Sheng Xiao dreamed of butterflies, and Wangdi Chunxin trusted the cuckoo." For example, "There are no fireflies in the rotten grass today, and there are twilight crows in the ancient times." For example, "The wind music is really talented, how can Guan Zhang have no life?" For example, "Spring silkworms until the end of the dead silk, the wax torch into gray tears began to dry." ”
Then there are the words that are clear and have deep meanings, such as "It is difficult to say goodbye when we meet, and the east wind is powerless." For example, "Jinser unprovoked fifty strings, one string and one pillar Sihua Nian." For example, "heavy drapery is deep under the Mo Shuo Hall, and the night after lying down is slender." ”
Finally, it is a good use of allusions, such as "Yongxiang has been complaining about Qiluo for many years, and thinking about the storm all day long." The bamboo marks on the Xiangjiang River are infinite, and there are a few sprinkles in front of the Da Shou Monument. People went to Zitai autumn into the jam, and the soldiers were crippled and heard songs at night. Asked by the side of the Bashui Bridge, he did not arrive at the Green Robe to send Yuke. A poem of eight sentences, quoting six allusions.
Li Shangyin's pursuit of perfection in poetry may stem from the imperfection of his life.
<h1>The frustration of life</h1>
Lost his father in his early years, lost his mother in his youth, during which he should have been elected for ten years, he finally took the jinshi, but he did not get an official position, and finally waited for promotion, but he had to go home to keep filial piety for three years, and after three years, he was already the new emperor succeeding to the throne, and the big man who promoted him had long been squeezed out of the core of power, and several times of circulation, it was already ten years, but he ended up in the same small position as when he first entered the imperial court, at this time Li Shangyin, who had no hope for his career, was invited to xuzhou to take up a post, and the hope was at hand, but who knew the one who appreciated him, He died of illness the following year, and in the next five or six years, he went through several rounds, but almost all of them had a slim future, and finally he simply resigned from his post and returned to his hometown to idle.
Li Shangyin's life was almost always spent in the cracks between party struggles and life, and the unambitiousness of his career and the imperfection of life created this poet who pursued perfection.
The ancients had clouds: "The poets of the past wrote for the sake of love." This poem of cicadas is to grasp the characteristics of cicadas, combined with the author's feelings, "to create a text for love". The cicada in the poem is the shadow of the author himself.
<h1>Ben was difficult to satisfy, and he hated it in vain</h1>
The author of the first couplet used the cicada as a metaphor, you perch on a tall branch to make it difficult to eat, and the sorrow and hatred are ignored in vain. It was a kind of self-consolation for his uncertain future.
<h1>Five more neglectful, one tree is merciless</h1>
The jaw union further depicted the sound of the cicadas, and expressed his own ambition to further express itself, and the sound of the sparseness after the fifth day was almost cut off, and the green trees were still as unmoved.
<h1>The thin eunuch stem is still widespread, and the old garden has been flattened</h1>
The neck joint simply does not borrow cicadas to express, directly talking about their own misfortunes, my official position is like a peach stem drifting uncertainly, and the long-term barren weeds of the homeland have long been flattened.
<h1>Annoyed Jun is the most vigilant, and I am also a clean family</h1>
After the neck joint complained, the author turned back to the cicada, but this time it was not simply a cicada referring to itself, but a lyrical dialogue with the cicada in his own tone, and the cry of annoyance to you made me wake up, I was as poor as washing the water of the whole family.
The whole poem starts from the cicada and is knotted by the cicada, and Mr. Qian Zhongshu commented on the poem: "The cicada is hungry and mourning, and the tree is indifferent. The tree is merciless and sentient, and the same feeling arises. The cicada perches on the tree, but it is ignored; the cicada does not sound for 'me', but 'I' call it 'mutual vigilance', it is the cicada that is 'ruthless' to me, and I am affectionate with it. Intricate and delicate. Mr. Qian pointed out that not only the tree is merciless but the cicada is also merciless, which further illustrates the intricate relationship between the cicada and the lyric.
The Shape of Poetry, "In prison cicadas", the suffering language of King Luo Bin
The Shape of Poetry, "Cicada" Yu Shinan's Qinghua language