Weekly editor Fu Wei Xiang (Kyoko Yoshine), who misbehaved during a squatting capture, was transferred from the "one fold" of entertainment gossip to the "two fold" class that excavated life information, where he met veteran journalist Baozi (Hiromi Nagasaku). From the fast-paced work of 996 chasing the scoop to the leisurely and loose interview, the wind is inevitably a little lost, completely unaware of the meaning of doing these jobs, but gradually, she discovers the joy of examining the truth of things from the perspective of others...
The series shows the changes in the mental journey after the wind has not entered the "two-fold" class in a gradual way, and the small stories connect the connections between people: the male star who is exposed because of his relationship has promoted his career; the colleagues with gender identity disorder can finally open their hearts to their daughters on the sns; Baozi's past obsession with the news has almost made the victims more unfortunate; the huge pressure of women's employment during the ice age; the true face of the founder of the parenting app who was created by the outside world as a bad girl has such a human brilliance... Such a plot arrangement can be seen that the screenwriter is very careful, and the actors are also very good.
NHK's niche dramas often open a new world for the audience, and the profession of media people is presumably no stranger to the public, a bridge connecting ordinary people with outside information, and it is precisely because of this special attribute that their mental journey is basically not of interest to many people. Not only is it not the director's intention, the color of the whole drama is not full, the sky is not the standard blue overlooking Tokyo in the Japanese drama, and the tone of the "one fold" class is extremely cold, symbolizing the sense of distance that is difficult to approach. The tone of the "two-fold" class is slightly twilight and ambiguous with an afternoon atmosphere, with a hint of warmth, but it is somewhat unreal. This is the color in the hearts of media people, who close their own heart walls, and think of the outside world with the unique colors of the profession to release the information that the public wants to see...
Media people who are also social animals basically do not confide in their hearts, if the personal position is too clear, the information reported will lack a neutral attitude and reduce its authenticity, sometimes in order to comply with some expectations, the written report will naturally echo the color that the audience and readers want to see, sometimes or with a heart to achieve others, sometimes will erupt in the process of pursuing the truth unimaginable persistence, and if linked to interests, it is an abyss that cannot be seen at the bottom... When I first entered the industry, it was fresh, the more in-depth and the more specific the information obtained, in the end, media people could only work with conscience, which coincided with the relaxed and serious rhythm of the early stage of the play. It is not easy to find a suitable working environment for yourself, even so, over time there will be a lot of chilling and disappointing things happening, the living state and position are different, everyone has a different "radius of five meters" in their eyes, the direction and speed of the step determine the range of vision and the angle of observation.
At a certain moment, it is clear that the other party has opened the wall of the heart, but due to the inertia of the profession, the distance between the interviewee, the reader and the audience is deliberately opened during the narrative, and the result is naturally unsatisfactory. The power of language is incalculable, the upper limit of human nature can be very high, the lower limit can be infinitely low, people only believe what they are willing to believe, regard it as the truth, but even so, I hope that most people still desire the truth, and do not waste the meaning of the work of those who strive to restore the truth.