<h1 class="pgc-h-arrow-right" > Si Junjie</h1>
Van Gogh's paintings look like "humble" energy, which is transferred to the creative aesthetic of contemporary calligraphy, which is a "clumsy" aesthetic expression. "Humble" and "humble" both flash the light of human wisdom. Lao Tzu said, "Great coincidence is like clumsiness." "Clumsy" is a kind of "great skill", but also a kind of wisdom, natural and no trace of artificial carving is inseparable from the "skill" of "big skill". After blunting the sharp edge of the technology, it is hidden in the dot painting, called "hidden clumsiness", "hiding clumsiness" is actually hiding "cleverness", and the obvious is "clumsy".
• "Humble" is one of the important ideas of Chinese calligraphy aesthetics, and the calligraphy of sages such as Shen Zengzhi, Xie Wuliang, and Wang Yuchang, who were calligraphers from the Republic of China to modern times, are all famous for "humble".
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"Lao Tzu" said: "The movement of the opposite Tao", the law of the movement and change of things is cyclical, and the contradictory opposites are transformed into their own opposites. To a certain extent, the "cleverness" of calligraphy technology (fire) must be "clumsy" to its opposite, otherwise, the accumulation of pure technology will go to the opposite of beauty such as selling, floating, oily, shallow, skillful, playful and other beautiful - ugly.
If the accumulation of quantity is not enough, forcibly transforming, not only is it not "clumsy", but it will be "born". When to turn, not according to the will of man - unexpectedly.
The "clumsy" in calligraphy is a compound of skill plus thought, and there is no skill because of "clumsiness". The stage of thought and the singing of skills convey the deep meaning of the subject under the guise of calligraphy and derive the deep meaning of calligraphy - "Tao".
At first glance, it seems to subvert people's usual calligraphy aesthetic experience, and there is no less than one of them. Fu Shan, a thinker and calligrapher in the late Ming and early Qing dynasties, had the theory of "Four Nings and Four Noes" on calligraphy, including "Ning Humble Without Qiao", advocating "Clumsiness" and opposing "Qiao". It is not that they have a vendetta against Guangxuan, but it is related to the deep cultural genes of Chinese, and the Taoist ideas of "great coincidence and clumsiness" and "great simplicity without carving" teach people to "keep clumsy wisdom" and contain the spirit of "living" of the Chinese philosophy of life, which is the essence of the problem.
<h1 class="pgc-h-arrow-right" > thank you for your attention</h1>
2021.9.25