laitimes

Guo Degang has a real prototype of these cross-talk strips, and one of them is his master

Guo Degang once said that Yu Qian went to BabaoShan for sightseeing, and when he saw a tombstone, he prostrated his head and cried, and Yu Qian complained about how I loved to recognize the eldest generation so much.

But this paragraph actually has a real prototype, and it is no one else, that is, Guo Degang's master (predecessor) Bai Quanfu. Mr. Bai Quanfu is a very cute old man, not only is he highly skilled on the stage, but he can also praise with his mouth after he loses his hearing in his later years, and he is also a "man with a voice" in daily life. Moreover, Bai Quanfu's improvisational grasping of baggage in his life is not only coke, but also often resolves many contradictions and embarrassments.

Guo Degang has a real prototype of these cross-talk strips, and one of them is his master

For example, once Bai Quanfu and their troupe toured, there was a dispute with the theater when they divided the account. Now many people think that the cross-talk actors in the system are all raised by the state, and the performances are also sent tickets, regardless of profits. In fact, commercial tours do not distinguish between the system and the system, all are self-financing, earn less actors and actresses, and there is no full subsidy.

At that time, domestic cross-talk commercial performances were divided between the troupe and the theater, generally 73 open, 70% of the troupe, and 30% of the theater. But at that time, the theater contract system was just engaged, so the theater troupe and the theater still got along like before privatization, that is, you said that as much as you bought at the box office, anyway, it was all the money of the state. As a result, some ill-intentioned theater managers made false accounts and deliberately gave less money to the actors, and Bai Quanfu and his party encountered such bad businessmen. At that time, the actors saw that every show was full, but the theater manager had to say that more than half of them were tickets, and they could not settle the bill for your actors.

At this time, Bai Quanfu had a clever move, and went over to talk to the theater manager about a burden, and then the theater manager obediently found the accountant to re-settle. As for the specific baggage, here is a pass, anyway, Bai Lao is really a word to set the country, the dead chess pieces are all alive.

And the deeds of Bai Quanfu kowtowing to the tombstone are also a beautiful talk in the cross-talk community. At that time, Bai Quanfu and Chang Baoting Li Boxiang Su Wenmao Du Guozhi and others went to climb the mountain, and halfway up the mountain they saw a tombstone with the inscription "Tomb of the White Martyrs". There were many such martyr tombstones at that time, because there were wars everywhere, some soldiers died without family claims, and some did not even know their names with only one surname, so they buried them on the spot, and the whole tombstone with no name was one. Bai Quanfu saw that this martyr had the same surname as him, so he knelt down and called out to his father, but people also had words, saying that these martyrs who sacrificed their lives for the country had no surname and no descendants, And Bai Quanfu thanked him for his sacrifice and called a father to comfort the heroic soul.

This old man really has both "oh" and positive energy, and he is so cute.

Guo Degang has a real prototype of these cross-talk strips, and one of them is his master

In addition, there is a small paragraph commonly used by Guo Degang, Yu Qian or Gao Feng Li Jing anyway, anyone can do it, and the relationship with the daughter-in-law is particularly good, every time he goes out to eat with his friends, he cries, and he also brings a copy to his daughter-in-law, and finally Guo Degang let his daughter-in-law and daughter-in-law get it with himself.

And this real cross-talk actor is Tang Jiezhong, the laughing Buddha. Tang Jiezhong had a very good relationship with his wife, but because he was too busy when he was young, he often followed Ma Ji Jiang Kun to perform everywhere, and rarely had the opportunity to accompany his wife. His wife reported good news to him and did not report worry, so when she was sick, she supported herself and did not let Tang Jiezhong know.

Later, Tang Jiezhong introduced Dai Zhicheng to Jiang Kun, and he retired to the second line, so he spent every day at home with his wife, and most of the meals and activities were pushed away. If there is a meal that must be visited, Tang Jiezhong will take the lunch box over, and when he sees the dish that his wife likes, he will ask the kitchen to fry two parts, and use the lunch box to pack one to go back to his wife to eat. Moreover, Teacher Tang also deliberately kept his stomach and went home to eat with his wife.

Guo Degang has a real prototype of these cross-talk strips, and one of them is his master

In a certain version of Yu Qian's father, he worshiped Guan Gong to the point of not being able to do it, and he took Guan Laoye with him everywhere, and he was not allowed to mention Guan Yu without gargling, but in the end, the old man himself scolded Guan Gong with a sentence of "Ya Zhongyi".

Of course, many people have said this satire, and the bottom baggage is also different, anyway, it is the front worship and the back scolding street. The prototype of this paragraph is the allegro famous Li Runjie.

Li Runjie's admiration for Guan Gong is even more exaggerated than Yu Qian's father in the paragraph, not only prostrating every day, carrying it wherever he goes, but also forbidding others to say that Guan Gong is not smart. But he went to earn money, often bullied not to mention, every three to five times also beaten, and the more unlucky people are, the more they want to seek psychological comfort, so the worship of Guan Guan is more and more pious, the result is more and more unlucky things, the most serious one is to recruit bandits, and the two mouths are almost destroyed.

After arriving in New China, Li Runjie gambled and directly burned the statue of Guan Gong, which was a very serious taboo in the old society. As a result, Li Runjie not only did not have bad luck, but became more and more smooth as possible, and also became the deputy head of the Tianjin Qu Art Troupe, and erected a bronze statue of him after his death.

When I was young, I worshiped Guan Gong, and after my death, there were also people who saluted like Mr. Li, and this life was worth it.

Guo Degang has a real prototype of these cross-talk strips, and one of them is his master

Read on