We know that many poets have elegant titles. For example, Li Bai, who is good at himself, has a romantic and flowing personality and poetic style, and is dashing and uninhibited, so he is called "poetry immortal". Du Fu was worried about the country and the people, and his poetry was lush and depressed, and he was honored as a "poet saint".
So, why is Liu Yuxi called "Shihao"?
Liu Yuxi is regarded as "shihao", on the one hand, because the poetic style is "hao": majestic and magnificent, and the arrogance is soaring; on the other hand, it is because of the "hao" personality: strong and strong, free and heroic.
So, how "hao" is Liu Yuxi? Just look at these poems and the stories behind them.
<h1 class="ql-align-justify" > a song known to the world</h1>
Liu Yuxi was born in Shuxiang mendi. At the age of twenty-one, he became the main force of Tang Shunzong's Yongzhen reform at the age of thirty-three, and he wanted to make great achievements in politics. Later, the Yongzhen reform failed, and Liu Yuxi and other reformers were blamed and degraded, and from then on, they drifted away and spent half their lives rubbing.
In the first year of Yuan He, the thirty-four-year-old Liu Yuxi was demoted to Sima of Langzhou. Last year, he was still a political talent who was proud of the spring breeze and full of ambition, but this year he was expelled from the imperial court and embarked on a long road of eunuchs. Hit hard by this, Liu Zongyuan, who was also in the "Two Kings and Eight Simas" incident, used "a thousand mountain birds fly to extinction, and ten thousand paths are destroyed." Lonely boat, fishing alone in cold mountain snow. "To express their loneliness and loneliness." Liu Yuxi wrote two unique "Autumn Words" in who wrote:
One is that since ancient times, autumn has been sad and lonely, and I say that autumn is better than spring dynasty. A crane in the clear sky lined up on the clouds, and it led the poetry to the blue sky. The second mountain clear water comes to frost at night, and several trees are dark red and light yellow. Try to go up to the tall building to clear the bone, it is like a spring color madness.
Changing the style of the literati in the sad autumn, with a lofty spirit and an open mind, he painted an extraordinary autumn color and sang an unusual autumn song, and the words were filled with open-minded feelings and a spirit of hard work. "A crane paid clouds" especially saw Liu Yuxi's self-confidence and surging pride in adversity.
This is the who wandered the remote and foreign land, and it was clear that it was a warrior with undiminished passion and fighting spirit.
<h1 class="ql-align-justify" > the former degree liu lang is here again</h1>
In the yuan and ten years, Liu Yuxi was recalled to Kyoto. After watching the peach blossoms of Chang'an XuanduGuan, he wrote "Yuan He Ten Years from Langzhou to Beijing, Drama Gifts to See the Flowers of the Gentlemen", which was also known as "You Xuandu Guan":
Purple and red dust came to the face, and no one looked at the flowers back. The peach trees in the Xuandu Temple were all planted after Liu Lang went there.
He compared Qianshu Peach Blossom to a political villain who opportunistically and climbed up the power, not only mocking these political upstarts for becoming inflamed and attached, but also clearly telling those people at the end: I despise you, and you have only climbed up after I liu Yuxi was squeezed out, and it is not worth caring about at all. Fiercely mocking the new bureaucrats in power, it is really a fighter who is becoming more and more frustrated.
Because of this poem, "Liu Lang", who had just returned to the imperial capital, was once again degraded, and it was even more desolate Lianzhou.
In the second year of Yamato, the fifty-seven-year-old Liu Yuxi returned to Beijing again, revisited the Xuandu Temple, and the scorching peach blossoms disappeared, replaced by the cauliflower flowers in full bloom, and those "peach cultivators" of that year had long disappeared. Liu Yuxi was full of emotions, so he inscribed a poem on the wall of the temple, which is the famous poem "Revisiting the Xuandu Temple":
Half of the 100 acres of garden is moss, and the peach blossoms are pure and cauliflower. Where the Tao Daoist returned, Liu Lang came again.
Liu Yuxi deliberately mentioned the old things this time, telling those people that he did not regret the trouble caused by the poetry fourteen years ago, nor would he give in because he was repeatedly degraded, but still had edges and angles, and his sharp edge did not diminish that year. Liu Yuxi struck at those politicians who were greeting each other: Look, you are either dead or away, the trees are falling and scattered, and you have long lost your position, I Liu Yuxi did not follow the waves, suffered all the twists and turns, but I still came back with great enthusiasm.
<h1 class="ql-align-justify" > place of desolation</h1>
It had been fourteen years since the last poem, You Xuanduguan, had been written. In the past fourteen years, the emperor has changed four times, and Liu Yuxi himself is nearly old. After tasting the hardships of displacement, he was still uncompromising, undeterred, and marched as high as before.
One of the "Waves and Sands"
Nine curves of the Yellow River Wanli sand, the waves of a few dust from the end of the world. Now go straight up to the Milky Way, and go to the morning glory weaver girl's house.
It is a political lyric poem written in who is in the prefecture of Chui.
In the tone of a gold digger, he expresses his yearning for a better life. The Milky Way is an ideal state of political clarity, and the Yellow River is a metaphor for the dark politics of the time. Against the terrifying waves of the Yellow River and stepping on the mud and sand of the Yellow River, he still firmly pursues his ideals and firmly believes that the ideals will be realized.
In the fourth year of Changqing, Liu Yuxi was demoted to Anhui and Zhou, because he was just straight, the powerful Hezhou County Order shrank Liu Yuxi's residence area again and again, and finally arranged half a hut for Liu Yuxi, which could only accommodate a bed, a table and a chair. The next day, Liu Yuxi waved an article, and then carved it on the stone, standing at the door, which was the popular "Buried Room Inscription":
The mountain is not high, and the immortal is named. The water is not deep, there are dragons and spirits. Si is the Burrow, but Wu Dexin. The moss marks are green on the upper level, and the grass color is green. There is a great deal of laughter and laughter, and there is no white ding. You can tune the piano and read the Golden Scripture. There is no silk bamboo messy ear, no case of labor shape. Nanyang Zhuge Lu, Western Shu Zi Yunting. Confucius Ziyun: What is ugly?
Happy in poverty, contemplative in suffering, in adversity, not withered, not changed original intentions.
Bluntly speaking, my character is noble, where is the ugly room?
Even if it is to whip the villain, but also to warn themselves, the spirit of struggle jumps on the paper.
<h1 class="ql-align-justify" > the head of the diseased tree</h1>
In the second year of the Bao calendar, Liu Yuxi, who had lived in the poor mountains and bad waters for half a year, was recalled to the eastern capital Luoyang, and the personnel were all wrong, as if they were in another life. In Yangzhou, he met his friend Bai Juyi, and at the banquet, Bai Juyi wrote a poem "Drunken Gift to Liu Twenty-Eight Ambassadors", which contained the following sentences: "Looking up at the scenery and loneliness, the official position of the Manchu Dynasty is alone." I also know that the name of the union is folded, and twenty-three years are folded too much." Bai Juyi was upset and resentful for his close friend: "Everyone is a promotion and promotion of scenery, but you are wasting the Spring and Autumn in the barbarian land, and the torture you have suffered in the past twenty-three years is really too much."
However, Liu Yuxi, as a party, has a very optimistic and upbeat song "Reward Lotte Yangzhou First Meeting on the Table":
Bashan Chushui was desolate and abandoned for twenty-three years. Nostalgic empty chanting flute fu, to the countryside to turn like rotten Ke people. Thousands of sails passed on the side of the sinking boat, and the sick tree was in front of wanmu spring. Listen to a song today, and temporarily rely on the spirit of a cup of wine.
Twenty-three years is certainly "too much to fold", but Liu Yuxi washed away the sad and low mood, and passionately sang "a thousand sails on the side of the sinking boat, and a thousand wood springs in front of the sick tree". He compares himself to a "sinking boat" and a "sick tree" sad but optimistic. There are thousands of boats passing by next to the capsizing boat; in front of the diseased tree is the prosperity of thousands of trees. Even though he has been repeatedly degraded and plagued by old diseases, he is still very relieved to have these vigorous follow-up forces. He has not lost confidence in life, he will not be depressed, Liu Yuxi will always be excited, and his heart will always be spring.
Liu Yuxi, a person with a "tool of the prime minister", actively participated in the Yongzhen reform when he was in full bloom, and was degraded for twenty-three years after his failure, and was recalled in his later years to hold an idle position. But he never regretted it, insisted on his ideals, strengthened his faith, and firmly believed in the correctness of Yongzhen's innovation. As he said in "The Waves and the Sands":
Mo Dao's rumors are as deep as the waves, and Mo Yan's migration is like sand. Although it is hard work, blowing out the wild sand begins to reach gold.
Not to draw from the rich, not to be related to the poor, to be dashing, optimistic and forward, this is Liu Yuxi.
The reputation of "Shihao" he can afford. Liu Yuxi was revered as a "poet", well-deserved.