"Let the Bullets Fly" is a well-known masterpiece in the history of China's films, whether it is the compactness of the plot logic, or the character performance and comedic effects in it are impressive, so that when it is boring now, there will be many people to review and watch repeatedly.
In the film, Jiang Wen's talent and acting skills and charm are vividly displayed! With this film, he was once again discussed and discussed by people in the north and south of the river, bringing countless people to marvel and talk about after tea and dinner. "Let the Bullets Fly" even went all the way to foreign countries and was reported by foreign media.
Therefore, when it comes to this movie, people's first reaction is either the acting skills of jiang Wen, Ge You, and Zhou Runfa, or the funny scene segments in it, and can't help but say "good looking, really good film"!
And few people will remember when the film was released, there was a young man who was also an actor and an assistant director - a bookish "old seven" who was shot through his mouth and whistled with blood - a dangerous laugh.
Wei Xiao graduated from the Film and Television Department of the Central Academy of Drama, and has been writing scripts since graduating from Chinese Opera, engaged in screenwriting and directing for several years, and the first crew he followed was Jiang Wen's "The Sun Also Rises", and later with Tian Zhuangzhuang's "Wolf Plague". At the end of 2008, as a screenwriter and assistant director, he joined Jiang Wen's film "Let the Bullets Fly", and at the same time played the role of "Ma Bandit Old Seven" in the film.
The original "Old Seven", which did not impress the public, is now on the stage of the more difficult music singing and acting variety show Fantasy City, which has made everyone stunned by the director's talent again and again.
From "Ugly" cooperated with Zhu Yilong, the top traffic in the entertainment industry, to Luo Yunxi Wu Jinyan's "Feng", people who have watched it have been amazed by the touch he has shown for the audience in a short period of ten or twenty minutes.
What feelings does the joker know?
Touch what earthly warmth?
What is the friendship between the hour and minute hands?
What to talk about love and sacrifice?
These things, which are difficult to show through short films, are realized one by one by dangerous laughter.
I am not afraid of difficulty myself, as long as you like, you want, I can try to provide you!
He creates a look of redemption and warmth in his own way in an extreme environment of human nature. Stories can be absurd, but emotions can never be desecrated, and all the deep meanings to be expressed are vividly smashed in front of the audience's eyes.
Faye Wong commented well, sometimes the story does not have to be hysterical, but as long as it can poke at the point in people's hearts, sour thinking and understanding, even if it is a successful climax. It is a spirituality of art that comes from the excavation of something deeper.
Over the years, Wei Xiao has always had a dream of film, and after cooperating with Zhu Yilong, he also said in the media such as reference news that he "wants to cooperate with him in the film".
Good actors, excellent scripts in the mind, when talent and good timing collide, no devout dreamer can suppress the excitement!
<h1>Over the years, I have never stopped loving like a treasure! </h1>
The dangerous smile shows the sincerity of the film art, the respect for the audience's taste, the tolerance of interpretation and the creation of people's ideological atmosphere, which shows good qualities everywhere:
Low-key but not obscure, neither complacent because of past successes, nor impetuous and inflated because of the current traffic fame, he is just concentrating on building good things, wanting to leave something valuable for future generations.
Such a laughing brother makes many people admire, not only because of his talent, but also for such a pure heart.
Leave some space for the audience to self-precipitate, they can continue to extend the vitality and value of the work, which is what I am willing to see.
This practice of giving the audience time to self-interpretation and speculation may be the highest respect that a creator can give.
It is not a tough and rude stuffing of things and truths to you, but a guide, and a larger divergence space is handed over to everyone who has appreciated it!
Original from the headline author: mud talk
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