In the long history and culture, literati painters have an indissoluble relationship with the hidden complex, among which the seemingly ordinary laborer image of "Fisher Father" is favored by literati painters.
In the baiyuntang collection of the painting master Mr. Huang Junbi, there was a ming Dynasty Jiang Song's "Return to Fishing Map", which Mr. Huang Junbi donated to the National Palace Museum in Taipei in 1985.
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Jiang Song, birth and death years unknown, Jia, Wan years, Jinling people, number Three Pines, good at painting landscapes, characters, patriarchal Zhejiang school Wu Wei, with scorched ink dry pen, the most into the eyes of the people. However, the pen is rough and excessive, and at that time, Zheng Qianxian, Zhang Fuyang, Zhong Qinli, Zhang Pingshan, and other generations often have a crazy pen and are regarded as evil rituals. Jiang Song was born in Shuxiang Mendi. Influenced by family culture, Jiang Song's landscape paintings have a strong literati color.
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Ming Jiang Song "Returning to the Fishing Chart" Axis Ink On Silk 141 cm Vertical 94 cm horizontal
For example, in Jiang Song's "Return to The Fishing Map", the brushstrokes are very rough, dashing and dripping, and the scenery of the whole painting is full of atmospheric effects. The painting adopts the composition of "two banks of one river", and the slope stones and trees in the close-up view are far away from the distant mountains above the empty river surface, creating a simple and plain atmosphere. Autumn shadows clear water, smoke stains of the mountains of autumn beauty.
In Jiang Song's pen, the landscape seems to exist to set off the characters, and the appearance of the fisherman seems to inject a spiritual soul into the picture. In the painting, the fisherman holds a fishing rod, bends down and staggers forward, from his literati costumes, as well as the meaning of the whole picture, all point to the identity of the fisherman to the reclusive, expressing the hermit's enjoyment of the plain between the mountains and rivers.
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As a literati painter, Mr. Huang Junbi also has no shortage of excellent works on the theme of fishermen. They may be the "Fisher Fathers" of the Hermits:
Huang Junbi's "Stopping the Boat and Finding Sentences" (partial)
The boat is on the surface of the river, and one person sits idly on it, reveling in the scenery in front of him, as if brewing poems, which makes people feel infinite yearning.
"Ghost Fishing" (partial)
The clouds and shadows love the green mountains, and the valley is forgetting to be idle.
I like to listen to the sound of springs and birds, and I don't know how to go fishing.
Or the "fisherman" of the laborers with secular tendencies:
"Wind and Rain Return to the Boat" (Partial)
When the rainstorm came, the wind and rain were mixed, the boats on the river were bumping and swinging, and the fishermen at the stern of the boat were wrapped in coats, walking against the wind, struggling to shake the bridge, and the picture was impressive.
Landscape painting is one of the carriers of the lyrical speech of literati painters, and the fisherman has also become a common way of expression in painting, and the open-minded and detached realm of life is thus perfectly reflected in the virtual and real changes of landscape and water.
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