Sidixiang
Sun Guangxian
How, more affection? Under the crystal curtain of the eternal sun, the moth of shame. Six luo skirts are on the ground, and the lines are slightly trailing blue waves. See the full pool of rain and play the group lotus.
Sun Guangxian, whose year of birth is unknown, died in 968, we know that the Song Dynasty was established in 960, so Sun Guangxian died eight years after the establishment of the Song Dynasty. Sun Guangxian was a native of Guiping, Lingzhou (present-day Guiping Village, northeast of Renshou County, Sichuan Province), and served as a judge of Lingzhou during the Later Tang Dynasty. Around 926-930, he took refuge in Jiangling, Hubei Province, when Gao Congzhi was known as the King of Nanping according to Jingnan. Gao Congzhi used Sun Guangxian very much, Shi Nanping III, the deputy envoy of the tired official Jingnan Jiedu, the chao yilang, the secretary of the inspection school, and the imperial history of the imperial history. Later, he persuaded Gao Jichong, the king of Nanping, to dedicate the land of the three prefectures to the Song court, and returned it to the Song Dynasty Sun Guangxian to serve as the assassin of Huangzhou (黄州, in modern Huanggang District, Hubei Province).
Portrait of Sun Guangxian
Sun Guangxian especially likes to read, often buys books, and even copies and proofreads, old and tireless, he has a very famous notebook work, namely "Northern Dream Trivia". Sun Guangxian's words, plus the "Huajian Collection" and the "Zunqian Collection" have a total of 84 songs, among the Five Tang Dynasty poets, his words are the most, most of them are Yan words, such as this one, which is actually a Yan word.
The poem is mainly written about the grievances of an upper-class woman, "How, more affection?" "It means that you want to dispel grievances, and as a result, there are more grievances, why is this?"
"Under the crystal curtain of the eternal sun, the moth of shame." Eternal day refers to the whole day. Crystal curtain, refers to the curtain made of crystal, here you can see the beauty of the residence, is the rich and noble family. Moth, refers to a woman's eyebrows. Shyness is the look of shyness. The moth, that is, frowning. This sentence writes that the woman frowned under the crystal curtain all day, saying that she was sad.
"Six skirts, micro-lines dragging blue waves." Six Luo skirts, after the Tang Dynasty, wide and long skirts became the mainstream of fashion. At that time, a skirt was generally sewn vertically with six pieces of cloth. Li Qunyu has a poem "Skirt drags six pieces of Xiangjiang water". More useful seven, eight cloth, six skirts with a circumference of 3.18 meters, while the circumference of eight skirts is 4.15 meters, which is more fat than the long skirts popular in the ancient Western court, which to some extent reflects the social trend of luxury and luxury at that time. To mop the ground is to mop the floor. Micro-walking, that is, small steps, slow walking. 曳碧波, that is, Luo Skirt is lying on the ground like a rippling bibo behind him, and here is a metaphor.
"See the rain in the pool, play the group of lotus." The latter is specifically written about the woman's actions. The lotus is the round lotus leaf.
Rain hits the lotus
The characteristics of this song are still relatively obvious, the first sentence "How, more affection?" It is direct lyricism; the next two sentences are "Under the crystal curtain of the eternal sun, the moth of shame." "This belongs to the depiction of appearance;" six luo skirts fluttered, slightly dragging blue waves. "It is described through her clothing and actions; the last sentence is mainly an action description, to see the pond of rain and tuanhe, "shu rain and tuanhe" through a scene description, the heroine's sorrow and discreet, very vivid.
"Tuanhe" we just said is a round lotus leaf, "full of rain to hit the tuanhe", the rain to hit the tuanhe, it is obvious to destroy the tuanhe, its aroma, green, shape, will be destroyed by the rain. "Rain and lotus" actually implies that the passage of time destroys the youthfulness of the woman in the word, like a flower, and the beloved does not know where to go, do not know how much of his flower appearance is left when he returns? The last sentence has such an implicit meaning in it, so we must understand it well.
This song, the scene blends, the meaning is far-reaching, the image is clear, the words are beautiful, and it reflects the early beautiful word style.
(Note: The picture comes from the network)