Today's happiness is that the CP I have been chasing for more than half a month is finally willing to give sugar! Although the painting style is a bit strange, there is also a large kitchen knife hidden behind the embrace of love.

If I said that "Come on, You're the Best" was the most down-to-earth drama in the summer, no one would disagree. It has only 44 episodes in total, and the male and female protagonists have actually started to fall in love from 33 episodes, and these days have been added to three episodes every day, pinching their fingers, there are no days of CP interaction to watch, this drama chaser is bitter!
Perhaps because of the long wait, Hao Zeyu and Fuzi confirmed the relationship this time I blushed and beat my heart, and in the dark night, I smiled at my thumbs up aunt at the only bright computer screen in the room.
According to the setting in the play, these two people are also in their twenties, but like the first love of a high school student, their lips lightly touched and separated, how can it be so sweet?
This is first of all due to the rich little expressions of Ma Sichun and Deng Lun.
Hao Zeyu is an unknown actor, and Fukuko is his personal assistant. Before kissing this, Hao Zeyu tricked Fuzi into saying that he wanted to prepare for the love drama and pretended to be in love with her, but in fact, he just wanted to confess but hindered the two people from getting too acquainted, and his face was too thin to say.
Fuzi was kept in the dark, but did not mind Hao Zeyu practicing with her, or did not hesitate to throw herself into the heart, and in turn thanked Hao Zeyu for making up a beautiful dream for her. How could such a sincere and frank girl not kiss her directly in the moonlight?
After being kissed, Ma Sichun went from ignorance to surprise to shyness:
With a bad smile that Deng Lun has everything under control:
This combination of "bad boys" flirting with silly girls is too much for me.
The second is thanks to the plot that lasts for more than thirty episodes. In fact, I have not been able to read most of the entertainment industry-related dramas and novels, and I always feel that YY is too much, revealing a false plastic feeling. But "Come on, You're the Best" I decided to chase from the beginning of watching the film flower, only because now the protagonist of the TV series loves to talk about his origins, and he often has a villa sports car, and he has not seen such a grounded heroine setting for a long time.
Fuzi lives in Beijing's hutongs, living in nested courtyards, her father is a taxi driver, her career starts as a supermarket nut seller, and her grandparents have a piece of earth-colored retro woolen shoulders, which is her semi-permanent wintering equipment.
Cinderella in most TV series, no matter how poor the family conditions, is always set to have a stunning appearance and a good figure that cannot be hidden, otherwise how can it be looked at by the domineering president? But Fukuko is a real fat, almost no makeup, combing weird hairstyles, a mouthful of Kyo pieces.
Hao Zeyu even carver's clothes did not have her size, even her father could not say that she looked good.
How can an actress play such a role be convincing? Ma Sichun gained weight for Fuzi so much that he no longer weighed and weighed, and ate until both jaws came out. I also lit a few small freckles on my face.
In addition, she made many small designs on the body, walking slightly hunched over, and taking bold figure eight steps.
Walking on the ice trying to hold on to the look of not playing a slippery look is also a bit cute:
Watching TV on the couch never sits demurely, but lies on all fours, with a pillow between her legs, and sometimes a potato chip in her arms, and a handful of them into your mouth. At this time, the scientific feeding of sows was broadcast on the TV, not to mention the scene.
The first time I saw this scene, I almost thought that the computer screen automatically switched the screen of my own camera at home.
Ma Sichun said in an interview that in order to make Fuzi more real and vivid, she will deliberately let herself have a lot of small movements, and her body will move around when speaking, which is not so regular and restrained, which is also quite accurate.
In addition, she really does not care about the image, eating dumplings and noodles are simply and neatly calculated.
Even nibbling on steamed buns can be so fragrant:
I counted, and she ate 25 times in the first 4 episodes alone, which is the lowest actress.
In the plot, Hao Zeyu did not make a scene by making extra money by eating and broadcasting, and the old irons wanted to run a car, so he did a bucket of peanut oil to get pancreatitis and went to the hospital. I see that it is called a catch ah, want to tell Hao Zeyu that you do this line has no future, it is better to transform when the agent in turn to hold the blessing, definitely sweep the fast hand vibrato and B station.
Fukuko is a girl who can be seen everywhere on the street but will always be ignored, but although she is ordinary, she is not self-pitying at all, nor bitter, but full of vitality. Contrary to Fukuko, although Hao Zeyu seems to have an idea, he is actually particularly insecure.
Fukuko is the kind of person who is emotionally stable and has a sunny heart.
In the first thirty episodes, Hao Zeyu repeatedly became fragile and collapsed, wanting to pack up his things and return to his hometown to give up his acting career, each time it was Fuzi who guided him and encouraged him, letting him know what is most important and what is worth cherishing. Ma Sichun's eyes are always watery, and when he is serious, he is quite moving.
Hao Zeyu, the big pig's trotter, has experienced countless twists and turns and finally realized that he is very dependent on Fuzi, and finally kisses it for a little while to have a sense of substitution and persuasiveness.
What impressed me most in this drama was Ma Sichun's laughter. Fukuko and Hao Zeyu laughed as they played:
Lean against the door and smile sweetly when I'm embarrassed:
When using fireworks to encourage Hao Zeyu to continue to stick to his dream, he smiled with tears in his eyes:
And when Hao Zeyu held her hand on the plane, he was stupid and thought about it for half a day and finally smiled shyly.
Each subtle expression was designed by Ma Sichun with different levels and emotions, and as soon as she smiled, people were healed. As Hao Zeyu said: Only Fuzi can reassure me.
Such a happy, shadowless person, crying is even more painful. And the elders do not forget to cry about eating:
Finally helped Hao Zeyu to receive the play after the excitement and relief of crying:
After Hao Zeyu promised her to stay in Beijing, she couldn't believe it and cried a little moved...
Each has its own emotions, each of which is delicately interpreted.
Fuzi was played so naturally by Ma Sichun that I always tacitly accepted that this tigery and cute role was her true color, until I watched an interview and remembered that she was not a Beijinger at all, and that the Beijing dialect with her tongue curled up was learned from Han Tongsheng, who played her father. And the way the grassroots assistant behaves, many details come from her own personal assistant.
Thinking about it from this, I realized that I had seen many roles of Ma Sichun and subconsciously felt that she was playing in her true colors.
When I watched "Left Ear" of Li Barla, it was the first time I remembered this face, it was a warm girl, smoking, singing and dancing in the dance hall, desperate for love, Ma Sichun had a kind of persistence on her face, and at that time I thought she was a girl who was unrestrained and exposed.
Later, I learned that Jiang Wenli was her sister-in-law, she was originally a broadcast host, and was cultivated by her family from an early age to a dignified style. She herself is more like a small ear, and there is a rebellious impulse under the well-behaved appearance, so she will want to play Li Bar so much, in order to win this role to lose 15 pounds, and she was also taken by friends to experience life in nightclubs.
"July and Ansheng" and "Left Ear" are somewhat similar, but also the story of two girls with completely opposite personalities influencing each other, only this time Ma Sichun became the well-behaved girl, and Zhou Dongyu played a bad girl, which is equivalent to the "Left Ear" period. Chen Kexin said that she was stable, no matter how Zhou Dongyu was released, she could take it over and hold it, this ability is not so obvious, it is easy to be ignored, but it is indispensable for the balance of the plot.
There is also the undercover policewoman in "The Orange and Red Years". In this play, her walking posture is completely different from Fukuko's.
One of the scenes that impressed me the most was when she and Chen Weiting, two undercover agents, met in a hotel room, and Wang Ji's eldest sister was secretly observing the surveillance end, trying to verify whether they were ghosts or real couples. The two of them happened to be undercover and a real couple, so they faked the trick and really did it, and did something shameful. After it was over, she was sweet for a second, and soon felt the pressure again, an expression change that I always remember.
And the general in "The General on the Top" is more extreme, is the president of the sexual transformation overbearing, Ma Sichun combs his hair in a bun, a face of heroism quietly looks at the male protagonist's arrogance, a face I will see when you can't hold back the expression of taking the initiative to throw hugs...
Do not put together to compare can not be noticed, these characters are clearly very different, in fact, Ma Sichun is quite good at using small details to shape the characters, at first glance not so earth-shattering, but very substitutionary. She has a strong neighborly temperament, and it is hard to imagine who else can play Fukuko so vividly. On the other hand, she has a god of eyes, her facial features are relatively large, and she can become heroic through modeling, and she is quite expansive in this regard. Her temperament is almost unique among actresses of the same generation, and she hopes that she can take on more three-dimensional and realistic roles and go out of her own way