Gao Xiaosong once satirized that Hong Kong and Taiwan music is a pale can on the production line, this sentence is quite unashamed, try to ask the Chinese music scene once brilliant, has the mainland music scene ever contributed to any force? Now that the sluggish music of Hong Kong and Taiwan has led to the decline of the entire Chinese music scene, have the so-called musical talents in the mainland music scene come out to support the façade? Promised nature no. Objectively speaking, in the minds of many post-70s and post-80s and some post-90s fans, the mainland music scene has indeed had some classic works, but its proportion in Chinese classic songs is very small, and the so-called mainland music talents are actually not worth mentioning in front of Hong Kong and Taiwan musicians in the glory period.
Looking at the mainland music scene, there are very few singers with many masterpieces, and the groups that deserve to be remembered are even rarer, and the former "Yuquan" is counted as one. When it comes to "Hazumi", some people should think of another mainland group, "Mizuki Nianhua", whose works will be very hot when they first debut, but unfortunately, they will slowly fall silent. Looking back at the mizuki year, this group has been established for 20 years, and the reason why the group has not been able to set off a height like "Hazumi" later is largely because the members of the group have changed more. In a recent program called "Singing While Walking", Lu Gengjiao, a veteran member of the group, once again talked about the change of the group.
Mizuki Nianhua was founded in 2001, and the original two members, in addition to Lu Gengji, also had Li Jian, who later changed his popularity after flying alone. In the program, from the expression and words, it can be felt that Lu Gengzhi still has some residual complaints when talking about Li Jian's departure. Lu Gengshu said that the original combination was in the ascending stage, but Li Jian wanted to go, which was a bit of a taste of forcing him to go to a desperate situation. Mr. Lu said that Li Jian had privately contacted Taiwan's record labels at the time, which was a great harm to him.
Recalling the details of the escape, Lu Gengshu said that the two once flew back to Beijing, he asked Li Jian if he thought it was better to do concerts by himself, the other party gave an affirmation, hearing such an answer, Lu Gengzhi's heart was naturally not a taste. After getting off the plane, Lu Gengzhi, with some doubts, asked again, "Can you make your own music?", and Li Jian did not answer verbally, but nodded. This nod made Lu Gengzhi very hurt, and the two of them went their separate ways from then on.
Of course, this memory is only a side of Lu Gengji's words, and there may be a lot of communication between the two sides in the real scene, but no matter what, Li Jian is really running away from the combination. And from a certain point of view, Mizuki Nianhua is not "Yu Quan" after all, Lu Gengshu Li Jian's collocation, and Yu Fan Haiquan are different, a combination is actually a primary and secondary match, Lu Gengshu and Li Jian's musical style is relatively different, Li Jian, who has his own musical philosophy, cannot always be like the later Miao Jie for Lu Gengshu.