The amorous swordsman is ruthless sword, the blade of the sword, and the rarity of the crossing

The noise of the jianghu is too lonely, and only the weapon is the loneliest. Gu Long proposed a weapon spectrum in "The Amorous Swordsman's Ruthless Sword", explaining the fate of each character, as well as his own view of martial arts. If the weapon spectrum means the philosophy of viewing objects, then the fate of every jianghu person has a philosophical interpretation of "gewu zhizhi". The first-ranked Tianji Stick died in the second-ranked Shangguan Jinhong's "Dragon and Phoenix Ring", the Second Ranked Shangguan Jinhong died at the hands of the third-ranked Li Xunhuan's "Ren Dao", the nameless Ah Fei defeated many people in the weapon spectrum, and the fourth-ranked Guo Songyang died under the silent and nameless Jing Lifeless Hand... Weapons are people. Weapons mean passion and destruction. The jianghu is a place for one's self-cultivation, and the cruelty, darkness and nothingness of the jianghu just confirm the fate of every jianghu person: the blade of the sword, the rarity of the crossing. For the way of martial arts, we should first cure the heart.

Duels are the most expressive of passion. Violence does not mean brutality and barbarism, but aesthetics. The best duel not only presents a violent aesthetic, but also portrays the lonely mental state and personality charm of the two warriors. For example, in the duel between Li Xunhuan and Guo Songyang, the two fought, Li Xunhuan gave in three times, the blade broke, Guo Songyang took the initiative to concede defeat, and the two became confidants. The duel scene between the two people, Gu Long wrote "fast and incomparably" wonderful, and conveyed the temperament of the two people, so that you have to remember a voice: only to seize the moment is literature. When Guo Songyang faces Li Xunhuan, he is only facing the "enemy in his heart" that he has been looking for, and he seems to represent the image of a "martyr": a magnificent and righteous spirit, the only dedication to the pursuit of swordsmanship, and the interpretation of martial arts and love with life. When Shangguan Jinhong first met the old man of Tianji, he used a scene of "lighting a cigarette" and "smoking", but it was nothing less than a thrilling duel, this "realistic" technique, calm, restrained, not falling behind, full of strange imagination - this is the path of literature, you have to have a whimsical imagination, to give the world one shock after another - because of the shock, so beautiful.

An unfulfilled dream. Because the jianghu has too many spells and illusions. I used to think that Gu Long's novels had the "colors" of writing: red and black. All the heroes have "red" chivalrous bones, but they have to face the "black" in their hearts: either love, or the confusion of enlightenment... Between "red" and "black", the image of a person is slowly raised- the sound of a person looking up at the stars is nothing more than the voice of a lonely human being.

Aspiring writers should try to write about the real "people" behind each legend: Where is the hero? Where are the people? Describe the breath, encounters, and complexities of people in the jianghu. A person's "extraordinary" actions must have roots in their growth, character, and philosophy. The purpose of literature is to repeat the most basic truth: why do people become human beings?! When you understand this, you must think about writing as construction, not only in the literary sense, but also in the Chinese cultural style. In a word, a good novel must have a vast atmosphere. For example, the owner of the Huanzhu Building built his "Shu Mountain", which integrates mythology, zhiwei, sword immortals, and martial arts into one, and shows the grandeur of the heavenly wizards. This is no different from Faulkner's construction of the "Joknapatafa lineage", but the latter tends to show local history and customs.

WeChat public account: management consultant (guanli223), every manager and aspiring to manage people are paying attention.