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The fierce gangster in the movie is actually a cross-talk actor in reality, and there are friends who love gangster themes in the case of the gradual decline in the quality of Japanese gangster movies. Spit movie Jun recommends a Japanese gangster movie to everyone - "Extremely Evil and Non-Taoist". The movie is a series of movies, and today I will share with you the first part of the series, "Extremely Evil And All Evil People".

<h1 class= "pgc-h-arrow-right" > in the case of the gradual decline in the quality of Hong Kong gangster movies, there are friends who love gangster themes. Spit movie Jun recommends a Japanese gangster movie to everyone - "Extremely Evil and Non-Taoist". The movie is a series of movies, and today I will share with you the first part of the series, "Extremely Evil And All Evil People". </h1>

Entering the world of "Extremely Evil", Kitano Takeshi is already an old decay who has passed the age of flower armor, and even the handsome brother Miura Yuwa of that year is already a middle-aged man who is blessed. It is not they who are fighting on the front line, compared to the unknown young people under their hands, they are either old and vicious, or they are incorruptible and old, and they can't find a home. Takeshi Kitano himself plays otomo, who still has a little bit of the traditional Japanese underworld wind bone on his body - lecture qi, does not betray his brother, and says nothing to the boss's orders. However, the times have changed, and the Japanese underworld is no longer a strict hierarchical organization, with internal inclinations and conspiracies, and there is no room for brothers to stand down from the president. What remains is the sadness of the rabbit dead dog cooking, and the cruelty of the two or five boys waiting for the opportunity to usurp the throne. The relationship between the characters in the whole film is closed, and the underworld, young team members, small leaders and the president of the assembly constitute a biosphere of the weak and the strong. It's like throwing a group of piranhas into a closed goldfish tank, the territory is so big, the gods worship their brothers, the gods and horses are all floating clouds, all are food. The last purge in the film unfolds in a calm manner, and the remaining piranha is not necessarily the strongest, but certainly the most cunning. The little boss played by Takeshi Kitano is more like a witness to the changes of this era, his brothers are sacrificed, and he chooses to go to prison in an attempt to bid farewell to the underworld in this way. But this is not his end, the return of Kitano Takeshi negated the early demand for retreat, but to the end, with a sentence of "you are an asshole" to summarize the dirty underworld and the more dirty police.

The fierce gangster in the movie is actually a cross-talk actor in reality, and there are friends who love gangster themes in the case of the gradual decline in the quality of Japanese gangster movies. Spit movie Jun recommends a Japanese gangster movie to everyone - "Extremely Evil and Non-Taoist". The movie is a series of movies, and today I will share with you the first part of the series, "Extremely Evil And All Evil People".
The fierce gangster in the movie is actually a cross-talk actor in reality, and there are friends who love gangster themes in the case of the gradual decline in the quality of Japanese gangster movies. Spit movie Jun recommends a Japanese gangster movie to everyone - "Extremely Evil and Non-Taoist". The movie is a series of movies, and today I will share with you the first part of the series, "Extremely Evil And All Evil People".

OUTRAGE (AUTOREIJI) by Takeshi Kitano 2010 JAP.

The fierce gangster in the movie is actually a cross-talk actor in reality, and there are friends who love gangster themes in the case of the gradual decline in the quality of Japanese gangster movies. Spit movie Jun recommends a Japanese gangster movie to everyone - "Extremely Evil and Non-Taoist". The movie is a series of movies, and today I will share with you the first part of the series, "Extremely Evil And All Evil People".

The introverted and fierce gangster in the movie waved with fans

The prologue of the film begins, and the next two chapters of the film will continue to tell the fate of Takeshi Kitano's role of Tomo miura and his middle-aged gangster. In terms of directing style, fans who like Takeshi Kitano's works can easily spot familiar elements - the dark night scene known as "Kitano Blue". "Aesthetics of Violence" is very particular about the matching of colors in this film, with red blood and blue backgrounds alternately appearing between the interior and the outside world. Panoramic and empty shots are rare, and small-scale, fast-paced character actions are mostly expressed in close-up and medium-range shots, which are cold and effective. Kitano takeshi admires this kind of efficiency, does not need too much nonsense, the characters who appear in the opening scene of the film, no matter how big or small, will have a different way of dying. However, it can be seen that the director himself adopts a satirical and critical attitude towards the actions of the characters in "Extremely Evil". He arranged for the arrogant Ikeda to die at the hands of Otomo, and Otomo finally died at the hands of Kimura, which can be said to be disdain for this character. Even the black humor of eating noodles jumps out from time to time to reveal the director's bad taste. Whether it is hollywood's classic "The Godfather" or Japanese and Hong Kong underworld films, heroes are often portrayed in the entanglement of individuals and environments, but this film is not. In a system that has abandoned morality and order, benevolence can only be superfluous warmth, saved for a while (Otomo dodged the bomb), but eventually died in the fate of greed.

The most interesting thing is that Mr. Takeshi Kitano, who played the gangster in the film, is actually a household name in Japan as an excellent cross-talk actor. In 1973, he formed the cross-talk group "Two Beat" with Kenko Kiyoshi, which was active in television and radio, and was popular with spicy and black humor, becoming the soul of Japan's cross-talk boom in the 1980s. This contrast effect also has to admire Mr. Kitano Takeshi's acting skills after watching the movie.

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