Yan Leisheng's novel
Yan Leisheng is talented, and in the past, reading his masterpiece "Tianxingjian", he admired his writing, and compared with the current popular online novels, "Tianxingjian" undoubtedly appeared different. Its thick atmosphere is also extremely rare in the long works of pure literature, the author fictionalized a huge self-sufficient space, interspersed with countless Chinese and foreign historical allusions, if you go deep into it, it is not difficult to find some simulations of historical facts. This kind of work is probably the only one in Taiwan that Zhang Zhiguo's "City: Science Fiction Trilogy" can be compared. Chu Xiuhong, a Hamlet-style Chinese man, is a maverick in the epic war of blood and fire, with the joys and sorrows of ordinary people. Chu Xiuhong's ending was tragic, and he took the initiative to go to the guillotine for a vain so-called republican ideal. With such a temperament, the author cannot control his life and death. Other characters in the novel, such as Wu Hou, Wen Hou, Chen Zhong, Zheng Zhao, etc., are all vivid and ready to come out. Some of his legendary series such as "Dao Ke Dao" and "Zhenguan Youming Tan" can also be observed. "Dao Ke Dao" is the background of the end of the Yuan Dynasty, the world is chaotic, drought and famine, and good and evil are opposed. Writing the trail is unintentional, the spirit is alive, stripping off the heroic coat of the traditional martial arts, giving the protagonist a mortal color, more real and credible, mixed with warlocks, Taoists, spells and other strange talk, self-seeing wind and bones, interesting to read. Xiao Dao was heartless, and vaguely had Wei Xiaobao's style. Set against the backdrop of Chang'an in the last years of the Tang Dynasty's Zhenguan Dynasty, "Zhenguan Youming Tan" depicts a young man who has been saddled with a curse since childhood, Ming Chongyu, in the process of pursuing the secret of his own life, involved in the conspiracy of the prince, the bearded guest, and the king of Nanzhao County. The author Yan Leisheng uses skillful legendary brushwork to build up his own style of Zhenguan Youming World, while embedding the historical background of that era, and blending fiction and historical facts together, making people feel like real. Good legends, virtual with reality, rather than blind overhead, such as Jin Yong, a strong sense of history imprinted on his martial arts jianghu, fictional characters are enough to stand shoulder to shoulder with historical figures. Characters such as the Three Heroes of Wind and Dust, Li Chunfeng, yuan Tiangang and other characters in "Zhenguan Yu Di Tan" have appeared successively, becoming a wonderful embellishment in this legendary story. Although the young Ming Chongyu is the protagonist, he is not the protagonist in the traditional sense, he is only a passive participant, and everything is only the power of the curse. The clues of the story are led by Ming Chongyu, and gradually approach the truth. This narrative technique, simple and natural, gradually enters a good situation, and the handling is very sophisticated. However, I suspect that "Zhenguan Youming Tan" is not a complete work, and there is too much information buried in it. Perhaps "Zhenguan Youming Tan" is just a story in the author's huge Tang Dynasty legend. All the legends that leave us are actually the abyss of the human heart and the presentation of human nature.
Catty fiction
I have read catty "Qing Yu Nian" before, and its scenes are shocking. Huge history is overhead, and it is written in every detail. However, the modern sniper rifle written into the novel is both oily and slippery, and it is not in harmony with the overall style of the work. "Celebrating the Rest of the Year" actually has two clues, one bright and one dark. Explicitly write the open and hanging life of the male protagonist Fan Xian, and secretly write Ye Qingmei's constitutional balance. The next "Will Night" writes a history of the rise of the grassroots, a sunny youth trip. The young man named Ning Que cultivated his true cultivation and entered the world, crossing the dust of the past. It is better to suffer eternal devastation than to seek liberation from the saints. This is the author's favorite character, even if the later male protagonist of "Choosing Heaven" Chen Changsheng, I am afraid it is difficult to compare with Ning Que. It's just that in the second half of "Will Night", the brain hole is too big, the heavens are into the earth, but it is distorted. Personally, I prefer "Choosing Heaven", the narrative is slow, so that the characters naturally flash. In the process of writing, the author has a normal heart and does not seek speed with strange dangers. Its plot writing, the historical background (Datang) is laid in the core of the story, exploring the inner growth of the individual, the male protagonist Chen Changsheng has always treated the world with a calm heart, although the shadow of death has always accompanied him. It's a bit of a surprise to read. Especially in the first half, chen Changsheng's counterattack at the National Religious College and the Great Dynasty Examination, Tianshuling, etc., is wonderful, and some passages are really good to see and amusing, showing that catti's grasp of such themes is not inferior to his previous "Qing Yu Nian" and "Will Night". Among them, the voices and smiles of the demon princess Luo Luo, Tang Thirty-Six, Xu Yourong, Folded Sleeves and others are vivid. Especially Tang Thirty-Six, flying and jumping off, youth is invincible. He is talented, rich, good-looking, and strategic, and Chen Changsheng has friends like this. As for Akiyama Jun, who is away from the Mountain Sword Sect, such an amazing and brilliant character seems to be just a contrast of the male protagonist, which is a pity. However, the second half of "Choosing Heaven" is gradually declining, and the writing is hurried and stifling. Writing is always to write your own style, even if the fantasy is true, in the writing of genre stories, you also need the author's personal breath to flow through it. No matter how it is written, there must be an air of the author himself flowing in the work, that is, the author's personal style, not a thousand people. Most online novels focus on storytelling and ignore the techniques of storytelling, and the most basic foundation of modern novels is narrative. "Choosing Heaven" takes the reversal of fate as the fictional center of gravity, interspersed with the history of the struggle between the three tribes of man and demon, and builds a personal world view. Cultivating truth, talking about love, entering into holiness, all kinds of encounters, are just a dream in life. When we wake up from a big dream, we have nothing in the world.
Step non-smoke novel
Everyone has a jianghu in their hearts, fresh clothes and angry horses, happy to take revenge. Wuxia Jianghu is not only the patent of Jin Yong and Gu Long, as the representative writer of the new martial arts in the mainland, Tianya Ghost Story Moderator Bu Feiyan wants to write his own jianghu, her jianghu is a "legend", and this legend is starting from "Wulin Inn". The martial arts of Bu Fei Smoke are known for their "suspense", rich imagination and clever plot conception. The first volume of "Wulin Inn" "Riyao Scroll" is divided into three chapters, telling the story of the divine doctor Li Qingxuan, the sword god Guo Ao, and the hunting god Tie Hate, the three stories are wonderful, and when all the dust settles, they find that this is only a prelude, and the real story has not yet begun. In fact, "Wulin Inn" is just a slanted branch of the author's construction of the "Huayin Liushao" series, and the divine doctor Li Qingxuan, the sword god Guo Ao, and the god of catching iron hatred are just the foil for the appearance of the big man Zhuo Wangsun. So the author said: "I even hope to let them continue to perform, and I can't bear to let them make way for the protagonist who is about to appear." However, no matter how eccentric I am, they are only characters in the overture after all. The canon is always staged. "A good novel should be that the author cannot control the fate, life and death of the characters. Unfortunately, "Wulin Inn" failed to do this step, and the realm ended here. How I like the three characters of the divine doctor Li Qingxuan, the sword god Guo Ao, and the god catcher Iron Hate. As for her huge martial arts series "Huayin Liushao", people are unpredictable and illusory. The martial arts works that have not smoked in the past, such as "The Demon of the Sea", "Wuxia Inn", and "Shuluo Dao", do not take off the way of the new martial arts, the story is simple and smooth, and there is a shadow of suspenseful reasoning between them, which makes people have the interest of reading. Martial arts legacy, after all, there are successors. In the later period of the "Huayin Liushao" series, the realm opened up was even greater, and the concept of the hermitage was more complex, such as the gods, demons, immortals, and Buddhas, and Tibetan tantra. From this, we can see the author's ambition and ambition, but this kind of writing gradually forces the story to a snubbed corner. Human gods and demons, entangled together, past and present lives, resurrection and death, coupled with excessive lyricism and magic wind, out of the essence of martial arts, so that the most fundamental thing of martial arts novels - the story becomes looming. Genre novels must have a good story as the foundation, and on the basis of telling a good story, they can tell more and deeper philosophies of life and the joys and sorrows of the world. Without storytelling, there can be no unforgettable reading feeling. The theme of the wuxia novel itself has additional limitations (this is true of genre novels), and it is definitely more difficult to write a good wuxia novel than the general pure literary novel, so the world can only see the greatness of Jin Yong's martial arts.
The novel of Erdong Mizushou
On the evening of July 18, 2012, Erdong Shuishou began to serialize the "Poll Bureau Strange Stories" in The Lotus Story of Tianya, the first sentence of the novel: "In 1987, a rare forest fire was encountered in Daxing'anling. When the fire was extinguished, there were ruins and broken wood scorched by the fire everywhere, and the air was filled with the smell of burnt paste. This opened the curtain on the storm of the poll bureau. The Bureau of Polls, short for the Bureau of Research on Folklore Affairs, is an organization dedicated to investigating the truths of mysterious, horrific, and supernatural events. The male protagonist is Shen Li, a special soldier born with yin and yang eyes, who was saved by the white-haired man Wu Mian because of an accident in the arrest of the drug lord. Then he joined the poll bureau and began a series of bizarre and exciting "supernatural" stories, writing a group of lifelike mysterious characters. This type of novel is similar to the previous "Ghost Blowing Lights" and "Notes from the Tomb Robber", both of which are fictionalized and have a self-contained worldview. From this, a series of stories of gods and ghosts are built, full of imagination. But this kind of narrative work, unlike the completely overhead fantasy fairy, the author often relies on a certain reality, as if the strange things in reality are just difficult for ordinary people to contact. This kind of writing continues the boom of qigong and special functions in the last century, but it only changes the form and resurrects it in the human world in a text version. For example, before and after the publication of the "Records of Strange Stories of the Polling Bureau", there were works such as Snake Congge's "Yichang Ghost Affair", Nan Wuyuan Li Kefo's "Miaojiang Deception", and Yufeng Lou's "Mai Shenxiang" and other works, with similar themes and different writing methods. These works focus on the neglected side of traditional Chinese culture, namely the strange power and chaos. In fact, in the old days, this kind of creation has been continuous since the beginning of the Warring States, such as "The Biography of Mu Tianzi", "The Classic of Mountains and Seas", "The Book of The Immortals", "The Book of Divine Anomalies", "The Chronicle of Naturalistic Things", "The Book of Shuyi", "The Record of Searching for Gods", "The Record of Youming", "The Record of XuanWei", "The Miscellaneous Tricks of Youyang", "The Record of Taiping Guangji", "Zi Bu Shu", until the Qing Dynasty's "Liaozhai Zhiyi" became a master of the collection. The writing of "Poll Bureau Anecdotes" emphasizes the bizarre and incredible nature of the story, which is consistent with the style of online writing. Some scholars have commented on the growth of Jin Yong's novels, and the same is true of the "Poll Bureau Anecdotes", and the male protagonist Shen Li has gradually grown up in various supernatural events after experiencing bizarre experiences. They are in this world, to unlock the truth of another world. Erdong Shuishou wrote his prequel and sequel after writing the "Anecdotes of the Poll Bureau". At present, Lianpeng Ghost Story is serializing the "Biography of Mian of the Poll Bureau", which tells the past and present lives of the white-haired man Wu Mian. Fictional narratives, in this age of information pervasiveness, have unexpectedly gained attention. Perhaps, the story is still a sentiment that we cannot let go of.
Lei Ligang's novel
Lei Ligang's early works are mainly scattered in "Tianya", "Beijing Literature", "Youth Literature", "Mountain Flower" and other magazines, the original "Six Fingers" is refreshing with that strange and bizarre atmosphere, and his more mature works such as "Xiao Qian" and "Murder" ("Tianya", No. 3, 2001) have won the appreciation of the famous critic Mr. Li Tuo, Li Tuo believes: "Lei Ligang should be regarded as a 'writer of the 70s', but "Murder" It is obviously different from the writing we often see under this name. "Murder" is a very special novel, the novel shows the daily life that many of us are familiar with, because the environment and scenes are 'organs', and the characters are only the chief of the department and a few small civil servants, so this daily life is naturally mediocre, trivial, dull, chicken and dog. But when Lei Ligang depicted these boring and trivial, he did not follow the realistic path, but caricatured them, and the daily life of the organs that many of us are very familiar with, including drinking tea, reading newspapers, and chatting, all became satirical cartoons. "Lei Ligang's novels integrate traditional novel factors such as zhiwei and ghosts into absurd, magical, and fashionable contemporary themes, and strive to excavate the hidden wounds in the depths of modern people's hearts. Lei Ligang's mature grasp of the novel is in stark contrast to his age of being so young. The later novel "Mandala" can be said to be the best fictional work on the theme of college life in the past 20 years. Its story is not complicated, its focus is to tell a love story full of sorrow. The story takes place in a certain university in Tuocheng, and since I know some of the author's life experiences, it is safe to say that this novel has a large autobiographical element. Of course, from the perspective of the larger context, all narrative literary works have more or less autobiographical elements. The autobiographical factor can strengthen the realism of the novel to some extent, but although "Mandala" carries the shadow of the author's personal life, it cannot be said that the protagonist of the novel, Masson, is completely the author himself, and the more the literary works that emphasize autobiographical color, the more the author's fictional talent can be read. Although novelists born in the 1970s like to "write privately", Lei Ligang's purpose is not to narrate a simple campus love story, but rather to emphasize the narrative's return to the inner state of his own life, explore the life experience of the creative subject, and write the history of youth and love for their generation. The writing of this kind of subject matter is actually the deepest desire of every novelist—the ambition and dream of reconstructing history. In a way, "Mandala" is a wonderful work of "body writing", it is worthy of many friends who love this novel, its significance is to express the growth history of people in the 70s with the encounter of love, between the lines, full of imagination.
Murong Xuecun's novel
When The first intimate contact with Pi Zi Cai was regarded as a masterpiece of online literature, Murong Xuecun, the moderator of the Tianya community, posted the novel "Chengdu, Please Forget Me Tonight" in Wuwen in April 2002, which was quickly sought after by netizens and was extremely popular, almost all forums reposted this novel, and the number of readers quickly exceeded 200,000 times, creating a miracle in the history of online literature. "Chengdu, Please Forget Me Tonight" has gradually become a classic of online literature in the future, and Murong Xuecun himself has become an iconic figure in the Tianya community. "Chengdu, please forget me tonight", seemingly popular, but in the original state of writing to express the truth of life, write unscrupulously, the cruelty of survival, the darkness of reality, the ugliness of human nature are fully revealed, vividly. As an outsider master of fiction. Brother Xuecun's language is as sharp as a razor, and he is very happy to solve the cattle. His narrative goes straight into the depths of human nature, and in the purgatory of money and love, he glimpses a solid sense of truth. "I rolled down from the high mountain of carnal desire, and my expression was as sacred and vicissitudes as a saint's. The world was empty, and I lay quietly, damp underneath, my heart at peace, and my eyes sad. "This sense of nothingness, the desperate struggle is thrilling. "Forgive Me for The Upside Down of Red Dust" is still the consistent style of Murong Xuecun, writing the joys and sorrows of the men and women in the red dust under the flow of materialism, and the pen and ink are painfully dripping, implying the author's strong cynical compassion. The author paints a colorful picture of a group of dog-like lawyers and civil servants of the political and legal organs, whose actions show the decay of this society that has penetrated deep into the bones. There is no clean hand, there is no so-called justice, everything is nothing more than a struggle for interests. Just so-called: hate water Xiao Xiao west wind cold, full of clothes and animals. Murong Xuecun's writing departs from the fast-food problems common in online writing and is reduced to an inner criticism of life and society. Whether it is "Chengdu, Please Forget Me Tonight" or "Forgive Me for Being Upside Down in Red Dust", they are not written in commercial online texts, with pain, with traumatic memories, and with personal criticism. Therefore, there was a non-fiction work that later went undercover and wrote "China Is Missing a Taste of Medicine". It can be said that Murong Xuecun's writing has restored the dignity of online literature and restored the original value of literature.
Zhou Haohui's novel
With the popularity of the web drama "Darkman", Zhou Haohui, the author of the original novel "Death Notice", is known. Around 2009, reading Zhou Haohui's suspense novel "Murder Painting", may be the first detective reasoning story of criminal police Officer Luo Fei, the concept of "Murder Painting" is very clever, and the author is also good at creating a suspenseful atmosphere unique to speculative novels, especially at the end, there are often unexpected baggage shaken out. However, at that time, Zhou Haohui was addicted to strange cases and could not extricate himself, and he exerted too much force on the storyline, which made the existence of the protagonist Luo Fei become as if there were none. The emergence of "Death Notice" marks the maturity of the author in the reasoning narrative, not only has a wonderful and good suspense story, almost impossible things are reproduced in the author's pen, such as a character who is closely protected by the police or killed on the spot by the murderer, this bridge section is the mode of police movies, the author uses it in the narrative of the novel, and borrows popular writing techniques to write a new and sinister life, so that we can see the helplessness of living elsewhere and understand the illusion of life. 1 In this series of suspenseful reasoning works, the author creates a criminal police officer Luo Fei with the aura of the protagonist. This is a typical character worth writing about, with personality, professional ability, and vulnerability. Like the world-renowned detective Holmes, Luo Fei is interested in solving all kinds of bizarre and strange cases, and he is always looking for answers to various questions. So, obsessive-compulsive disorder can make a person incredibly successful in his field of expertise. In the past, Chinese literature pursued ideological value and human depth, and lacked understanding and writing about the entertainment and good-looking nature of novels. Writer Fang Fang once said: "Traditional literature cares about their own hearts, and online literature cares about the feelings of others; traditional writers write to satisfy themselves, and online writers write to entertain others." "Caring about the feelings of others is actually to meet the reader's reading expectations; entertaining others is to pay attention to the beauty and excitement of the story, and cannot talk to yourself." Zhou Haohui's suspenseful reasoning series started from the forum and walked in front of the real public. Entertain yourself first, then entertain others. In the long writing, good writers will reflect, will improve, and will write fresh initial intentions in the inherent mode. The rise of Chinese suspense reasoning has changed a kind of writing existence that was previously ignored. Zhou Haohui, Remi, Cai Jun, Zijin Chen, Hu Yanyun and a large number of other talented writers have illuminated the darkness of the world, and they have shown with their own writings that all suspense is the existence of the current problem.
Naran's original novel
Re-reading one of the original "Yellow Spring Guides" of The Yellow Springs, the Tianya Ghost Writer, "Broken Dragon Platform" and the second "Evil Soldier Genealogy" (two volumes), I felt the passage of time and the vicissitudes of time. The novel that Brother Naran sent me was still more than ten years ago. At that time, the film and television commercial value of online literature had not yet been recognized, and Brother Nalan was obsessed with the strange and chaotic gods of the Chinese tradition, writing the past and present lives of Huangquan's guides. "He looks no more than thirty years old, his hair is slightly disheveled, his beard is full of beard, his eyebrows are dark and thick, his face is thin, and although he is somewhat untrimmed, those eyes are surprisingly quite radiant." This is the description of the male protagonist "Huangquan Guide" Yuwen Shuxue when he first appeared in the novel, and his destined professional identity, which led to a series of supernatural stories. In the bloody narrative, it presents the tribulations and fates of the world. In "Broken Dragon Platform", Yuwen Shuxue, as the guide of Huangquan, faces the three fierce beasts of the ancients: Chaos, Chiseled Teeth, and Hedgehog. This kind of ancient fierce beast written into the novel is the convention of online novels, such as the gluttony in "Xue Xian", the earth fox in "Choosing Heaven", the inverted mountain beast, etc., most of which use the "Classic of Mountains and Seas" as a facsimile, or directly apply it, or slightly modify it, to create a strange world. In the "Evil Soldier Genealogy", the author also fictionalized a set of "evil soldier rankings", such as the Star Fall Knife, the Sethle Machete, the Cross Sickle, the Kris Long Sword, the Kancha Short Sword, based on East Asia, Central Asia and Europe, and the ancient weapons contain evil spirits, and the real story forms antecedents and consequences. Nalan Yuanchu's works are cleverly conceived, blending wild history and legends, writing urban strange talk, and extremely readable. In addition to the success of its protagonist, other main characters are also brilliant. The grudge between the Dragon King and the Tang King Li Shimin in "Broken Dragon Platform", the grudge between the Late Tang Dynasty Huainan Jiedushi and the weapon forgers in the "Evil Soldier Genealogy", and the grudge between the Japanese illusion world and the Chinese magic world, are false and real, and fascinating. Although the story is bizarre, it does not lose its authenticity. Brother Nalan was only unaccustomed to the proliferation of foreign Xuanling culture in Europe, America and Japan, and the traditional myths that have a long history in China were declining day by day, so he had the heart to revitalize the ancient style, so there was the birth of the Huangquan Guide Series. According to the original publication plan, there is also a third part of the Huangquan Guide series, "Broken Danqing", but it seems that it has not been written.
Li Ximin's novel
When I met Li Ximin, he was still called Little Tongue, and at that time, his dance in the Tianya community was mixed with ink and ink, and he was also a famous writer in the version. Later, I had a lot of contacts and read a lot of his works. Li Ximin's novels can be roughly divided into two stages. These two phases intersect with each other and are not related to time. He first appeared as a purely literary writer, including the novel collection "Sunshine Horse Foal", and later the atmospheric "Book of Death" (the novel consists of more than twenty death events, writing about the harsh reality of rural China). The deaths of those villages are as humble and unappreciated as the weeds of the countryside. However, the realistic background of their occurrence makes these deaths exude thought-provoking practical and historical significance) as well as novels such as "The Good Girl", "Sister's Cemetery", "The Dog of Seven Lives", "Blood Is Burning", and "Wild River Beach". Another stage is the writing process of Li Ximin becoming the "King of Terror", such as "Spirit Picker", "Trick Gun", "Daughter of the Devil", "Scream", "Dead Bird", "Blood Bill" and so on. The works at the intersection of these two stages are the "Tangzhen Trilogy", namely "Acid", "Fishy" and "Hemp". There are both pure literary human care and suspenseful and terrifying genre elements, which are seamlessly integrated, and are the representative works of Li Ximin's writing career. Despite carrying the label of "King of Terror", in his bones, Li Ximin actually attaches great importance to the deep excavation of human nature. For example, the suspense novel "Spirit Picker" tells the story of two men who have been traumatized since childhood and have changed their minds after adulthood. Although full of horror and suspense, the back of the novel still shows the luster and brightness of literature. He can't get rid of the pursuit of depth on the road of genre, he wants to look good and make people think, not just a suspenseful popular story, which is far away from other genre fiction authors. It is precisely this that makes Li Ximin's genre writing unable to reach the climax of commercialization. Commercial writing does not require human torture and depth exploration. In Li Ximin's eyes, reality is more suspenseful than fiction, and in the face of reality, the truth will always make us feel awe. There are always accidents in life, and the Wenchuan earthquake left Li Ximin with a record of "Survivor", which is a text written with life, which is indescribable. "Survivor" later won the Essayist of the Year Award at the 7th Chinese Literature and Media Awards, which is nothing more than a glory on paper. In the face of death, how can we reach the depths of the person's heart? Perhaps, there is no victory at all, and holding on means everything.
A novel by Hanai
Many years ago, I was in charge of literature in the Tianya community, and I met The name of Yui in the Lotus Story, and I recommended his posts many times, but there was no connection. At that time, his "Face Like a Peach Blossom" was published into a book, and the moderator Zhuang Qin commented: "Yui Shunichi continued the previous writing style in "Face Like a Peach Blossom", embedding mysterious oriental elements between the lines, and the horror suspense and innocent love were well blended together, making people involuntarily dragged to an unknown and unexpected ending. Later, when he went north to the capital, he met with Yui Inichi in WeChat by chance and was called "Xiaoyu Brothers". Later, I learned that Xiao Yu was not a brother, but a beautiful woman. The so-called "Feather Well Missing One" comes from her love for the word "Yi", which is taken apart to lack one. However, I was used to calling her "Little Yu Brother", and still did not change. In her novel The Hanging Woman, there is a saying that "those who look at him like a dead body." "Cold and realistic, with Lu Xun's style. In fact, Xiao Yu's writing, although the theme is biased towards genre suspense, is still a literary polish in his bones. Perhaps as she herself put it: "I don't want to emulate pure literature purely, nor do I want to linger in popular fiction for a long time." I'm willing to borrow a type of wine glass and pour a literary block. "Xiao Yu has a pursuit of words, her imagination has no scruples, and she does whatever she wants, but in the end it falls into the cold and warmth, joy and sorrow of the world. The new work "Shen Shui Xiang" writes a bizarre and ancient story of modern society. In the trance-like text, one light and one secretly presents the intersection of the causes of two negative people, Shi Shui'an and Xin Yuan's special journey, carrying huge mental pressure, and secretly living. The text of the novel is as light as water, implying the thrill of breaking. All choices are unique, right and wrong, only in different angles and positions, how love is, pale and powerless. However, the novel is quoted by the "Sulver Fragrant Wood Bracelet", which seems to be a bizarre narrative, always focusing on the humility and complexity of human nature. "Face up to the surrounding environment and human nature, do not cover up, and let the problem exist." In my opinion, the problem is still there, which is an inherent weakness of human nature itself, and there is no escape. All good novels, in addition to good stories or innovative forms, all convey the torture of human nature, constantly approaching the truth of existence, tearing the reality apart in blood, making it difficult for us to breathe. Xiao Yu's novel can be viewed as such.