Guo Degang, a controversial figure, is now known by many people as saving Peking Opera, saving xiangsheng, and saving drum music. Can he really save these arts?
Guo Degang's cross-talk is indeed fiery, but behind his respect for the teacher and the teacher's emphasis on basic skills and culture is "customary", and his cross-talk is inseparable from "ethical" and even many are very vulgar. Especially now there is a status quo that is that cross-talk is also a partner between actor partners, how to get the same as two mouths, this is really not interesting.
At the beginning, Hou Baolin painstakingly changed the cross-talk from the vulgarity of the stall to the elegant and finally ascended to the hall of elegance, which was obvious to all. Since Hou Baolin's, Ma Ji, Shi Shengjie, Jiang Kun, Feng Gong and other people have cross-talked to each other very civilized.
The second is Peking Opera, how Guo Degang's Peking Opera, many people have praised him as a ticket holder to become a master who opened the sect and saved Peking Opera, and I don't know what Mei Lanfang, Ma Lianliang, Tan Fuying, these masters Quanxia will think.
Guo Degang's Peking Opera can only be said to be blind and foolish, and there is no need to say that the well-known "four unlikes" in the singing voice, and the performance is very unimposed in terms of green tendons, in addition to gags on the stage.
At the beginning, Wang Peiyu really said a truth in the program, that is, Guo Degang was really unprofessional, but it was this truth that Wang Peiyu was scolded on the hot search.
Nowadays, many people are beginning to dare not question Guo Degang, and even many people echo it, and many people have only heard guo Degang's Peking Opera, so they say that he is a master, and even saved the art of Peking Opera. Do you really understand the art of Peking Opera? Art can be touted but not touted.
Guo Degang-style Peking Opera presumably real Peking Opera fans will not like it!