In the third year of Yuanfeng, Su Shi was degraded to Huangzhou because of the Wutai poetry case, here, Su Shi spent four very difficult years in his life, and when he first arrived in Huangzhou, his mood was even more depressed to the extreme, but Su Shi had a school of optimism, so he quickly adapted to life here and made some like-minded friends.
In March of the sixth year of Yuanfeng, Zhang Huaimin (zi mengde, also known as 偓偓) was also degraded to Huangzhou because of the incident, and Su Shi met him, and the same state of mind made the two become friends and often interacted. On October 12 of that year, Su Shi saw that the moon was very good, so he came to the Chengtian Temple where Zhang Huaimin temporarily lived, and walked under the moonlight together, Su Shi wrote the famous "Night Tour of Chengtian Temple" throughout the ages. In November of this year, Zhang Huaimin's new residence was completed, and a pavilion was built in the southwest of his home to enjoy the scenery of the Yangtze River, Su Shi admired Zhang Huaimin's temperament, so he named the pavilion "Kuaizai Pavilion" and wrote a very famous "Water Tune Song Head", which is the following song "Huangzhou Kuaizai Pavilion Gift zhang wei".
Su Shi's younger brother Su Rui also wrote a "Huangzhou Kuaizai Pavilion" for this reason, which reads: "Zhang Jun of Qinghe Dreamed of Who Lived in Qian' and lived in Qian' (清家), that is, the southwest of his Lu as a pavilion to view the victory of the river, and Brother Yu's name was 'Kuaizai'. "It can be seen that the style of the time was elegant and fascinating.
This song "Water Tune Song Head • Huangzhou Kuaizai Pavilion Gift Zhang Weiwei" is one of the representative works in Su Shihao's words, the whole word is with scenery and emotion, depicting the good mountains and waters around the Kuaizai Pavilion, and also showing the lyricist's broad and heroic, dashing and awe-inspiring attitude towards the world.
Water tune song head Huangzhou Kuaizaiting presented Zhang Weiyi
Su shi
The sunset embroidery curtain rolls, and the pavilion is empty under the water. Zhijun made a new work for me, and the windows were wet and blue. Long remember pingshan hall, pillow Jiangnan smoke and rain, there is no lonely hong. Recognize the drunken language, the mountain color has no middle.
A thousand acres, all mirrored, poured blue peaks. Suddenly, the waves rose and danced a white-headed man. Kan Xiao Lantai Gongzi, unsolved Zhuang Sheng Tianlai, Gang Dao has male and female. A little bit of mighty qi, a thousand miles fast wind.
The first two sentences, with atmospheric real brushstrokes depict the vast scene around the Kuaizai Pavilion, "sunset embroidery curtain rolls, pavilion under the water and the air", from the pavilion to look out, the river and the blue sky, the distant sunset and the pavilion reflect each other, between the heavens and the earth appears to be open and vast, triggering endless thoughts.
Then two sentences, to explain the new creation of the fast pavilion, "Zhijun for my new work, the window is wet and blue", this pavilion was originally built by friends to enjoy the scenery, but now Su Shi was actually anti-guest-oriented, humorously said that Zhang Weiyi's fast pavilion was built for himself, even the blue and red paint on the windowsill is still "wet", the implication is that the paint is not dry, the friend invited himself to come to see, which shows the closeness of the relationship between the two.
Then "Long remember the Pingshan Hall, the pillow Jiangnan smoke and rain, the lonely hong", is based on the real with the virtual, caught in the memory and imagination. Su Shi once experienced the beauty of the smoke and rain in Jiangnan in Pingshan Hall in Yangzhou, and the beautiful scene of emptiness and loftiness if there is none, I saw it again on the Kuaizai Pavilion today. Su Shi's integration of Kuaizai Pavilion and Pingshan Hall is undoubtedly because both are synonymous with absolutely beautiful artistic conception.
"Recognize the drunken language, the mountain color has no middle", "the mountain color has no middle" is Wang Wei's good sentence, Wang Wei wrote in the poem "Han River Linguan", "The river flows outside the heavens and the earth, the mountain color has no middle", and later Ouyang Xiu wrote it into the words, saying "Pingshan Lan Si leans on the clear sky, and the mountain color has no middle", highlighting the beauty of the scenery of Pingshan Hall, here Su Shi mentioned Pingshan Hall, and could not help but recall the teacher's words. Su Shi's technique of writing scenes with memories of scenery, implicitly implied, added a little ethereal and vivid to the context, when it was really novel and chic, fascinating, you can imagine, su Shi on the fast pavilion that day, how happy the mood was!
In the first few sentences of the next film, the lyricist continues to describe the beautiful scene of Kuaizaiting with superb artistic techniques, focusing the lens on the river surface, "a thousand acres, all mirrored, inverted Bifeng; suddenly the waves rise, dancing a leaf white-headed man", the vast river surface is like a mirror, the clear river water reflects the turquoise green mountains, forming an ink painting, but suddenly a strong wind blows, the river surface changes suddenly, the waves are turbulent, the wind and clouds are open, a fisherman drives a flat boat in the huge waves, The static surface of the river suddenly became a dynamic scene, so the focus of the crowd was also on the fisherman who was facing the wind and waves.
With this old man who faced the wind and waves, Su Shi naturally thought of the "Wind Endowment" written by Song Yu during the Warring States period, in Su Shi's view, Song Yu's forcible division of the wind into "the male wind of the king" and the "female wind of the common man" is very ridiculous, and if you don't believe it, you can see the old man who drives the boat and deals with it calmly in the waves. Song Yu's ridiculousness also reflects Zhuangzi's cleverness, so Su Shi led to the conclusion of "a little haoran qi, a thousand miles fast wind", telling the world a broad and heroic truth: as long as a person has the most powerful haoran qi, he can be extraordinary, honor and disgrace, and in any good situation or adversity, he can calmly deal with it and enjoy the cool breeze of thousands of miles of infinite happiness!
Su Shi's attitude of still maintaining a frank life in the face of adversity is undoubtedly worthy of people's reference and pursuit, "a little bit of grandeur, a thousand miles of fast wind" has become a famous sentence that has been passed down through the ages, and Yang Shen, a great talent of the Ming Dynasty, even said that "the sentence is majestic, no one dares to say", Liu Xizai also commented that "its subtlety is super broad, really enough to open up the heart and tear down Haojie", no doubt expressing his love for these two words.
Su Shi's word, the waves are undulating, the ups and downs are varied, the scene, the romance, the discussion are integrated, the words are used in a sentence, it has a strong shocking power, the whole word in the performance of the fast pavilion thousands of miles of beauty at the same time, but also the lyricist's own open feelings showed out, in adversity without changing the magnificent atmosphere, can be called an example!