Originally made a good video but has not been approved, may be the strength of the sister is too strong (laughs ~) can only be re-sent into pictures, I hope to use shallow writing to understand the profound work of "The Realm of Emptiness", read the girl who most desires to be loved but hides herself in loneliness - two rituals.
Murderous investigations, the caves of Garan, the remnants of pain, overlooking the landscape, the spiral of contradictions, reading chapters one by one, forgetting the plot again and again, three small books full of words, reading to the end only left an empty impression. Unlike works that can be called light novels and the like, as if they have never read this story, it is really a kind of blasphemy to try to interpret it, and I can only talk about the feelings brought about by the transformation that occurred after waking up from the two rituals of the middle volume.
To wake up in that emptiness, because the other personality in the body, the weaving, is dead. This is how the event happened suddenly, and the void in the heart formed at the moment of waking up. Even though Shi knew that there was a pair of gentle eyes that had been paying attention to him, during the coma, during the school hours, the figure was consistently accompanied by him, and Shi could still only feel the emptiness.
Nasu mushrooms can always interpret the coldness of death with a very calm feeling, and inadvertently sting people's hearts with a hint of warmth. If the heart can still bear to die in the void, the most unbearable thing is that he obviously feels that he should die like this, but he can't bear to live up to the look that expects him to survive. It is trapped in the contradiction between life and death. Unexpectedly possessing the Eye of the Straight Death Demon, she did not become stronger, but more vulnerable. The formula began to pretend that weaving was still alive, speaking in his own way, experiencing his state of mind, savoring the emptiness without him.
Death is always easier than life, man is always living in the former world because he is unwilling to admit that he has absolutely lost something, and he cannot begin to be reborn with an inherent state, as the Bible says: You cannot put new wine in the old leather bag. Sadly, she didn't realize what needed to change, and the world she insisted on holding on to was dead.
Style, should be a lazy person who does not want to change, with the simplest way to cut off, tough masculine style, seems to be the best way for her to survive. And today's formula can no longer adapt to such a survival, obviously can not live as before, but can not die, with a rough way of survival to stir up a greater emptiness. However, people never live on their own, people never live for themselves, even if they are unwilling to change, they can't stop the people around them from unconsciously changing themselves. In the end, this is still a story about the growth of the protagonist, and it is still a redemption story about love.
Hei Tong Ganye, whether it is the appearance or the serious style of doing things, the appearance to the exit is to give people a sense of bland emptiness, and even feel that his existence is like air, untouchable and indispensable. In his newly awakened eyes, he may only be the object that the Direct Death Demon Eye can kill, and in the mind of the type, he may only be a common memory when he is woven together. However, he naturally appeared here, silently watching the style struggle in the new life. Of course, it appears in Miss Orange's magic workshop, appears in the event that the style is involved, as an ordinary person silently guarding the style, this calm may be love, in the whole realm of emptiness, the sense of existence of Ganye is still thin, but the unexpected weight can not be ignored.
Gan ye is like a calm bystander, witnessing the contradiction under his gaze, and it is precisely because of Gan Ye's perspective that the character of the style becomes cute and soft. Compared with the inherent pattern of boys being strong and girls being weak, the male and female protagonists of the Void Realm are like the two instruments of Tai Chi, and Gan is also a gentle existence, and it is always reflected in the strength. In the main line of love, the protagonist's personality is perfectly blended together, transforming and promoting each other, and the encounter between boy and girl is so plain as water, and it is deserved. It is precisely because of the perspective of the character of Gan Ye that the audience can see the greater contradiction of the style, which is not so powerful, and also lays the groundwork for the later style to be captured. The gentleness of Ganya is the greatest salvation of the style, while exploring the beauty and pleasure of death and killing, but at the same time, it is deeply involved in sin and cannot extricate itself. The seemingly strong side is often the most fragile, and the formula is exactly such a existence, "a person can only kill one person in a lifetime" because the style has to pay the price for killing, but because of the existence of ganya, the love story of boys and girls has become extremely moving from simple admiration to salvation and sublimation of life.
I feel that in the middle volume of the Void Realm, there are many kinds of feelings about love, in addition to the calm and watery love of the Dry harmony, the rouge and the parents, the rouge and the two rituals, as well as the orange and the araya, the orange and the aoko who did not appear, in the abandoned world created by the author full of contradictions and desires and evil thoughts, there is a kind of emotion about love. It doesn't matter whether this emotion is evil or whether it is a lucrative or peaceful expression, it is just an interpretation, as long as such an emotion exists, it will push the world towards the other side of the spiral.
The biggest chapter in the middle volume of the contradiction spiral appears several times the plot flips, and when the dust finally settles, the victory and defeat have been divided, but it does not feel very happy. Arya is abominable, but what he pursues is not necessarily wrong. The existence of the rouge is contradictory but the most plausible explanation for the ending. After all, everything is a void, a twisted building that turns into dust, a soul that turns into dust, and the boys who once lived together day and night are also going to the void of death with the battle, leaving nothing behind.
The empty world is still only the hero and heroine looking at each other, everything can be turned into dust, except for the emotion called love that has been left behind, no matter what kind of way it is presented, it will silently push the spiral of the entire lifeline. Finally, transform into ascending forces. Maybe she doesn't know what change is, and instead of killing in hell to fill the void, she should turn around and go to heaven. Because of the existence of Ganye, the Cave of Garan is an abyss and a ladder.