Cover news reporter Xun Chao
On the morning of November 1, the 8th Congress of the Sichuan Provincial Federation of Literary and Art Circles and the 9th Congress of the Sichuan Writers Association opened in the Jinjiang Auditorium in Chengdu, and representatives from 37 group members of the Provincial Federation of Literature and Art gathered together to discuss the high-quality development plan of Sichuan literature and art.

In the past five years, the Sichuan Provincial Federation of Literature and Art has taken the impact of various national literary and art awards as a breakthrough point, closely following the theme of the times and promoting artistic innovation. Among them, the dance drama "Effort Meal" won the 12th Chinese Dance Lotus Award in 2020. As the screenwriter of "Effort Meal", Pan Naiqi, director of the Sichuan Drama Association and deputy director of the Youth Committee of the Provincial Evaluation Association, said frankly in an interview with the cover news reporter: "In the past five years, the theater creators and critics around me have been working hard to explore, unremittingly creating, and launching many works with quality, novelty and vigor. ”
Pan Naiqi is a young screenwriter of Chengdu Sichuan Opera Research Institute, and the works written or adapted by her mainly include the dance drama "Effort Meal", the musical sitcom "Light of Happiness", the drama "The Sound of the Small Town Piano", the drama "Wide and Narrow People's Home", the acrobatic drama "Bamboo in the East", the Sichuan opera "The Sound of Pipa", the experimental drama "Broken Chapter", the puppet drama "Gao Ji and Wu Sanchun", the series of children's drama "Kaka Adventures", etc., involved in many stage fields, and the number of performances has been 100 times.
In Pan's view, "Everyone is very fortunate to have the opportunity to get the support of various policies and the care of the organization in their creations." This also makes me cherish my identity as a literary and artistic worker, and I will also conscientiously fulfill my mission, with the goal of creating high-quality works in a down-to-earth manner, using good works to resonate with the same frequency as the times, and hoping to create good works that the people like. ”
Penneith
Pan Naiqi believes that good theater creation is the result of the interaction of many factors. "In the pulse of the current era, we can't just focus on the entertainment of the theater and ignore the deeper spiritual level of improvement." Therefore, she and her peers in theater criticism jointly initiated the establishment of the Chengdu Youth Drama Critics Troupe, created a public account, pushed hundreds of drama reviews, and actively carried out online and offline activities to build a voice platform and create communication opportunities for theater critics and audiences who want to express their hearts after watching the play. At the same time, it actively promotes the work of the Youth Special Committee of the Provincial Evaluation Association and strives to send out the voice of young people in theatrical criticism.
Art comes from life, and creators should be closer to life and embrace the times. "The creation of the script should pay attention to promoting the spiritual power and combining it with the pulse of the times." Pan Naiqi said, "In the new era context, script creators should test their professional standards through practice. The direction and focus of script creation should be flexible and skillful, changing from time to time and changing with specific conditions. For example, there are many dramas of the same theme, so how to find different points of concern and starting points is the focus that contemporary theater creators can focus on. ”
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