Zheng Yi, the inheritor of Fuzhou qu art. Courtesy of respondents
Fuzhou, August 5 (China News Network) (Lin Chunyin, Zheng Jiani) "Department stores enter the market with the tide, and Wanjiagu wine households hang curtains", describing the "Fuzhou Traditional Commercial Museum" In the Shangxiahang neighborhood, the Fuzhou quyi program "Qinhuai River, Shangxiahang" won the first prize in the fourth Fujian Quyi Dangui Award Children's Group Competition that ended recently.
In the program, Su Keying, a young actor from the Fourth Primary School in Taijiang District, Fuzhou City, stood on the "Three Links Bridge" to bid farewell to the "father" who went out to beg for a life, and prayed that the "father" would have a smooth journey, and the singing voice full of "shrimp oil smell" was young but affectionate.
"Traditional commentary and folk art let the new generation sing, full of the atmosphere of the times, just like the traditional soup base adds new ingredients to increase the flavor, I understand this is 'return to the original and open a new'." "Post-80s" Zheng Yi is the instructor of the Fuzhou quyi program "Qinhuai River, Shangxiahang".
Zheng Yi is a native of Fuzhou, who studied under Chen Ruyan, a national non-hereditary inheritor of Fuzhou Commentary, and learned the whole book of counterpart commentaries "Strange Female Marriage" and "Shi Sande". She has also studied singing for 15 years, and Qiang Shu, a national non-hereditary heir of Fuzhou Singing, is her master.
Zheng Yi plays and sings by herself, one person plays multiple corners, the performance style is full of tension, and the "sweet potato cavity" with a thick hometown flavor will stand up the city figures in Fuzhou folklore one by one.
She has won the first prize of Fujian Provincial Quyi Performance, the first prize of Fujian Hundred Flowers Award, etc., and has also been newly promoted to the non-hereditary heir of Fujian Provincial Folk Singers. Her folk art program "Qin Louyue Chunhuifang Lane" won the Silver Award of the National Academic Exchange Exhibition on the Protection of Intangible Cultural Heritage of Quyi.
Zheng Yi, the inheritor of Fuzhou qu art, was interviewed. Photo by Lin Chunyin
Fuzhou Commentary And Research Institute is located under Wuta, thanks to the Fujian Provincial Department of Culture and Tourism issued a policy of benefiting the people, the stage that has been inherited for a hundred years has attracted audiences so far, but the majority of silver-haired people.
"Juban, not hilarious, no percussion, how to attract young people?" We need to do something to make more young people fall in love with the art of music. Zheng Yi said.
In the past 10 years, Zheng Yi has entered the campus to open a school course for lingyi. As far as possible, she went to Minhou Guankou Primary School on the outskirts of Fuzhou City. In Taijiang District, where "Old Fuzhou" is concentrated, she has been stationed in Taijiang District No. 3 Primary School and Taijiang District No. 4 Primary School for a long time.
"Suburban children live in the countryside, have less contact with extracurricular knowledge, and have a strong interest; influenced by their grandparents around them, they have a sense of affinity for Fuzhou dialect." They react shyly on the instrument, like it but are not very confident. Zheng Yi said that music aesthetic education not only brings spiritual nourishment to children, but also brings hope for inheritance, "They study hard enough, I believe that there will be new vitality for jubanmen." ”
For primary schools in the urban area, Zheng Yi focuses on teaching the Fuzhou dialect, "at least five words to teach a lesson", "first let their ears familiarize them with my audio, the audio pronounced in Fuzhou dialect".
In "Qin Louyue Shangxiahang", children play guzheng, erhu, pipa, flute, sheng and other traditional Chinese national instruments, mainly singing, interspersed with talking tables, and the stage design is integrated into the style of fuzhou Shangxiahang historical and cultural blocks, "the children's interpretation of the juban is full of vitality".
Zheng Yi inherits the singing voice of Fuzhou music master Chen Runchun, and is known for its rich expression and outstanding expression. She admitted that due to the social environment of the old times, the performance style of the older generation of female artists was introverted and focused on the change of singing voice. Today, she is happy to embody the self-consciousness of female consciousness in her performances.
In the newly created modern drama "Homecoming", Zheng Yi played the roles of old mother and son Fang Qing. The play tells the story of the son rushing to the examination, the mother living in the nunnery, and the mother and son returning to their hometown.
"The rise of female consciousness in this drama is very pioneering." Zheng Yi feels that the most difficult to interpret is that the old mother has "a twist in her mind", "when she returns to her hometown, she smiles at her relatives, which is rare for women in the old society to have generosity and opinions." ”
Fuzhou Quyi is rooted in folk. Zheng Yi told the China News Network reporter that when she was studying at art school, she once stepped on a bicycle to perform a reward play in the temple ancestral hall at the end of the street, "The old artist laughed and said that the bodhisattva fed us."
Nowadays, the inheritance of Fuzhou quyi has the support of the competition, the subsidy of the policy of benefiting the people's performance, and the escort of the non-genetic inheritance system. "We can explore rich local themes in Juban, and enjoy the fashion sense of 'shrimp oil flavor'." Zheng Yi is full of confidence. (End)
Source: China News Network