#寻找古籍守护人 #
First, the "God painting" data
Wu Daozi of the Tang Dynasty, 35.5X338.1 cm in size, paper on canvas, is now in the Osaka Municipal Museum of Art, Japan, and is considered to be a facsimile of the Song Dynasty.
High-definition panorama of "Sending The King of Heaven"
Second, the value of "God painting"
"Painting Sage" Wu Daozi, the character lines under the painting, soothing as the flowing water of the clouds, steady as the tiger standing on the dragon pan, full of paper wind, praised as "Wu Belt Dangfeng", "Sending The Son of the Heavenly King" is the most representative of Wu Daozi's painting brushwork and style of the work.
Part of "Sending Son Heavenly King Diagram"
Third, "God Painting" rambling view
The entire volume of the Sending Son Heavenly King is composed of three paragraphs.
The first paragraph depicts a god sitting in the center. He was surrounded by goddesses and celestial generals, each holding a magic weapon, and the gods were looking at the roaring beast dragon on the opposite side, looking calm.
The central god
Dragon
The second picture depicts the great free sky sitting on a stone, with three eyes and four arms, sitting on a stone platform and holding the Fa seal in his hand, and the image is somewhat vicious, like a furious King Kong.
Big free day
The third paragraph of the scroll depicts the birth of Shakyamuni, the son of the Indian King of Pure Rice, and is also the central expression of the painting, only to see the King of Pure Rice holding the baby in his arms and going with Lady Maha Boti to meet the god of freedom.
Net Rice King