Dong Yuan(?) – c. 962), painter. Yuan-Zuoyuan (Chinese: Zhōngān), courtesy name Shuda, was a native of Zhongling, Jiangxi (present-day Nanchang, Jiangxi), who called himself a "Jiangnan native". Li Jing, the lord of the Southern Tang Dynasty, was then the deputy envoy of beiyuan, so it was also called "Dong Beiyuan", and after the death of southern Tang, he entered the Song Dynasty. According to the history of painting, Dong Shishan landscape figures, yunlong, cattle and tigers, omnipotent, especially landscape painting is the most famous, creating the southern school of landscape. His landscapes are mostly painted with the real mountains of Jiangnan without being strangely steep, and the record says that his landscapes and rivers are more than "plain and innocent, and Tang has no such products". Mi Fu once praised its landscape and water: "The peaks are haunted, the clouds are obscure, and if you don't pretend to be clever, you must be naïve." The "Painting Book" of the Five Dynasties records: "There are two kinds of Dongyuan landscapes: the same ink painting, the sparse forest and distant trees, the flat and deep, and the mountain stones are covered with hemp; the same coloring, the text is very rare, the color is thick, the characters are mostly red and green, and the human face also has powder." Both are excellent works also. Shen Kuo of the Northern Song Dynasty mentioned in the "Mengxi Pen Talk": "Dong Yuanshan painting, Longgong Qiulan long-distance view, more writing about the true mountains of Jiangnan, not for the strange mountains and steep brushes", also known as "its pen is very sloppy, myopia is not similar to the object, and the distant view is the scenery is chaotic...". Good at painting ink and light coloring landscapes, like to use the shape of the skin of the pen to express the mountains, on the alum head (mountain top stone) moss dots, more painting bushes of dense trees, hills up the staff, clouds and mist and Xiqiao Yupu, Tingzhu covered by the Jiangnan scenery, posterity called it plain and innocent, for the Tang Dynasty did not have. There are also works with strong colors, few mountain stone wrinkles, rich scenery, close to Li Sixun's style, and more indulgent and lively. Combining dragons, cattle, tigers and characters.
Dong Yuan Creek bank map
Dong Yuan is good at painting the long-range scenery of Qiulan, describing the true state of Jiangnan, not making strange brush and ink, and painting longshui and Zhong Kui, all of which are exquisite. The wind and rain valleys, smoke clouds, thousands of rocks, mountains and stones, and rivers make people reverie. His painting technique of painting mountains, with a pen more slender and round, shaped like a cloak of hemp, water patterns, trees more pavilion straight, leaves more with a single pen, a pinch pen, a method of soft penetration, there is sand underneath, with light ink sweeping, with broken rendering, supplemented by moss, full stage to show the southern landscape scenery is beautiful and colorful.
Dong Yuan Xia Jing Pass to be crossed picture scroll
【Name】Southern Tang Dynasty Dong Yuan Xiajing Mountain Pass to be crossed picture scroll
[Age] five generations
【Introduction】Silk, color, size: 49.8×329.4cm. Collection of Liaoning Provincial Museum.
The introduction has Dong Qichang inscription, and the volume has Yuan Ke Jiusi, Yu Ji, and YaHu inscription. It was once collected in the Southern Song Dynasty. The plutonium has the "Shao" and "Xing" Zhu Wen Lianzhu seals, and then enters the Yuan Nei Province, and the plutonium has the "Treasure of the Heavenly Calendar" Zhu Wen Seal. Later, it went through the Collection of Ming Xiang Yuan, Qing Geng Zhaozhong, Suo Ertu, and Qing Nei Fu, and all of them had the seal of jian collection. The size and texture of this painting seem to be connected with the "Xiaoxiang Diagram", and some overseas scholars believe that the two pictures are one in the same series, which are two paragraphs in Dong Yuan's "Diagram of the Wife of Hebo".
This map depicts the summer landscape of Jiangnan, where the mountains overlap and are gentle and long. The herbs are abundant, the rivers are beautiful, the clouds and mist are obscure, which are fully displayed in Dong Yuan's dot dyeing and rubbing, and the Song people commented on his paintings as "ink wang wei, coloring like Li Sixun".
Dong Yuan's green landscape
Name: Dong Yuan style Green landscape vertical axis four screens
Material, shape: colored paper
Size: 105×80.5cm×4
Dong Yuan: Mingyuan, also known as Yuan, Zi Shuda, served as the deputy envoy of Beiyuan during the Southern Tang Dynasty, especially known for landscapes, and his works include ink painting, green and green two-body, and especially fine ink landscape. Together with Juran, he is called "Dong Ju", the ancestor of the Southern Landscape Painting School, and together with Li Cheng and Fan Kuan, he is known as the "Three Great Masters of the Northern Song Dynasty". Jiangxi Jinxianren, five generations of Southern Tang painters. Good at landscapes, characters, tiger cattle, dragon water.
Dong Yuan River embankment evening view axis
【Five Generations】 Dong Yuan, Late View of the River Embankment, Collection of the National Palace Museum in Taipei
Shaft silk color 179 x 116.5 cm
According to Mr. Zhang Daqian's research, this painting is set as Dong Yuan's work. Shi Zai Dong Yuan's "ink painting Wang Wei, colored like Li Sixun", during the Northern Song Dynasty, it was also named after the green, and the mountain stone was made of hemp, which was characteristic of Dong Yuan's style. In the painting, the green waves are sparkling and the green mountains are high, the wine curtain is quiet and the horseshoe is light, and a spring is swinging. This painting is a bequest of Mr. Zhang Daqian.
Dong Yuan Hanlin Chongting diagram
【Name】Southern Tang Dongyuan Hanlin Chongtingtu
【Introduction】Silk, ink pen, light color. Length: 181.5, Width: 116.5 cm. Collection of Kurokawa Bunkin College, Hyogo Prefecture, Japan.
This picture depicts a creek hillock, the stream water recovers, and the heavy water is vast. In the middle of the continent, there are houses built on the hillocks, surrounded by trees, it is late autumn and early winter, most of the tree pages have fallen, only dead branches remain, a clear and desolate scenery of Jiangnan. This can be corroborated with the painting style of Dongyuan Landscape described in the history of painting, "Xiqiao Yupu, Zhouzhu Cover, and a piece of Jiangnan". The hillocks in the picture are covered with hemp, and the distant zhouzhu is crossed with long lines, and the pen is dyed in between to show the abundant water weeds. In the pen and ink, there are some characteristics of "Longsu Suburban People's Map" and "Xiashan Map", but they are not exactly the same, and the pen is more generous and coarse than "Xiaoxiang" and other figures. There is no money in this picture, and there is an inscription on the poetry hall of Ming Dong Qichang " Wei Fu collection Dong Yuan painting the world's first".
Dong Yuan Longsu suburban map
【Name】Southern Tang Dynasty Dong Yuan Longsu suburban people map
【Introduction】Silk, color painting, shaft, 156x160cm. Collection of the National Palace Museum in Taipei.
On this wide, nearly square vertical axis, the painter adopts the composition of "Pingyuan": starting from the close-up view at the bottom right of the picture, the soil slope is stacked from the bottom to the top, and the peaks and peaks of the middle scene are connected in a vein. On both sides of the mountain, on the right, there is a mountain pass valley with a trail leading to the rear; on the left is a meandering river, cutting the low hills, sandbars or slopes on the left and right sides, extending to the distant view above the picture, showing the flat and vast landscape around Jiangnan.
In the fifth generation, the green landscape was affected by the rapid development of ink landscape and had a gradual decline. Dong Yuan was one of the few painters who continued this tradition, such as the Xuanhe Pictorial Notation, which records: "At that time, there were not many people who colored landscapes and rivers, and there were few people who studied energy", so Dong Yuan "was specially named after the times". "Longsu Suburban People's Map" is a color work, after the ink is formed, the base is first based on ochre, the light color seen at the foot of the mountain and the stone foot is, and then the top is dyed with stone blue and stone green, and the whole canvas is brightly colored and the scenery is rich.
Under mineral pigments such as stone blue, stone green and ochre, the traces of ink painting can be clearly seen. The painter depicts the loose texture of the tushan mountains with the "long cloth hemp", and the trunks and branches of the paintings are outlined and dyed with thick ink to increase the thick atmosphere. Rich brushstroke variations, mixed with quaint colors, this type of style has a clear influence on Wang Ximeng's "Thousand Miles of Rivers and Mountains" (the collection of the Palace Museum in Beijing).
The scenery of the mountains and rivers depicted in this painting is not a heavy cliff and a magnificent trend, but a beautiful scenery with round and beautiful scenery. The top of the mountain is full of alum heads, dotted with thick moss spots, and the trees are lush, strong, and rich in business, which are typical of Dong Yuan's style. In addition, the peak is left blank, only with stone green and ochre dyeing, but with color to capture the natural scenery, as Shen Kuo's "Mengxi Pen Talk" recorded: "The source painting "Falling Picture", myopia is useless, the distant view of the village, far-reaching, all is the evening view, the top of the distant peak, like a reflection color."
The "Illustrated Treasure Book" records Dong Yuan's paintings: "The characters are mostly dressed in green and red, and the faces are also made of powder", which can be confirmed in this work. On the bank of the river, two boats are connected, dozens of people are singing and dancing with their arms, and several people on the bow of the boat and on the shore are beating drums; some people in the foothills of the mountains are holding lights on trees, and more than a dozen people are seen in front of the cottages and village houses, fighting with each other, showing an atmosphere of happiness and festivals. The activities of the characters are in line with the title of this painting " Longsu Suburban People" (the harmonic sound of "cage sleeve proud people") representing the people at the feet of Chengping Tianzi.
Seal Description Explanation Print Master Introduction
Yunjian Wang Yuzhai Collection, Wang Hongxu Seal, Huating Wang Clan Treasure, Yunjian Wang Hongxu Identification Seal, Jingshen Hall and several other pieces. Wang Hongxu Wang Hongxu (1645-1723), a native of Huating, Jiyou, Yiyi zhai, also known as Hengyunshanren, kangxi zhong as the second and first, official household department Shangshu. He is the author of "The Golden Garden Collection".
Zuo Xin's Seal, Mo Nong's Appreciation Zhou Zuoxin Zhou Zuoxin, Ming Chongzhen Ding Ugly Branch Jinshi, good at engraving seals.
Treasure of Xuantong Imperial Collection, Xuantong Appreciation, Wuyi Zhai Jingjian Seal Qing Xuantong Emperor Puyi (1906-1967), the last emperor of the Qing Dynasty, reigned for three years (1909-1911), the era name Xuantong.
Leshoutang Treasure Collection, Shiqu Dingjian, Baoji Re-compilation, Shiqu Baodi, Ningshou Palace Continued into Shiqu Baodi and several other pieces. Emperor Gaozong of the Qing Dynasty (1711-1799), the fourth son of Emperor Shizong of the Qing Dynasty, was the best of the Qing emperors. Emperor Gaozong of the Qing Dynasty also loved to appreciate calligraphy and painting, and once compiled the palace collection into the first and second editions of the "Secret Hall Zhulin" and "Shiqu Baodi". After reigning for sixty years, the temple number was Gaozong and the year name was Qianlong.
Chen Ding, to the royal identification of the treasure of Chen Ding Chen Ding, the word to the royal. Between Chongzhen and Kangxi, Wang Shimin's Kangxi Bingwu family letter once described chen Ding's purchase of calligraphy and paintings for Wang Erzhuo, and seemed to be a calligraphy and painting merchant at that time.
There is Jinsu Mountain Tibetan Scripture Paper In the southwest of Haiyan, Zhejiang Province, there is Jinsu Mountain, and there is Jinsu Temple under the mountain, which once contained thousands of scrolls of the Great Tibetan Scriptures of the Northern Song Dynasty, and each of its papers has a small red mark on the back of the paper, "Golden Millet Mountain Tibetan Scripture Paper". The paper is thick, textureless, and waxy inside and out. Later, the Tibetan scripture paper of Jinsu Mountain was gradually stolen, scattered into the folk, and peeled for decoration. In the Qing Dynasty, calligraphers and collectors liked to use it as an introduction to precious calligraphy and paintings.
Titled Explanatory Essay Author Author Introduction
Dong Wenmin draws Zen notes. Contains a map of the suburban people of Longsu in Beiyuan. Shu River map. Xiao Xiang diagram. It's all in my house. The brushwork is like a second-hand. He also painted several frames in the North Garden. There is no compound. It can be called a dragon in the painting. Fu calligraphy uses the right army as a dragon. And the painting pushes the North Garden for the dragon. Its praise is supreme. This painting is incorporated into the dynasty. It belongs to the predecessor Zhuang Tan An Gong Shu. Later, it was returned to the remaining lord Kunshan Grand Sikou Xugong. Now is the rest. Descendants of its worldly treasures. Kangxi Dynasty August Lookout Day. Wang Hongxuzhi. Wang Hongxu Wang Hongxu (1645-1723), a native of Huating, a native of Jiyou, a native of Hengyun Mountain.
The folk language of the suburbs of Longsu is very strange. Dong Yuanjia is known to the world.
Incense identification frame first question. Don't be strong.
It is said or 箪 kettle to welcome the king's master. At that time, The art ancestors did not move.
Cao Bin ordered him to go to the Division of the Three Armed Services. Where did the Dragon Su people greet them.
Look closely at the paintings like the first summer period. There are yellow-leaved branches.
No ploughs have been seen in the suburbs. When the people look forward to the rain dragon.
Two ships lined up at the end of the river. The children teased the glory period.
Another example is tug-of-war. Its matter is also close to please rain for.
The name of the painting seems appropriate. I hesitate to be honest or not.
Zheng Xia drew this fa yi. This non-proverb is also a proverb.
It is advisable to pay homage to the king. Beiyuan's magic pen is full of spirits.
How can I say yes? Emperor Gaozong of the Qing Dynasty (1711-1799), the fourth son of Emperor Shizong of the Qing Dynasty, the temple name Gaozong, the year name Qianlong.
Dong Yuan this figure. Yuan has not been identified before. Ming Dong Qichang inscription frame end. It is said that yizu entered the imperial palace when he went down to Jiangnan. History of the Song Dynasty. Kaibao seven years in September. Ordered Cao Bin PanMei to attack Jiangnan. Nine years of the first month. Imperial Mingde Gate. See Li Yu downstairs. It was that Song Zu did not personally conquer Jiangnan. Ander has a suburb to meet things. If you think it means bingmei. Nor shall it be referred to as a dragon. Biography of Cao Bin. After the Jijiang River. Even broke the Jiangnan Army. There is also no greeting language. Gai Qichang's name in the figure is not understood. Thus the ear is heard. And Zhang Ugly Qinghe Calligraphy and Painting Ship. Then I thought that I wrote About Taizu Dengji. Shi Dongyuan zhengshi southern Tang. He Yu painted song and jing to take the throne ceremony festival. And the diagram is not similar to receiving Zen. Its is even more unrecognizable. According to legend, the dragon saw and the goose. Note the one who knows. The month of construction. The dragon su saw the east. Everything begins to flourish. Wait for the rain to be heavy. Look at the picture in the picture today. Quite like early summer. And the two boats crossed the water. Everyone danced with their arms together. It's like a tug-of-war of the ancients. Suspicious suburbans saw the Dragon Su praying for rain. The source is named on the day. Meaning or take it. Fu Zhun sutra painting. It is better than Fu Shi's falsehood. And the chart is civil. Don't forget to do the art of advice. It is not hesitant to go through the temptations. Both titled long songs to discern them. And attached as right. Ugly new positive. Imperial Pen. Emperor Gaozong of the Qing Dynasty (1711-1799), the fourth son of Emperor Shizong of the Qing Dynasty, the temple name Gaozong, the year name Qianlong.
Map of the suburban people of Longsu. I don't know what it means. Most of the pots greet the teacher. Gai Yizu entered the imperial court when he went down to Jiangnan. Although the name is ugly, the painting is very strange. Dong Qichang Dong Qichang (1555-1636), Huating people, the character Xuan Zai, the number Si Bai, alias Xiangguang, Si Weng.
Yu yi Ding ugly year of the dark night of March. Candles are lit to try to paint landscapes. Since then, it has been good again. When to Gu Zhongshe Zhongfang's house. Look at the paintings of the ancients. If the yuan season four everyone. Much to please. Gu Dushi Huang Zijiu. Where it takes years. Both de-browning. Borrowed paintings from Chang'an Good Deeds. Only the Song people have the most authentic works maxia li tang. There are few meta paintings. Xin Di asked for a complaint to return the favor. It is the work of the four families of the Great Search. Long-term meaning should be traced back to its origins. One is based on beiyuan as a division. And Beiyuan painting is very beneficial. Dexi Mountain Tour. It was hidden by Shen Qinan in his lifetime. And it has been repeated again and again. Spread the word Gangnam. And the history of Kao's painting. Beiyuan is set up with green landscapes. Absolutely like Master Li. Take the map of the travels you have learned. The Beiyuan Law has not been exhausted. Ding Youdian tested the right return of the river. Fude Longxiu suburban people's map in Shanghai Pan Guanglu. Since then, it has been slightly called Full Of Ambition. He has lived in the mountains for more than twenty years. Traces of the Northern Song Dynasty. Gradually harvest one or twenty kinds. Only Li Chengyan Wengui. Now into Chang'an. See also volume by frame. Among them, there are ten paintings of Shen Sima Jia Huang Zi Jiuyi. From then on, it has stopped. Such as Junping's Bu Huang. After the curtain is lowered. Don't repeat it. Apocalypse Of The Obscure Day of September. Si Weng Zhi. Dong Qichang Dong Qichang (1555-1636), Huating people, the character Xuan Zai, the number Si Bai, alias Xiangguang, Si Weng.
From the fifth dynasty to the early years of the Northern Song Dynasty, it was a mature stage of Chinese landscape painting, forming different styles, which were summarized by posterity as the "Northern School" and the "Southern School". Dong Yuan's "Xiaoxiang Tu" is regarded by the history of painting as the pioneering work of the "Southern School" landscape. The surviving works include the volume of "Xiaoxiang Tu", which is now in the Palace Museum; the volume of "Xiashan Tu", which is stored in the Shanghai Museum; the volume of "Xiajing Mountain Pass to Be Crossed" and the "Museum of Liaoning Province"; the "People's Map of Longsu Suburb" and the "Dongtianshan Hall" two scrolls, all of which are recorded in the "Three Hundred Famous Paintings of the Forbidden City".