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Rock red and black, sound and light perfect combination of audiovisual feast

author:Mango Bale Essence

Musical – Rock Red and Black

Rock red and black, sound and light perfect combination of audiovisual feast

Promotional posters

Musical theater, early translation of musical theater, is a form of stage art that combines singing, dialogue, performance, and dance. Through the close combination of songs, lines, music, body movements, etc., the storyline and the emotions contained in it are expressed.

Opera is a Western stage performing art, which is simply a drama that mainly or exclusively uses singing and music to explain and express the plot (it is a drama that is sung out rather than spoken).

Although musical theater has similarities with stage performance forms such as opera, dance drama, and drama, it is unique in that it attaches the same importance to songs, dialogue, body movements, performances, and other factors. Musicals were born in modern times, combining many modern elements (such as rock'n' roll), while opera was born at the end of the sixteenth century.

Musicals are staged all over the world, but the most frequently performed places are Broadway in New York and London's West End in the United Kingdom.

Rock red and black, sound and light perfect combination of audiovisual feast

舞台‬音乐‬布景‬

一‬、《摇滚红与黑》音乐剧

In 2016, "The Red and the Black" was first put on the stage of a musical theater, transforming into a French rock musical "Rock Red and Black". Its main creative team is the same as china's hit French musical "Rock Mozart": gold producer Albert Cohen has produced many French musical classics such as "The Ten Commandments", "The Sun King", "Rock Mozart", "1789: Lovers of the Bastille" and other French musical classics, and director François Chouquet has also directed many French musicals such as "Rock Mozart", "1789: Lovers of the Bastille", "King Arthur" and so on.

Rock red and black, sound and light perfect combination of audiovisual feast

于‬连‬演唱‬

2. Introduction to the content

Adapted from Stendhal's long-form masterpiece "The Red and the Black", it constructs the love-hate relationship between the male protagonist Of the Bourbon Restoration period, Jullien, with a French rock style. Jullien (Côme) is the son of a carpenter in the small town of Verrière, and from an early age he hoped to join the upper class through personal struggles. Because of his proficiency in Latin, Jullien was elected to the mayor's house as a tutor. Jullien and the mayor's wife, Drena (Haylen), have a crush on each other. After their relationship was revealed, on the recommendation of the dean of the seminary, Jullien became the Marquis's personal secretary and had an affair with the Marquis's daughter Mathilde. But under the planning of the church, Madame Drena was forced to write a letter exposing Jullien, ruining Jullien's future. Enraged, Yulian shot and wounded Madame Drena, thus going to the guillotine.

Rock red and black, sound and light perfect combination of audiovisual feast

Plot development

3. Yulian image

Contradiction and complexity: Jullien is a rare character with as many advantages and disadvantages, and people love and hate different evaluations. He was a genius, and he was limited by his humble status; he hated the nobility and indulged in the dreams of soaring yellow; he turned away from her in order not to fall into the beauty of his wife; he fell in love with her tender innocence without knowing it in order to prove his dignity with her; he always burned with blood in his bones, but he tried to extinguish it with black clothes; he became friends with Mathilt because of the same interests, and because of the similar arrogance of the two people, he evolved into a farce of torturing each other...

Rock red and black, sound and light perfect combination of audiovisual feast

Jullien's roar

Rock red and black, sound and light perfect combination of audiovisual feast

The red and black inside Yu Lian

He longed for real money and power, but he was always romantic. In the end, it was not the guillotine that killed him, what made him despair was not the love that burned to ashes, it was the era of restoration, the era that denied ideals and passions. But only after following Stendhal's words through the whole story did you know what a contradictory heart he had.

Rock red and black, sound and light perfect combination of audiovisual feast

Jullien and Madame

Rock red and black, sound and light perfect combination of audiovisual feast

Madame's inner torment

Fourth, the time node of the song in the play

1:10 É couter son coeur listens

7:55 La sagesse est de tous les ges wisdom through the ages

14:15 Ding Dong ding-dong

21:10 Ce que competing really important things

27:10 La gloire à mes genoux I will bow to me in glory

32:55 Les maudits mots d'amour The Curse of Love

39:35 Que c'est bon d'être un bourgeois this is bourgeoisie

48:10 Je suis luche, et alors I'm a coward, so what

54:30 In the dark I see red 暗夜曙光

57:40 Quel ennui is bored

67:05 Tout se perd Everything is lost

73:00 Le temps pass é avec vous with you

77:25 Sans elles without them

82:25 Il aurait suffi should have been content

91:10 So that they may love us俘获芳心

94:45 Put to death赐死

99:40 Ces peines perdues

109:00 Ll'amour nous de sarme surrender for love

117:30 Je vous laisse hélas I am waiting for you

127:20 Eviter les roses avoid roses

Fifth, the charm of the "Rock Red and Black" musical

Rock red and black, sound and light perfect combination of audiovisual feast

于连、夫人(右一)、玛蒂尔特‬(左一)

When listening to its songs, "Rock and Roll Red and Black" is not about the plot, but about the psychology of the characters, solo or chorus, basically when the characters experience changes in psychology, the deep affection of the lady, the resentment of Jullien, the arrogance of the lady, and even the inner entanglement of the supporting characters, all of which coincide with Stendhal's writing style of keen psychological description. In "Wisdom from Ancient Times to the Present", Julian's publicity is his contempt for the noble masters and his confidence in his own talents; "Glory Bows to Me" can be called his character song, singing Yulian's ambitions, a resentment of this world's injustice, piercing the boundless black curtain, the raging flames burning all concerns; "The Curse of Love" is gentle and tight, the lady's innocent dedication, Yu Lian's obliviousness in this tenderness... "Should have been content" is like its counterpart, "reason is saying, emotions do not think so", It is the best interpretation of the feelings between Mathilde and Jullien, the love of others may be brought about by passion, these two people are outrageous, it is reason that makes them feel that they should love each other, Jullien and Mathilde are more like a feeling of disobedience to their respective classes, not love. Therefore, this song is inevitably accompanied by entanglement and bitterness.

Rock red and black, sound and light perfect combination of audiovisual feast

Jullien, who is on his way to extinction

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