If you want to choose a scenic spot, the attraction that poets punch the most, I think it is non-Tonglu/Fuchun River. There is no need to say that the only painting of Huang Gongwang in the world, "Fuchun Mountain Residence Map", the only reason is that part of the painting is in Taiwan and part of it is in the mainland. There are countless poets and lyricists who have been to Fuchun River alone, and there are countless poems and lyrics describing Fuchun River.
The beauty of the Fuchun River, one is in the water in the mountains. The Tang Dynasty poet Wu Rong repeatedly clocked in in the Fuchun River, writing in one of the poems "Fuchun":
There are waters and mountains in the world, and the fuchun landscape is not human.
The Changchuan River is not spring and green, and the reflection of a thousand peaks falls in between.
There are water and mountains, and the reflection of a thousand peaks falls in between
There are not too many places under the world where there are water and mountains, but the landscape of the Fuchun River is by no means owned by the world. The long Fuchun River is not only green in spring, it is green all year round, and the reflection of thousands of peaks and valleys is beautiful.
The Song Dynasty poet Fan Chengda also praised the fuchun river and water, and he punched the card in "Yan Ziling Diaotai" in "Yan Zi Ling Diaotai":
The smoke forest on both sides of the river, the shadow of the half stream and the mountain, there is no honor or disgrace here.
Both sides of the river are wind and smoke forests, half of the stream is the shadow of the mountains, the rivers and mountains, once people arrive here, they are all honored and humiliated, and they are drunk and lingering in the fairyland.
This is not counted, these are just legends of light and shadow, in the Qing Dynasty poet Liu Sixuan's "Miscellaneous Poems from Qiantang to Tonglu Boat", there is also the legend of Tianlai:
A fold of green mountains and a screen, a bay of clear water and a piano.
Fold a green mountain and a screen
A fold of green mountains is a screen painting vivid; a bay of clear water is a melodious guqin. That's it, I won't say more.
The late Tang Dynasty poet Wang Zhenbai also came to punch in the beauty of the sound and light of the Fuchun River, and he wrote at the beginning of "Title Yanling Fishing Platform":
The mountains are blue at four o'clock, and the sound of the creek is seven miles clear.
The beauty of the Fuchun River, the second is on the rafting river. Su Shi, a great writer, punched in "Xingxiangzi Crossing the Seven Mile Beach" for this purpose:
A leaf boat is light, and the double oars are amazing.
Water sky clear, shadow Cham Wave Flat.
A leaf boat is light, and the double oars are amazing
Riding on a leaf boat, swinging the double oars, like a frightened goose, it flew quickly over the water. The sky is blue, the water is clear, the mountain is bright, and the river is as flat as a mirror. The magic of the boat on the Fuchun River lies in the general feeling of flying, a leaf boat is light, and the river reflects the blue sky and white clouds, of course, it feels like flying in the sky.
The Yuan Dynasty poet Wu Shidao also punched the Fuchun River boat, and he wrote in "Tonglu Night Berth":
Jiang Feishan was filled with white smoke, and suddenly it was like a flying rain sprinkling on my ship.
Leaning on the canopy independently for a long time, watching the water moon shake clearly.
The light rain on the river, the smoke in the mountains, all merged into a puff of white smoke; the ground, like a flying rain, sprinkled on my boat. OMG! It was a fairy-like experience. At night, I leaned alone on the small canopy, not sleeping for a long time, quietly watching the moon in the water, the boat swaying, swaying the round moon in the water. What kind of feeling is this, and it is nothing to be relaxed.
The beauty of the Fuchun River lies in the long shots of the landscape. Or Dongpo's punch card in "Xingxiangzi • Crossing the Seven Mile Beach":
But the distant mountains are long, the clouds and mountains are chaotic, and the mountains are green.
Distant mountains are long, cloud mountains are chaotic, and Xiaoshan qing
Dongpo is good at using long lenses, he wrote, here are not only distant mountains, heavy mountains and mountains; there are white clouds in the mountains, swirling and changing; there are also xiaoshan morning sun, verdant and dripping. Let's feast our eyes like watching a scenic blockbuster, and we can't stop wanting it, and the atmosphere doesn't dare to come out.
The Song dynasty poet Liu Yong also came to punch the clock, and he wrote in "Man Jiang Hong":
The Tongjiang River is good, the smoke is desert, the waves are like dyeing, and the mountains are like cutting.
Around the shore of Yanling Beach, herons fly fish leap.
The long shot of Liu Sanchang is from near and far, from static to moving; it vividly shows us the grand and beautiful picture of the Fuchun River in Tonglu.
The Song dynasty poet Zhao Shixia punched the Fuchun River in "Drunken Taoyuan Tongjiang Boat":
The clouds swept away the blue void, and the moonlight was cold.
The mountains and rivers look at the table, and Shen Shen is clear at night.
The moonlight is cold
A faint cloud in the sky was also swept away; the moonlight sprinkled on the river, and there was a slight chill. The reflection of the green mountains in the river water is like viewing in a bronze mirror; the night is dark and pure. This is a long shot of the night view of the Fuchun River: the sky is blue and vast; the moonlight is like flowing water, slightly cold; the reflection of the green mountains in the river is like in a bronze mirror; and the night is dark and pure.
The beauty of the Fuchun River lies in the inheritance of humanities. Fuchun River has a profound cultural heritage, famous for its Yanziling Fishing Platform; Fuchun River is also the place where Xie Lingyun first wrote landscape poems, and is the birthplace of Chinese landscape poetry. The Fuchun River has attracted a large number of Tang and Song Poets to enjoy the beautiful scenery, visit friends, hang monuments, and make secret thoughts. As a result, the Fuchun River became a tourist hotline in the Tang Dynasty and song dynasty, becoming a veritable "Road of Tang Poetry and Song Poetry".
The Tang Dynasty poet Cen Shan punched the humanistic Fuchun River in "Sending Yan Weixia to Jiangdong":
Yan Zitan is restored, and Xie Gongwen can be traced.
Yanzi Beach is restored
The poet Li Bai came to Fuchunjiang to punch Yan Ziling, and he wrote in "Ancient Wind":
Pine cypress is lonely and straight, and it is difficult to be peach and plum.
Zhao Zhao Yan Zi Mausoleum, fishing in the vicissitudes.
Like pine trees and cypress trees, it is originally arrogant and straight; how can it be made like a plum blossom peach blossom, charming and unqualified, pleasing others. Yan Ziling, a person like Zhao Zhao Tianri, would rather fish in the vicissitudes than be born with glory and wealth and wronged himself.
The great poet Lu You also punched Yan Ziling in the "Reading History" for Yan Ziling:
No wonder the fuchun river is a guest, and he has never been tired of fishing and fishing all his life.
The Song dynasty poet Shi Xiaoyou punched Yan Ziling with a feeling of shame, and he wrote in "Qingping Le ShanMing Shuinen":
Self-pity is vulgar. A few years of broken stems fluttering.
To make Yan Ling know, he should only smile and ask Dongfeng.
Fuchun Mountain Residence
The author is on the Fuchun River, next to the Yanziling Fishing Platform, pitiful of his worldly state and busy appearance in the world, for many years, running east and west, life is unstable. If Yan Ziling knew, he would only laugh and ask Dongfeng, is it all worth it? Why can't I be as free as I am, to be my true self?
Finally, end with Wu Rong's verse punching:
Water sends mountains into Fuchun, and a picturesque river is sunny in the evening.