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# Introduction
Tang Lin is a scholar of art history, director of the Art Research Center of the Sichuan Academy of Social Sciences, an academic member of the Sichuan Academy of History, an expert on intangible cultural heritage in Sichuan Province and Chengdu, and a member of the Chinese Writers Association. He is the author of "Sichuan Art History" in the first, middle and lower volumes (a total of 3.2 million words), most of which are the library collections of Famous Universities, Provinces and Cities such as Peking University, Tsinghua University, Renmin University, and National Map, Shoutu, and Shangtu. He has won the Translation Award of Children's Literature and the Bashu Literature and Art Award.
Li Bai calligraphy crown cover Jinghua
During the Wei, Jin, Sui and Tang dynasties, the art of calligraphy reached an unattainable peak in history.
Shusheng Wang Xizhi wrote the "First Book of the World" and "Orchid Pavilion Preface" at the Lanting Pavilion in Huijishan Yin; Wang Xianzhi's Thousand Year Monument Tuoye's "Luoshen Endowment" of "Walking the World Xiaokai Is Unrivaled"; as well as the "Three Xi" "Boyuan Tie", "Qing Paste when The Snow Is Fast", and "Mid-Autumn Festival" like a flowing cloud; Zhang Xu and Huai Su, who were sloppy and careless; Yan Zhenqing, who was a model of calligraphy for more than a thousand years, and Liu Gongquan's "Yan Jian Liu Bone", all of which were waves on the wave of calligraphy.
▲ "Qing Paste when the Snow Is Fast" Wang Xizhi
During this period in Sichuan, there were calligraphers such as Yan Zhenqing, who left ink in Shu, as well as calligraphers such as Li Bai and Wu Zetian who came out of Sichuan.
Li Bai, that embroidered mouth spit, half a great poet of the Tang Dynasty. The poem has been recited for thousands of years, but only one of its calligraphy, "Upper Balcony Stickers", has survived.
That was in the three years of Datang Tianbao. Li Bai had just experienced the Chang'an Hanlin life of "the royal hand spoon, the lux took off the boots", and then was demoted out of Chang'an, that "the son of heaven did not come to the ship, claiming that the subject is a fairy in wine", now finally do not have to care about the shangchao and "Yun wants to dress and flowers to look at". At this time, Li Bai was just a fairy who lingered between the flowers and the moon with poetry and wine, and went to a dream of poetry, wine, bright moon and freedom.
It was in the autumn when the leaves were low, and Li Bai, who was frustrated but also free, met Du Fu, who was in full bloom but trapped in Los Angeles, and Gao Shi, who was still ambitious in the famous Sun Mountain. The three of them walked all the way through the great rivers and mountains, out of a thousand miles a day, out of a tiger and tiger, out of a trance like a world. Although they have great ambitions, now they are from the end of Qingping, and the "Ji Cangsheng", "Fushe Ji" and "An Liyuan" in the world are still remembered in their hearts, and they are still willing to "yong shanshui", "envy immortals", "singers and heroes" and "looking for friends" in the free and free.
At the Balcony Palace of Wangwu Mountain, where Yugong moved the mountain, Li Bai searched for his friend Sima Chengzhen, but Li Bai, who came from a flat boat in the distance, could not hide the heaviness of his heart in the midst of freedom and lightness, and time flies, and the friends who once traveled out of Shu to meet have now left only a few landscape paintings. I can't forget the days when I was once full of spirit, but after all, it was the deceased such as Sifu, so there was "On the Balcony Sticker", the only ink that Li Bai had circulated in the world.
▲ "On the balcony sticker" Li Bai
The pen blade flew on the paper with ink, and mentioned and folded, "The mountains are high and the water is long, the objects are like tens of millions, there is no old pen, and it is strong and poor." Eighteenth, on the balcony book, too white. A few words of cursive writing are just like Li Bai's lavish and free poetic style in this period, this is not the bleak loneliness of "once in Chang'an drunk flowers and willows, the five marquises and seven nobles with the same cup of wine", nor the arrogance and uninhibitedness of "laughing at the sky and going out, my generation is a basil person", nor is it the flattery and compliment of "yun wants to dress and flowers, and the spring breeze blows Revlon", but the contradiction between the loneliness of drinking a thousand cups of wine alone and drinking the ancient sorrows under the prosperity of the Tang Dynasty.
Li Bai, who is very bright and long in the article, has only left this one inkblot, but even this "Upper Balcony Sticker" is full of legendary collection experience, which has been entered the Xuanhe Inner Mansion during the Northern Song Dynasty, and then returned to Jia Xiangdao, the Yuan Dynasty through Zhang Yan, the Mingzang Xiangyuan Yuanbei Tianlai Pavilion, the Qing Dynasty first obtained by An Qi, and then entered the Inner House. Before and after, there were only a dozen people who left a collection of seals and back paper on it, and there were even inscriptions and observations such as Song Huizong, Yuan calligrapher Ouyang Xuan, and Qing Qianlong.
Poetry and wine years, calligraphy and painting life, poetry immortal pen and ink sprinkling is an eternal monument in the history of poetry and books, a splendid huazhang inherited from generation to generation, Li Bai and his works have long been brewed into moonlight and Chinese culture by time.
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The End
Text | Tang Lin wrote | Xiao Luo design | Muzi Picture | Internet