On July 17, the movie "Alternative Militia Ge Er Egg" Tencent Video was launched. The film starred Zhou Yunpeng. Earlier, Huang Bo and Tong Yao's version of the TV series "Militia Ge Er Egg" has become the memory of many viewers. In Zhou Yunpeng's version, it tells the story of how an unobtrusive rural gangster went from a scoundrel to an anti-Japanese hero. The script of the film itself is not a big problem, but because of Zhou Yunpeng's excessively "free" performance style, the whole movie is full of the flavor of "anti-Japanese god drama" - of course, "Alternative Militia Ge Er Egg" is an online movie, not a "drama".
The story of the former rural leper, in the face of scenes such as the slaughter of the whole village, finally realized the transformation of life and grew into an anti-Japanese hero, which is beyond reproach itself. Huang Bo's version of "Militia Ge Er Egg" is also such a narrative path. Only from the perspective of script creation, it is a relatively fixed narrative path to let the characters grow in the event, and ultimately affect the event and become a hero, which is used in many works. Based on this narrative path, we cannot say that "Alternative Militia Ge Er Egg" is an "anti-Japanese drama".
However, the movie "Alternative Militia Ge Er Egg" is excessively "anti-Japanese drama" in the details of the bridge section and the performance of Zhou Yunpeng and others. We may wish to analyze in detail from the two aspects of the details of the bridge section and the specific performance of the actors, how a film with no problems with the main story line was finally interpreted into an anti-Japanese god film.
Let's start with the details of the bridge. The biggest problem is that the combat effectiveness of some characters is too explosive. Probably for the purpose of making the film good, in "Alternative Militia Ge Er Egg", some of the gun battle content that appears, the intelligence delivery personnel with the aura of the protagonist, even in the face of the pursuit of a group of Japanese Kou, will still not be hit, but can achieve the effect of gun death on the devil. And such a battle hero was actually calculated by Ge Eregg's organs, and it was also a strange blossom.
For the audience, some characters hide mines in sensitive body parts, and can tear the hands of ghosts through their own strength, etc., which has become the laughing stock of everyone. And this "Alternative Militia Ge Er Egg" is still for the so-called "good-looking" to create a role that can be crisscrossed in the rain of bullets and bullets of the devil, which is really a kind of "tribute" to the Nichiren dramas. For fans, what everyone needs is real combat, not deification of characters.
Let's talk about the specific performances. Huang Bo in "Militia Ge Er Egg", although there are also some comedic performances, but this excellent powerful actor, can be put away, can fix the role in the state of "realism", will not let the role because of some comedy bridge content and drift. This is the real skill of a good actor. Similar examples, there is also the "Love for You Is Beautiful" that is being broadcast, the performance of Teacher Song Dandan, although there is comedy, but it is very real, so that the audience feels that such an old lady does exist.
Whether it is Huang Bo or Song Dandan, they can present a more advanced sense of reality in the comedy performance. It is also because of the "realism" of these drama-level actors, the works they bring will not "float up". On the other hand, Zhou Yunpeng still has some achievements in comedy or farcical performances. However, he can't better grasp the "sense of reality" in his own performance, so Zhou Yunpeng's works, when performed, have always been fluttering, and the four are different, and it is impossible to achieve the corresponding real characters.
I said that Zhou Yunpeng's "Alternative Militia Ge Er Egg" was the east effect on Huang Bo's acting skills, which is based on this aspect. Zhou Yunpeng only has the ability to perform comedy and farce, but he does not grasp the true attributes of the character and does not have his own "grasping the ground" side. In this way, in the film, this Ge Er Egg is purely a hypothetical "theatrical character" and does not have a real look and feel - the terrible effect it brings is that the work is unreal and the farce is obvious.
Many of our anti-Japanese film and television dramas, the final constraints, fell on the farcical performances of the actors. This is not only to reduce the IQ of the Japanese characters, but also to reduce the plot IQ of the male protagonist and the female protagonist. In the script stage, the IQ of the characters is online, but once it is given to the actors and let them perform, they have to move closer to the level of farce, and finally become an "anti-Japanese drama" with an IQ that is not online.
In "Alternative Militia Ge Er Egg", Zhou Yunpeng presents a small ruffian, which is actually a variety of mouth-sucking stems, which is a typical two-person turn routine and is not suitable for the shaping of the realism of film and television. The duo turned actors into film and television drama performances, and it was easy to bring their own performance methods over. The duo turned to "giving excessive artistic performances", which is the inevitability of stage performances. And film and television dramas, talking about "reasonable performance", can not be given. This is the place that Zhou Yunpeng and other two-person actors need to pay attention to. Their master, Teacher Zhao Benshan, was able to take the performance, but the effect was better. (Text/Ma Qingyun)