"Gold Medal Comedy Class" is still popular, sitting in the C position of the gold medal mentor Chen Peisi, the reasonable comments left a deep impression on the audience. Someone also gave his review a special edit to the video collection, which was praised on the Internet.
You know, Chen Peisi, who is now sixty or seventy years old, was the King of the Spring Festival Gala Sketch before Zhao Benshan appeared, and the stage comedy form of the sketch can also be regarded as the first creation of him and Zhu Shimao more than thirty years ago.
However, comparing Chen Peisi and Zhao Benshan will find that the two have too many differences, especially in the matter of accepting apprentices, Chen Peisi does not have the same obsession as Zhao Benshan.
Chen Peisi also organized classes to organize students to learn comedy theory and performance, but Chen Peisi preferred to treat them as students rather than apprentices, and he did not set up a large performing arts group like Zhao Benshan to gather talents.
So, Chen Peisi's comedic appeal is so great, why not collect disciples like Zhao Benshan?
01
In fact, to be precise, Chen Peisi was not completely without apprentices. In that year, he once discovered a performing talent named Yao Jianguo, and later renamed him Yao Erga. Yao Erga did not come from an acting class, but Chen Peisi and his acting talent, pulled him together to perform works such as "The Young Master's Tribulation", and happily accepted him as an apprentice.
You know, the cross-talk industry pays attention to the collection of apprentices, and there is actually no such precedent in the sketch industry, which shows Chen Peisi's recognition and love for Yao Erga. However, just when Yao Erga began to be accepted by the industry, he fell into bad habits and died suddenly in 2002, which made Chen Peisi sad. He did not have the habit of collecting disciples widely, and this time he strengthened his determination not to accept disciples.
02
However, not accepting apprentices does not mean not imparting acting knowledge and ideas, because he later did more stage comedy, there are many practices and theories in this regard, but also in order to absorb talents, he ran a road comedy training class, to students who are willing to learn comedy performance.
However, for them, this is not a mentor-apprentice relationship like the Benshan Group and Deyun Society, but the relationship between teachers and students, to learn without prostrating to the teacher, after completing the study can also fly alone, Chen Peisi said that he will not need them to contribute to the pension in the future.
That is to say, Chen Peisi is more willing to pass on his valuable experience for many years to young people, and it does not matter whether they will always follow him in the future.
03
In addition, in addition to chen Peisi's own adherence to the modern education concept, the difference between sketches and cross-talk and two-person transfer is also an important reason.
Two-person transfer and cross-talk have a relatively long history, students from a blank piece of paper to the stage performance, need years of systematic learning, including through the mouth and two people on the stage of a variety of unique skills, this is not an overnight can be completed, actors need solid basic skills.
Relatively speaking, sketch performance is still relatively "fast", there are not too many rules and regulations and traditional rules, so the training class is not like the cross-talk and two-person transfer club, which requires years of training and practice. Since the polishing of time is different, and the form and duration of getting along between teachers and students are different, there is no need to form a fixed master-apprentice relationship like the two people turning.
04
Chen Peisi is a more transparent person, and many things can be seen more clearly. He must have understood that the mentor-apprentice relationship did not apply to his own comedy training, and it could also become a constraint and burden on each other, and it was better to have this relationship than not to have it.
In addition, it does not mean that there is a master-apprentice relationship that must respect and harmonize with each other, and the absence of such a relationship means a lack of feelings, the times are different, and many so-called rules need to be changed.