Zhang Yimou's "On the Cliff" and Guan Hu's "Eight Hundred" are one hill of raccoons? The answer may be exactly the opposite of the current domestic film and television dramas, all too clean and beautiful Zhang Yimou's "On the Cliff", and Guan Hu's "Eight Hundred" are mirror images of each other, and there is a Japanese whitewashing and pseudo-manchu, Zhang Yimou should not recite this criticism

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