Wei Ya once joked in "Spit Conference": "The fate of stars is to bring goods." Now looking around the entertainment circle full of anchors, what she said is actually not unreasonable, live broadcasting makes red stars richer, and past stars have also found a new way to get rich by relying on this.
Before there was a joke of "Panga's friendship", under the temptation of money, this "water is very deep" field, stars have also been really fragrant. Even Dai Jiaoqian, once a childhood goddess, has become one of them.
Unlike those stars who occasionally visit Li Jiaqi and Wei Ya's live broadcast room, Dai Jiaoqian has almost made the live broadcast full-time. She is now broadcasting a TV series a year, and they are all supporting roles, and the natural remuneration is not much. So her main source of income today is to be an anchor.
Dai Jiaoqian signed in with related companies, maintained high-frequency live broadcasts, and now has more than 200 broadcasts, as well as the certification of the platform gold anchor, and the actor work has become her "part-time" hobby.
Xiao Li Lin, who once relied on the role of Du Bingyan in "Marrying the Wrong Flower Car to the Lang", which was popular all over the country, now has no drama to shoot. Like Dai Jiaoqian, she signed into the same company and began the road of professional anchor.
Little Li Lin, who started her anchor career, was very desperate, and just over a month later, she squeezed into the top ten of star anchors. Now she's on camera six days a week, at least 4 hours a day.
Of course, her sales and revenue are also very impressive. In December last year, Xiao Lilin's sales of a live jewelry broadcast reached 14 million, second only to Wei Ya in popularity on the spot.
Not only the former screen goddess has transformed into a sales anchor, but also the supporting actors in major film and television dramas have also silently opened a side business. In "Langya List", Zhang Tangyan, the actor of Princess Xiangyang Chang, alias "Four Fire Sisters" was broadcast on the platform.
Of course, directly speaking of her real name and "Sister of the Four Fires", few people will remember who she is. Therefore, her live broadcast cover will generally bring the name of the character she plays to bring feelings and attract traffic.
Chen Sisi, the Cao Gui in "The Biography of Zhen Huan", is also well versed in this way, and she directly uses Cao Guiren's stills as a seal and plays a gimmick as a plus.
After giving birth, Chen Sisi entered a period of transition, and she slowed down the frequency of playing, hoping to accompany the child more. A team asked her to do a live broadcast, she agreed, after the start of the broadcast she insisted on broadcasting almost once a day, even if there is a play during the day, it will be broadcast at night.
In order to let more people watch her live broadcast, she will also "surprise the trick" and invite the small lord of Meizhuang in "The Biography of Zhen Huan" to join her own live broadcast.
Wan Meixi, the Xingui person in "The Biography of Zhen Huan", also followed Cao Guiren's live broadcast to get rich, and the covers were all unified "court style", but the live broadcast frequency was not as good as Cao Guirenqin.
Zheng Yitong, the pauline actor in "The Temptation to Go Home", seems to have not appeared in the audience's sight for a long time, and some people think that she has withdrawn from the circle, and she also personally came out to debunk the rumors.
She can take up very few scenes now, look at her dynamics, has shifted the focus of her life to live broadcasting, almost every day there are live broadcast replays.
The stars who disappeared from the screen have all embarked on the same path and changed to another way of screen presentation. Not only the actors who have been, this money-making road, the same as the casting stars. Huang Ying in "Happy Girl" and Ji Jie in "Happy Boy", they were once popular contestants in the competition, but now they have become professional anchors.
There are also many people in the host who do live broadcasting, such as Li Ai, Li Hao and Hua Shao, who will play a role in the new field of lip service.
Some of the old actors and singers familiar to the audience have also stepped into this river of gold mining, including The familiar Hu Bing, Lin Yilun and Liu Xiaoqing.
Why do so many celebrities abandon their aura and sink into an industry that is essentially "selling"? There is only one reason: because of making money.
Li Jinming, the actor of Meijia in "Love Apartment", made his live debut in May this year, and in 4.75 hours, Li Jinming sold 17,500 orders and sold 14.746 million.
In this way, when the anchor is not less than the 2.08 million film remuneration, where to go, not to mention that many people have not been filmed.
Hao Lei once said in "Thirteen Invitations" that the purpose of many actors is to make money, and after having the live broadcast industry, they have separated some people who want to make money, and they no longer have to "bend" to make profits.
Doing live broadcasting is a labor-saving and profitable choice for artists who can't dock new plays and commercial performances. For some young artists who don't want to make money by acting around the bend, being an anchor is also a way to be good for the audience.