#影视杂谈 #
This movie is really good. I thought the ending was a family-friendly plot, but I forgot it was a Japanese movie. Previous Japanese films and television have only seen "Unnatural Death", and I found that Japanese directors can always catch some empathy points of their neighbors. That is the contradiction, the contradiction between the individual and this communion in the social context, the contradiction between the individual and the individual, which can best reflect the emotional contradiction of man as a social aspect.
This movie, after watching it, you seem to feel that you have said something, as if you have not said anything, and the ending is also metaphorical, but also open, as if the world, as it is, how life is all depends on how you think.
The story begins with an account of the aging of Japan, where the parents of their children die a week before they are discovered if they do not live together. The male protagonist, an expired novelist, once had unlimited scenery, but unfortunately his self-esteem was too strong, and he would rather stick to his own path of literary novels than create light novels and popular novels, so he fell lonely and lived a poor life. If you think that the male protagonist is a protagonist who has no talent, but the director let Abe Hiroshi (the male protagonist) play a role of "fatherly kindness and filial piety", at first I did not understand why this role should be so modified. Later, through the development of the plot, it turned out that Abe's father was a well-written character who loved to gamble. It is also possible to understand why Abe's becoming a novelist may also be related to his father. But the good ones don't learn the good, and the bad ones all learn. The writing is not good, but I love to buy lottery tickets and like this life.
Abe Hiroshi, the male protagonist is a middle-aged male protagonist of nearly 50 years, his wife can't stand such a life with him, divorces the male protagonist's favorite son, and runs a consulting agency alone. In order to live, the male protagonist had to do the work of paparazzi, saying that it was to find inspiration, but unfortunately looking for 15 years... Fortunately, there is a mother who has always been particularly supportive of him, and I will talk about this mother later. I'll take a screenshot first
The metaphor here, as the line says, although it has been watered since childhood, it is a pity that it will never blossom again.
Yes, it's so realistic, the picture here seems to be as everyone says at home, I taught it like this. Angry words, metaphors have been, the family's temporary helplessness, but also the bondage of family affection, but also the most true embodiment of the original family.
The middle picture has been laying the groundwork for the typhoon to come, I did not know what the typhoon meant at first, and then I understood in the climax stage of the movie, it is a typhoon formed by the touch of reality and the male protagonist's dream, what the typhoon will leave behind, the ending has been doomed, but the director staged the core of the whole play on this typhoon night. It is also the most colorful place, the front is full of mats and easter eggs.
First Abe Asked him about his son's ex-wife, whether he wanted to start a new life, his expression, as if he did not cherish one of his flowers, the resentment he showed, the forbearance, the injustice of reality, the remorse for his love of gambling? Anyway, all kinds of emotions mix together.
Later, I found my ex-wife, who said this. Still very sober, he will not give up his current life because of a momentary warmth.
Later, although the man's mother was watching TV, her ears heard it, so when the man was once again preparing to steal the family pension but failed, he got up at night and had the following conversation.
Seeing this, I understand. It turned out that the bondage of the family, the feelings still burst out in the final situation. The old lady was alone, thinking that she could still reconcile the male and female protagonists, and when she found that it was impossible, she said those words. It turned out that the people in the family had always supported the male protagonist. I have always cared for him.
Later, the male protagonist originally wanted to take the yantai left by his father at home as maintenance money for his son, and the pawnshop owner's words made him want to understand the way forward.
He wrote novels that his father bought at the beginning, but unfortunately did not let him know. Literati should not be yan.
At the end of the ending, it was very good, he walked away in a dashing manner, leaving behind the umbrella that was broken by the typhoon last night.
After reading this, it is really touching, it turns out that the family affection around us can be such a true expression, and it turns out that we and another person can have such a contradiction, and we can take such a forward step without looking back.
— Happiness is such a thing
If you don't give up what you can't get, "Deeper than the Sea"