This poem is written about autumn scenery in the mountains. The whole poem exudes a lonely and depressed mood in the description of Xiao Seyi's quiet scenery, and expresses the feelings of melancholy and loneliness.
Donggao looked at the twilight and leaned on what he wanted.
The trees are all autumn colors, and the mountains are only falling.
Shepherds drive calves back, and hunting horses bring birds back.
Looking at each other without acquaintance, long song Huai Tse-wei.
The first link, the scene contains emotion, there are people in the scene.
In the evening, as the sun sets in the west and the sky is full of smoke, the poet climbs the Donggao Pole alone and looks far away, wandering left and right, silently reciting the verses in Cao Cao's "Short Song Line" - "Three turns around the tree, He Zhi can be relied on".
"Bo Twilight" explains the time and renders the atmosphere, "Donggao" points out the location, and "Leaning on Desire and Desire" indicates the mentality, complex depression. These two seemingly bland narratives clearly explain the author's mood and set the tone of the whole poem.
The jaw link, writing about the quiet scenery of the mountains and forests in autumn, further renders the author's lonely and depressed mood from the front. From what he saw, the poet sketched us a picture of the autumn evening.
The endless woods are dyed the haggard yellow color of late autumn, and the rolling mountains are dyed with the twilight of the sunset. The seemingly quiet and open scene gives people a sense of desolation and twilight.
The neck joint, writing about the activities of people in the evening, sets off the depressed and lonely mood of the poet from the opposite side. The poet paints us with a dynamic scene of a country man returning from grazing.
The cattle herding boys sang mountain songs, cheerfully drove the cattle back home, the hunters rode on horses, shouted loudly, and returned with their prey satisfied, what a comfortable scene, what an intoxicating picture. But these hilarities are theirs, the poets have nothing, some are lonely and lonely.
Tail Lian, finally can no longer hold back the inner emotions, straight to the chest. The poet returns from the beautiful and lively scenes and returns to the original state of mind, adding a dazed, lonely, and bitter mood.
Most of the southern dynasty poetry is gorgeous, like a pearlescent noblewoman wrapped in satin. Stepping out of the pile of noblewomen, I suddenly met a village girl with a thorny cloth skirt, and her simple beauty without fat powder will produce a special charm.
Wang Ji's "Wild Hope" has such a simple benefit.