Actors control the role, play naturally, and retract freely, in order to gain the audience's good feelings. On the contrary, with a little force, there are traces of acting, and it is easy to play.
In the show business circle, there is no shortage of pompous acting skills, because they play too hard, they are criticized by the audience.
<h1 class="pgc-h-arrow-right" data-track="7" > Zhang Yishan</h1>
Zhang Yishan has several dramas, which are particularly popular with audiences, such as 2005's "Family with Children". Many people like Zhang Yishan and become his fans, mostly based on his expressiveness.
Comedy is comedy after all, especially sitcom comedy, which requires exaggerated expressions. Coupled with childhood filters, even if there is over-performance, it does not attract the attention of the audience.
Yang Zi and Zhang Yishan became red and became rising stars in the show business circle.
With the debut of a child star, Zhang Yishan's art road is relatively smooth. Due to his acting skills beyond the age group, he was also named "post-90s drama bone".
Gradually growing up, Zhang Yishan received more and more plays, and the side of insufficient acting skills was gradually revealed.
Some viewers said that he has a common problem that many actors have: everyone is the same.
In 2016, "Residual Sin" starring Zhang Yishan became the hit of the web drama of that year. In the play, the audience sees Zhang Yishan, which is different from the maturity of Liu Xing in "Family with Children".
Shen Fang in "The Man in the Bureau" and Qiu Shui in "Spring Wind Ten Miles Not as Good as You", let people feel the progress of his acting skills.
Even if there is a slight deficiency, such as the emotional anger and sadness in "Residual Sin", in order to create an atmosphere, he will be mad until the green tendons are exposed and his eyes are angry. Occasionally a few foul words, also within the scope of acceptance. There are even many netizens who will like his unique anger.
But in 2020's "Deer Ding", Zhang Yishan's version of Wei Xiaobao instantly pounced.
In this pinnacle of Jin Yong's martial arts, he is staring and funny.
Turn on the barrage and fill the screen with words related to "monkey playing".
This drama is on fire, but it is not because of his good acting skills, but because of his poor acting skills. In the end, more than 90,000 people scored a super low score of 3.2, which was not surprising.
<h1 class="pgc-h-arrow-right" data-track="18" > Kelly Zhang</h1>
A few years ago, I watched a forum where netizens were discussing whether the acting skills of Sichenkova and Zhang Kaili were on the same level.
Many people follow the post, the latter can not be compared with the former, the reason is very simple: Zhang Kaili's acting skills are too exaggerated, there is no comparison at all.
Netizens said bluntly: What the former plays is like, and the performance of the latter is always a surprise, acting like a mother-in-law with a very strange temper.
Speaking of Zhang Kaili, when she was young, there were also proud works, and a "Longing" made her an idol of the times.
But after that, she didn't seem to have played a decent role. Many netizens feel that the word "old drama bone" is too reluctant to add to her.
Over the years, "The Naked Marriage Era", "Let's Get Married", "Flash Marriage", etc., Zhang Kaili played a lot of mothers-in-law and mothers. Her body and language, as well as her expressions, are all full of exaggeration, and everyone is like herself. However, she is a first-class actress in the National Drama Theatre.
Some netizens couldn't help but say: "A very good drama was ruined on an actor." "This should be the biggest denial of an actor by the audience.
In "Flowers and Youth", her "mother-in-law body" reappears, crying to the point of collapse in order to learn a few simple foreign languages;
In "Running Man", for the sake of the program effect, she "violently beat" Wang Zulan, but her left foot stepped on her right foot and tripped herself, and her reputation was shattered.
Such Zhang Kaili, appearing in the 2017 hit TV series "In the Name of the People", is inevitably a bit abrupt.
Although the performances of Ke Lan and Wang Liyun are not very satisfactory to the audience, the hottest one is Zhang Kaili. Because of the role, in order to control the wife of the official, it is restrained, but the traces of restraint make the audience feel too dramatic.
Acting back and forth, or the role of mother-in-law, is more suitable for her.
<h1 class="pgc-h-arrow-right" data-track="25" > Xu Lu</h1>
Xu Lu has the typical characteristics of Qiong Yao opera actors.
I still remember that the popular mainland "Plum Blossom Three Alleys" was jokingly called "Plum Blossom Three Alleys" by netizens. Friends who have seen it, should not forget Ma Jingtao-style exaggerated performance.
When he was angry, he roared, and his eardrums were shaken and whimpered.
The soothing, nor mild, tender and sweet dialogue is also blunt.
In those years, Qiong Yao's tragic dramas were too many, and the audience was bored to watch them. There are actors in the mainland, and as soon as they hear that it is Qiong Yao's play, they almost do not hesitate to push it away. A big reason is that the actor's performance is too hard, which spoils a play.
This is true of the early years of "Plum Blossom Three Alleys", and the later "Love Deep rain" is also the same.
In "Love Is Deep and Rainy", the most exaggerated expression is Li Keyun, played by Xu Lu.
Xu Lu's appearance is very high, but her performance is not liked at all.
The expression was exaggerated to a few seconds, and the corners of the mouth twitched no less than a dozen times, making people feel that they were going to have epilepsy in the next second, and then Ke Yun was really crazy. The previous performance is to pave the way for the future ending? That's all there is to it.
Back to reality, the actors are not crazy, but the audience is crazy, and there is an impulse to change the stage immediately.
In contrast, acting in the same play, Ren Suxi is many levels higher than an unknown number of levels. In "Donkey Got Water", Zhang Yiman, who was scared silly, can overcome everything with only one look, which is the real acting skill. Therefore, the success or failure of the character is by no means accidental.
<h1 class="pgc-h-arrow-right" data-track="33" > Gu Yan</h1>
When it comes to Gu Yan, there are very few people who know, but when it comes to her role, it should be no stranger, and it belongs to the kind of actor who is not popular in the play.
She debuted relatively early, playing female number one in the love movie "Silent Iceberg" in 1986. In 1989, she acted in the TV series "Tutor" and won the Feitian Award for Best Supporting Actress. But her most familiar drama should be the hit "Fengshen List" in 1990.
Gu Yan's "Fire Spirit Virgin" is a disciple of the Duobao Daoist and a scattered immortal of Qiu Mingshan.
In the original work, there are not many depictions of the Fire Spirit Virgin, so Gu Yan's role in the play is not much.
Most people's impression of her should come from a popular urban emotional drama "Mother-in-law Is Coming" many years ago.
She played the main role of the mother-in-law, and even Sha Yi had to play a supporting role for him.
This is a strange drama that was criticized by netizens at that time, the reason why it was not pleasing, the script was exaggerated to some extent, and the interpretation of the old lady in the countryside and the inferior roots of the peasants was also difficult to be recognized by the audience.
In addition, Gu Yan's acting skills are too exaggerated. "Mother-in-law is coming", which was defined as a divine drama at that time, the rotten plot is not mentioned for the time being. Gu Yan's appearance is also not pressed, but the stiffness of her body language and exaggerated facial expressions, with an outrageous local accent, make people dare not compliment her acting skills.
<h1 class="pgc-h-arrow-right" data-track="39" > reeds</h1>
Probably many people's understanding of Wei Qing began from the movie "I am not a medicine god".
Wei Qing's performance in the film is remarkable, especially when Xu Zheng's role is captured, the line she said is cited as a classic.
In the film "Wolf Warrior" directed by Wu Jing, she also has a good interpretation.
Characters who can poke at people's inner soft places have always been easy to impress. However, Wei Qing's performance in several TV series is really exaggerated.
In 2009, in the TV series "Anna and Wang Gui" starring Haiqing and Lin Yongjian, Wei Qing played Wang Gui's mother.
A rural old lady, who should have been a simple and honest image, but she has become an eventful mother-in-law who provokes everything.
When Anna returned to the countryside, her mother-in-law was everywhere provocative, staring at her daughter-in-law's heels from beginning to end.
Anna gave birth to a baby, and the part where she went to the city as a mother-in-law to take the baby and feed the child with her mouth was really unbearable.
In fact, many people have had similar experiences when they were young, but as a scene of the same bridge section, in "Parental Love", Jiang Dehua, played by Liu Lin, is much more comfortable.
Also playing an unpleasant role, Feng Yuanzheng also has a sinister performance with a facial expression in "Don't Talk to Strangers". The psychologically twisted villain husband controlled by Feng Yuanzheng is the most perfect embodiment of speaking with acting skills.
In 2020, Wei Qing's performance in the TV series "An Jia" has gone to a higher level of exaggeration.
Arbitrary and unreasonable, it seems that it can only be stacked with exaggerated expressions, lacking a natural expression. Perhaps, this has something to do with her acting experience.
Wei Qing debuted at the age of 62, has been doing dramas before, and his son is a golden supporting role known to the public as "Mao Bao'er".
The stage expression of the drama is stronger, but it is inevitable to bring it into the TV series. Wei Qing's acting skills stretch one side, which comes from this.
<h1 class="pgc-h-arrow-right" data-track="48" > Liu Mintao</h1>
Liu Mintao's elegance as the "Mother of the King of Jing" in the "Langya List" is difficult to attract black.
The gentle Teacher Ge in "Parental Love" can also bring her a lot of filters, making it easy for people to ignore her previous performances.
In the 2002 collaboration with Chen Daoming in "Winter Solstice", she played the anti-no. 1 Yu Qingqing.
In "New Editor Liaozhai", she can play Nie Xiaoqian, who is also good and evil.
The style of the play is changeable, which is not necessarily a good thing for an actor. Liu Mintao seems to be aware of this, so he tries to portray the role as well as possible and avoid stepping on the pit. However, she did not expect that a "Life Home" that began airing in May 2021 completely ruined her good popularity on the screen.
The dramatic over-the-top performance, contrived and greasy, can't help but be reminiscent of the previous "Elite Lawyer", she is looking at the eyes;
In "Little Shed", the audience complained about selling anxiety, which is also very unpleasant.
The role does have unpleasant factors, but Liu Mintao added a lot of unnecessary body movements in order to play the role of the city servant. Rolling her eyes, shaking her head, and exaggerating her expression, she was similar to her previous performance.
Because her acting skills are too exaggerated, some viewers said that just after watching the first episode, there was no desire to chase the drama.
Actors want to take on more scenes themselves, but rational actors will choose roles that are more suitable for them. Obviously, Liu Mintao's unpleasantness is to suffer such a loss.
<h1 class="pgc-h-arrow-right" data-track="57" > Conclusion:</h1>
In many nonsensical Hong Kong films, in order to render the comedic color, the use of exaggerated expressions is the icing on the cake. In Stephen Chow's films, there is such a way of expression everywhere, and he has also achieved success again and again.
Change to the main drama, exaggerated expressions, a surprised performance, the effect will undoubtedly be counterproductive.
Only by working harder in acting and less pompousness can we get more good feelings from the audience.