Cover news reporter Doon Lake
On the evening of October 28 and 29, the second round of rehearsal performances of the national centre for the performers of the classic national opera "Daughter of the Party" was re-performed. This round of performances continues the original team of the previous round, and continues to be performed by Li Xincao, director of the China Symphony Orchestra, directed by Wang Jun, one of the original directors of the 1991 opera "The Party's Daughter", led by famous singers Lei Jia, Liao Changyong, Xue Haoyu, etc., and performed by the opera performers, choir, orchestra and central Chinese Orchestra of the National Centre for the Performing Arts.
Lei Jia played tian Yumei, a core figure and a noble and tenacious communist party member, in the play, and she used her singing and acting skills to interpret Tian Yumei with flesh and blood. The seventh uncle of the medicine-picking old man played by singer Liao Changyong presents an old and strong ancestor with iron shoulders and moral righteousness with such songs as "loyalty and adultery have been difficult since ancient times" and "I will pick a big responsibility in heaven". Liao Changyong and Lei Jia's wonderful performances and singing voices were praised by the audience.
Liao Changyong plays the seventh uncle
Liao Changyong is currently the dean of the Shanghai Conservatory of Music, and his teaching work is busy, and this time he participates in the performance as a special guest actor. In order to play the role well, Liao Changyong devoted himself to the performance, carefully shaping the characters, and the mental state was also a true portrayal of the rehearsal creations of all the artists in the play.
Liao Changyong, who rarely appeared in national operas, sang the plate cavity for the first time, and spent a lot of thought to ponder, "From the singing cavity, it cannot be sung into opera, and it is necessary to maintain the style characteristics of opera, so it is necessary to study from the way of singing cavity singing." ”
When he was accustomed to performing Western opera and singing Chinese opera again, Liao Changyong believed that he could not completely copy the narrative tone of Western opera, "Chinese national opera should have national characteristics. What should be said, but how can it be said well? Where should the logical stress of language be placed, and is the psychological rhythm and the rhythm of the music consistent? It is necessary to complete the confession in the process of music marching, and it is not disjointed or abrupt. We need to think about how Peking opera actors can perform, how opera singers should integrate these elements of their performances into the performance system of opera performances, and coexist harmoniously, which all need to take time to adjust and study. ”
For Liao Changyong, there is also a very big challenge is that the Seventh Uncle is an old man with rich life experience, weathered by wind and frost, and with a certain cunning. "How can the tone, tone, and voice match his age?" There are a lot of puns in his dialogue, how should the tone expression be handled? It was a little challenging for me. Liao Changyong said.
Liao Changyong said that this time with Lei Jia, Xue Haoyan and many other artists to participate in the second round of the national centre for the performing arts version of the classic national opera "Daughter of the Party" is a valuable learning opportunity, he himself also likes the role of "Seven Uncles", "I participated in the performance, in fact, I gave myself a vivid party lesson." From the Seventh Uncle, I experienced the courageous responsibility and unremitting self-improvement of the Chinese Communists. ”
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