Q: I want to buy more calligraphy materials from Yang Ning's style, where to buy them?
A: There is no place to buy it, because his heirloom calligraphy materials are probably only four inkblots and one engraving.
They are as follows:
<h1 class= "pgc-h-arrow-right" >, "Summer Fever"</h1>
The Summer Fever is an inkblot. But the number of broken words is a bit large, especially the second half of the more than 10 words can not be read.
If there are too many broken words, it will lead to a decrease in the value of their posts.
Judging from the style of the post, the contrast between its sizes and words is still relatively obvious.
The glyph structure includes elements of the European script and the Yan script.
<h1 class= "pgc-h-arrow-right" >2, "Immortal Living Law"</h1>
The Law of The Living of the Immortals consists of 8 lines, which are cursive as a whole.
However, it should be noted that the individual glyphs in it are not cursive, but rather line writing.
For example, the first line counts the penultimate word "and", and the last three words of the second line "through the waist",
The last three words of the fifth line are "tired of the day", the "years" in the middle of the sixth line, and so on,
It's all in a glyph, not cursive.
<h1 class= "pgc-h-arrow-right" > three, "Leek Flower Post"</h1>
As a famous post, the biggest feature of "Leek Flower Post" is that the word spacing and line spacing are relatively wide.
In terms of word spacing, the first four words on the first line are still relatively crowded. Since then, the kerning has been relatively large.
The line spacing, plus the date of the payment, a total of seven lines, the line spacing is relatively wide.
From the arrangement of word spacing, in fact, the word spacing of HanJian has always been relatively large.
If we deliberately arrange the kerning of the Leek Flower Post according to the kerning of The Han Jian, it will feel easier to deal with.
The kerning of "Leek Flower Thesis" actually has a close connection with the kerning of Han Jian.
<h1 class = "pgc-h-arrow-right" >4, "Lu Hong Caotang Ten Zhi Tu Bao"</h1>
Unlike the Leek Flower Thesis, the word spacing of Lu Hong Caotang Ten Zhi Tu Bao is very small, and the words and words are almost crowded together.
Another feature is that its word-size contrast is very strong, and it will present such a big principle:
Usually a word with a relatively large area will be followed by two or three relatively small words.
For example, in the fourth line, "Good System of Landscapes and Trees", "System" and "Tree" are written relatively largely, and "Mountains, Water, and Stones" are written relatively small.
<h1 class= "pgc-h-arrow-right" >5, "New Step Virtual Words" (engraving).</h1>
"New Steps" is an engraving, not an inkblot. The inkblots disappeared after the Ming Dynasty.
The handwriting in some places in Takumoto has disappeared or is unrecognizable. Usually several words fall together.
The second half of Chapter X and Chapter XI are lost.
In this way, the content of the "New Step Virtual Words" is about 17 chapters.
On the whole, the style of "New Step Virtual Words" is relatively ethereal, basically independent of words.
The brush used should also be relatively small.
From the handwriting point of view, due to the relatively large number of written contents, "New Steps of Virtual Words" can best reflect the characteristics of Yang Ning's style of writing.
In addition, there is an inscription by Dong Qichang behind the engraving, and its content can also be seen.
Dong Xiangguang said in the inscription that Yang Ningshi especially liked to write on the white walls of Taoist temples and temples, rather than writing on the silk paper, so there were fewer handwriting.
This view is not appropriate. Saying that Yang Ningshi likes to write on the wall is a personal preference, which is certainly no problem.
But to say that you don't like writing on a vegan paper is not reasonable.
Any literati, the material that was usually written, before Wei Jin, must have been Jian Mu. After Wei Jin, it must be paper.
Whether you like writing on the wall is a hobby, and writing on paper is a rigid requirement, and no one can escape this.
Dong Xiangguang also said on the inscription that Su Shi and Mi Fu both learned Yang Ning's style of characters.
If Yang Shaoshi's words are only written on the wall, then how can Sumi learn? Do you have to go to The Taoist Temple and temple every time to learn it?
Obviously, su and mi xueyang's characters must still be inkblots on various paper books.
There are very few handwritings of Yang Ning's style, mainly due to the gradual reduction of the number of wars in the five generations and the process of transmission in later generations.
Speaking of the "New Step Virtual Words" itself, the original has disappeared, and when Dong Xiangguang carved it into the "Xihongtang Fa Ti", he must have seen the original.
And this original, it must be a paper or silk copy, it cannot be written on the temple or Taoist temple.
In fact, at the end of the post, Yang Ningshi has already indicated that the "New Step Virtual Words" is written to "Tongxuan Master Dong Shangren".
As for whether Dong Shangren asked Yang Shaoshi to write this content in advance, or whether Yang Shaoshi took the initiative to write it and gave it to Dong Shangren, it is not known.
Old article arranged on September 1, 2020
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