"Fanghua" is a "red" film directed by Feng Xiaogang, which tells the "Fanghua" years of a group of literary and artistic soldiers in the army's cultural and industrial troupe in the 1970s. "Fanghua" revolves around the fact that Liu Feng, a literary and artistic soldier, was sent down to the company because of the "touch incident", telling the fate of a generation of people under the wrapping of the times.
In the original work, Yan Geling focused on shaping liu feng, He Xiaoman, Lin Dingding, Xiao Suizi, these characters with distinct personalities. Among them, Lin Dingding, as the heroine of the "touch event", in a sense, directly changed the fate of the male protagonist Liu Feng. At the same time, Lin Dingding, a supporting role with a distinct personality, has also achieved a major significance theme of the novel.
In the film, Lin Dingding is the lead singer of the literary troupe, not only has a natural good voice, but also a good appearance commensurate with a good voice, and the four words "style and posture" are most appropriately used on her. Moreover, the unique femininity of Shanghai women emitted by Lin Dingding's bones made her become the "white moonlight" in the hearts of many male soldiers.
However, such a Lin Ding Ding is not really "silly white sweet", on the contrary, she knows how to use her external advantages to enjoy the benefits brought to her by the suitors. Some details in the film also metaphorically describe Lin Dingding's "scheming" in this regard, such as her enjoying Liu Feng's meticulous care while being ambiguous with the photographer. In the original work, Yan Geling wrote Lin Dingding's "exquisite egoism" more bluntly and thoroughly.
Regarding the image of Lin Dingding, Yan Geling wrote in the original work: "Lin Dingding is a cultured girl... I was supposed to be twenty years old. The tintin of the fine skin and tender flesh has a kind of delicacy that Shanghai women are born with, and the hands and feet are slightly uncoordinated... And this incongruity gave her a childishness... She didn't talk much, and every day she was always a little unwell. ”
In addition, Lin Dingding exudes a little girl atmosphere around him. Although he is not young, he always looks innocent. Even if she listened to others tell jokes, she would ask "Really?" with her eyes wide open; she would cry with her teacher when she sang a sound on stage and forgot a word.
This innocent breath, which complements her weak appearance, is loving and protective. Therefore, even Liu Feng, the most upright and selfless "advanced in the whole army", also had a selfish heart when he came to Lin Dingding. However, Liu Feng did not know that he only loved a part of Lin Dingding. And the other part of Lin Dingding, he never knew.
In fact, Lin Dingding had the common dream of most female soldiers in the literary troupe: to be a daughter-in-law to a chief. Lin Dingding's second aunt in the army compound in Beijing was also bent on planning a "future" for her niece, and painstakingly introduced various high-ranking cadres and children to Lin Dingding.
As for Lin Dingding herself, while she went to the commander's house under the planning of her aunt, she accepted the pursuit and favor of different men. The book mentions that Lin Dingding has two watches, one is a Shanghai watch, and the other is a Morvanto, and Yan Geling wrote in a playful tone:
The commuting of the two watches, how to adjust the rest, depends on which of her suitors comes to the team.
Lin Tintin's two watches are all "of extraordinary origin". The Shanghai watch was sent by a photographic officer, not brand new, and the first person director of the table was actually the fiancée of the officer; Morvanto was sent by a middle-aged neonologist, who had been married for six or seven years, with a daughter.
From Lin Dingding's ability to accept the pursuit of these two men at the same time, it can also be seen that she is shrewd and sophisticated. Apparently, she did not love one of them deeply, but only enjoyed the material vanity that these two men brought her. It can be seen that Lin Tintin is not naïve on the surface, her innocence is only a necessary disguise for the sake of the world.
Therefore, in the "touch incident", Lin Dingding could not accept the confession of Liu Feng, who was known as "living Lei Feng". The housemates also asked her bitterly: You can make doctors and officers love you, why can't you let Liu Feng love you? If Lei Feng is really alive, he may not be bare for a lifetime?
In fact, Lin Dingding did not give Liu Feng a chance, in the end, it was not all because of Liu Feng's "hero" image. More importantly, Lin Dingding understood that Liu Feng could not only not satisfy her dream of being a hero, but also could not satisfy her little bit of vanity like that doctor and officer. Lin Dingding's fanaticism about class and identity doomed her not to fall in love with Liu Feng.
In order to exonerate himself from the crime of "defiling lei feng pacesetters", Lin Dingding took the first step and pushed Liu Feng, who was very good to him, onto the gallows. And Lin Dingding's worldliness and utilitarianism in human nature can be seen here. In the film, Lin Dingding finally married into the rich as he wished, and became a broad wife abroad, but such an ending seems so light and weak. But in the original work, the true ending of Lin Dingding is very ironic and introspective.
After the dissolution of the literary troupe, Lin Dingding made a decision with the photographic officer and the physician. Under the introduction of her aunt, she married into Beijing and became the dream of a rich man. Lin Dingding's husband is a graduate student of the Academy of Military Sciences, and his father-in-law is a former Kuomintang general who served as the deputy commander of a certain branch of the army.
Lin Tintin's marriage has finally achieved the consummation she imagined, however, all the gifts of fate have already been secretly marked with a price. Facts proved to her that the bowl of rice of the rich daughter-in-law is actually not easy to eat. In the past, Lin Ding Ding could be counted as "talented and beautiful". But in the talented husband's family, Lin Dingding became the most unproductive daughter-in-law.
Apart from singing, Lin Tintin did not have any skills. Although she was once a pillar of Chengdu, when she arrived in Beijing, where talents gathered, she could only make up supporting roles in the female chorus; she had a hard time earning some extra money by performing in the cave, but she was eventually eliminated and had to idle at home. Privately, they all laughed at her, who was useless except for snacks, but Tintin's husband never protected her.
Under the pressure of her family, Lin Dingding had to go to a correspondence university with a hard scalp, but the deep-rooted hedonism in her nature taught her that she could not bear the pain of learning. Eventually, on the eve of her husband's doctoral studies abroad, Lin Dingding was completely abandoned by the family and forced to sign a divorce agreement.
However, at this point, Lin Dingding did not realize the crux of this failed marriage, and she still stubbornly invited her aunt to come out of the mountain again and make decisions for her. Perhaps out of a layer of unwillingness to "get up where you fall", Lin Dingding found a husband who worked in Australia, hurriedly moved overseas, and fulfilled his ideal of going abroad.
Lin Dingding's second husband ran a restaurant in Australia, and nominally Lin Dingding ran to Australia to become the hostess. But The real life of Lin Tintin is very sad:
The Teochew man who opened a fast food restaurant she married let her eat the tip of the chicken wing for three years (because the fried chicken wings of fast food cannot be accompanied by the tip of the wings), and also let her wrap the wontons and spring rolls for three years (ten fingers are cracked), and let her watch for three years He added soy sauce to the fried rice with bean sprouts and eggs (this is the most despised thing for Tintin, how can the Shanghainese bear the black egg fried rice with soy sauce)?
This is the second time that Lin Dingding has used his youth to pay for his vanity. When she finally had enough of such a repressive life, she gradually woke up and took the initiative to end this ridiculous marriage. After the divorce, Lin Dingding lost his youth and worked as a nanny abroad for several years, working to help a Hong Kong rich man see an empty house.
The failure of these two marriages finally prompted Lin Dingding to grow up rapidly and began to understand the meaning of self-support. The career of a professional woman changed Lin Dingding's original pampered and weak personality. The book reads: Tintin is more spicy than in the past. Almost a hot woman, laughing, loud and frizzy, the round throat of pearls in the past did not know where to go, anyway, there was a bit of a working people's appearance.
The change in Lin Dingding's fate seems to be accidental, but it is actually an inevitability. All along, in the depths of Lin Dingding's heart, she advocated a kind of "exquisite egoism". In any era, although the pursuit of personal interests is beyond reproach, the tragedy of Lin Tintin lies in her unawareness.
She only knows that youth and beauty are her greatest capital, but she cannot estimate the risk of this "investment"; she just blindly wants to marry into the rich and pursue the dignity of the superior, and she does not know how vain and shallow her pursuit is when she cannot support these dignities.
Lin Dingding thought she was more shrewd than others, and she measured her life and love in material terms, and was destined to be measured by others in a more ruthless way. When youth and beauty are exhausted, Lin Ding Ding is finally thrown out like a dumpling stuffed with youth filling, and is thrown out as a piece of skin.
This ending in The Original Book is a hundred times more real and cruel than the film, but it also tells the most superficial secular truth: a woman's shrewdness can only be called wisdom based on the ability to match it, and vice versa.
END.
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