<h1 class="pgc-h-arrow-right" > preface</h1>
Speaking of this "Asong", at the beginning of the third season, he learned to sell melons from the princess and bragged about it. Although it seems very exaggerated, if you know the background of "Asson", it is really very informative. The author of "Asson" is Fujio Akatsuka, a popular manga artist in Japan, and this work has also influenced an entire generation of Japanese manga readers.
<h1 class= "pgc-h-arrow-right" > absurd comedy</h1>
Speaking of "Asso" and its author, Fujio Akatsuka, I think that japanese manga friends know everyone, and one of the reasons why they are not so popular in China is that "Assoun" is very much in line with some of the current conditions of Japanese society. Combining some elements of Japan, especially the characteristics of drama, "Asson" was so popular from the short comedy manga when it was released that it had to be serialized for many years before it was completed.
As far as animation is concerned, I have never heard of the first two seasons, perhaps I am a bit lonely, and other anime recommended information is also relatively rare in this anime. It was only in the third season that I discovered it, and I believe I am not alone. An anime that can come out to the third season either meets the main producer or the market response is relatively good, especially in the Japanese market.
The third season of "Asson" did not go the usual way, and I have never seen any anime that first bragged with narration, and it was about to blow into the feeling that the Japanese Ministry of Culture designated elementary school students must see the animation. However, the protagonist team was tragically unemployed, and seeing that the front wave was about to be slapped on the beach by the back wave, the animation actually began to ridicule the production committee and the voice actor.
Audiences familiar with Japan know that the investor is the boss behind an animation, and it can be said that he is in control of the life and death of this animation, and if the animation script does not satisfy the investor, he will either re-change it or will not get the investment. However, in addition to investors, there is a second boss, that is, the production committee. Although the power of investors is the largest, the actual amount of production funds for animation in the hands of the production team is largely related to the production committee.
Seeing this, you should understand that the production committee is not a direct production team of the animation, but a consortium organization that manages it, and judging by the attitude of the protagonists in the animation who are forced to please the committee, you know that they are not simple. Here is a tribute to the original "EVA", behind which is also a bunch of big guys managing. The most interesting thing is that even the voice actor does not help these laid-off protagonists, and the answer is very simple, because the voice actor has other animations to dub.
Speaking of the degree of weirdness of this work, it is not comparable to ordinary animation, and it is about to catch up with "Gintama". Various memes and classic scenes from other works can be ridiculed by him, especially the author's unusual imagination ability of the author of "Asson", which often surprises the plot of this animation, which can be called a nonsensical absurd comedy.
Because it has a strong Japanese local atmosphere, if you don't understand some of the cultural backgrounds, you may not be able to get the laughs, which may be the reason why this work is not too popular in China. However, this kind of funny work is very hong Kong-style nonsense style of that year, if you are interested in Hong Kong-style comedy films, especially those works of Stephen Chow, you may wish to try this "Asson", from the third season to watch and then make up the first two seasons.