Spring is a season full of poetry, and it has attracted countless literati and inkers to leave precious poems in this spring season. For example, Han Yu's "The rain on the sky street is as moist as crisp, and the grass color is close but there is nothing"; He Zhizhang's "jasper is made up into a tree high, and ten thousand green silks are hanging down"; Du Mu's "Thousands of warblers cry green and red, and the water village mountain Guo wine flag wind". In short, the spring written by different poets has its own beauty.
And the Southern Song Dynasty poet Ye Shaoweng's poem "Visiting the Garden Is Not Worth It", which is even more amazing throughout the spring, without a word of use, but all of them are divine strokes, beautiful and drunk.
"The Garden Is Not Worth It"
[Song] Ye Shaoweng
Pity the teeth printed with moss,
The small buckle wood door did not open for a long time.
Spring is full of garden can not be closed,
A red apricot came out of the wall.
Ye Shaoweng was a famous poet of the Southern Song Dynasty, and he was not actually surnamed Ye, but surnamed Li. His grandfather Li Yingshi was originally a Dali temple clerk during the reign of Emperor Gaozong of Song, and he was quite famous. Later, implicated in the case of Zhao Ding in the imperial history, Li Yingshi was deposed from his official post, and his family was also implicated and persecuted. In order to avoid disaster, Ye Shaoweng adopted the surname of Longquan Ye as a son when he was very young, and changed his surname to Ye.
Perhaps influenced by this experience, Ye Shaoweng's career was quite unsatisfactory, and he only served as a minor official for a few terms. Later, he simply resigned from his official post and went into hiding, living on the shore of the West Lake in Qiantang for a long time, singing and singing with his friends Zhen Dexiu, Ge Tianmin and other poets. As a representative poet of the Jianghu school of poetry, Ye Shaoweng's poems are light and elegant, with a lofty artistic conception, otherworldly, and have a sense of coldness and loneliness.
Ye Shaoweng's poems are best at seven sentences, and his poetic style is very fresh and unconventional, beautiful and interesting. For example, his classic poem "Visiting the Garden Is Not Worth It", writing about the poet's spring trip to the garden to see and feel the flowers, written very vividly and reasonably. Among them, the classic verse has traveled through thousands of years, with its vigorous power, which is still praiseworthy in the rapid development of the current society, and is still a famous sentence in the undeniable famous sentence.
The first two sentences, "Should be pitiful to print moss, small buckle firewood for a long time", explaining that the author did not meet friends, the garden door was closed, and it was impossible to watch the spring flowers in the garden. But he did not blame the master at all, but assumed that he probably cherished the "moss" on the ground, could not bear to print the marks of the teeth, and closed the garden door to thank the guests for a visit, this kind of spring pity, the host and the guest's heart communicated with each other.
"Pity" here means to cherish; "屐" is a wooden shoe with teeth on the sole, implying that the poet came to the garden by putting on rain boots from the sound of the spring rain, and the writing is figurative and profound. And "buckle" and "knock", plus a "small" word, followed by waiting for a "long time", in such an action and description of the situation, not only shows the poet's patience and consideration and understanding of the owner of the garden, but also reflects his flower appreciation and yearning for this small garden full of spring colors.
The third and fourth sentences, "Spring colors can't be closed in the garden, a red apricot comes out of the wall" is a famous sentence written in the scenery, which is a very vivid and general expression of the spring scenery. Write "a branch of red apricot out of the wall", expressing "spring color full of garden can not be closed", to rare and more, very interesting. But writing "red apricot out of the wall", the Tang people already have it, and it has been seen for hundreds of years. A more similar one is Lu Youshi: "The willow does not cover the spring color, and a red apricot branches come out of the wall." Another Jianghu sect, Zhang Liangchen, wrote: "A good spring cannot be hidden, and the pink wall obliquely exposes the apricot blossoms." It can be seen that these two sentences of Ye Shaoweng were born from the poems of the former people, but they were obviously superior.
This superb technique is mainly manifested in the third sentence. Spring is not only full of gardens, but also can't be closed. This "off" word has played a role in putting the finishing touches. We can compare it with Zhang Shi. The spring in both poems is anthropomorphic. Why should "a good spring" be "hidden"? Tibet is active, and "guan" is the force of the outside world. However, spring is the moment when everything is renewed and full of vitality, and the pace of spring cannot be stopped by any external force. The word "close" shows the power of spring life even more. In these two poems, we not only see a scene of red and red and full of spring, but also get a true meaning and philosophy of nature.
The poem is characterized by the use of a short four-sentence poem to write the poet's psychological change process from expectation to disappointment to unexpected satisfaction of his expectations. The author was obviously looking forward to the garden in search of spring, and the tight closure of the firewood would disappoint him, but a red apricot branch out of the wall made him appreciate the spring color of the garden, and brought him a surprise.
In addition, the advantage of this poem is that it contains emotion in the scene and allegory in the scene, which can arouse many associations. Once the "spring color" is "full of gardens", the "red apricot branch" will "come out of the wall" to announce the spring news to the people. All beautiful things full of vitality are "unconcealable".
At the same time, it will also make people explore the spring color of the garden from "a branch of red apricots", that is, from the typical to know the general, thus inspiring people to obtain profound truths: aesthetic appreciation does not necessarily show people to all, "full of garden spring color" makes people have a clear view, not as intriguing as "a red apricot" intriguing, exciting imagination, "a red apricot" can make people stay outside the firewood gate for a long time, lingering. In short, the imagery provided by the poem has a rich philosophical connotation.