"Fanghua" was released for three years, and the three heroines who were once known as "Fanghua Sanmei" had the same fate as the roles they played, each with its own advantages.
Zhong Chuxi has become a small flower of Huayi, and the development momentum of the past two years can be called "quasi-frontline", and her career has achieved small success.
Yang Caiyu married Liu Yifei's father, don't care how many years away from her husband, her life has indeed entered the next stage.
Miao Miao, not long ago because of suspected pregnancy on the hot search, follow-up did not have a follow-up. Whether it is career or love, it has been thrown a lot by the first two.
The situation of these three heroines, one carelessly, and the role played by "Fanghua" subtly coincided.
A few years later, when They met in Haikou, Xiao Suizi became a gentle and intellectual female writer, Hao Shuwen became a fashionable and avant-garde Mrs. Kuo, and the kind He Xiaoping became a humble and mediocre existence.
Everyone seems to be powerless against fate under the impact of the torrent of the times. As everyone knows, the road is actually chosen by yourself.
When Liu Feng first heard Teresa Teng's singing in the girls' dormitory, no one realized that life was already quietly changing.
Liu Feng led He Xiaoping into the literary troupe, taught her the correct posture of military salutes, and resolutely danced with her when she was disliked and smelled, and lifted her up.
So even if everyone else began to draw a line with Liu Feng, she was the last person to send Liu Feng away.
She has a kind of "help relatives do not help" axis: I don't care if it's right or wrong, I don't care what others think, who is good to me I am good to whom.
Compared with Xiao Suizi, Hao Shuwen, Lin Dingding and other "popular little flowers", this light appears small and dazzling, warming Liu Feng and also allowing himself to gain peace in the second half of his life.
In addition to He Xiaoping's tragic aura, several women in the film are also like a ukiyo-e, reflecting the life of every viewer.
If the literary troupe had not been disbanded, Xiao Suizi would probably have become the most accomplished person in this group of literary and artistic soldiers. (The narration of the film is read by Xiao Suizi)
After the end of the Cultural Revolution, her father's rehabilitation, let her unload the heavy burden of family and origin, is a kind of fate.
In terms of personality, she is not as depressed as He Xiaoping, not as domineering as Hao Shuwen, and even less does Lin Dingding's "lofty" ideal of marrying abroad. Unprovocative, non-aggressive girls can coexist peacefully with anyone.
In the literary troupe, Xiao Suizi was a microphone for boys, and even Liu Feng had to ask her about Lin Dingding's whereabouts on the weekend.
She is also a peacemaker in the girls' group, whether in the "military uniform incident" or the "sponge underwear incident", she has tried to mediate between Hao Shuwen and He Xiaoping, trying to make the development of the situation not worse.
She is kind but not extreme, and has a heart for beauty, and she can't help but dress up as a Hong Kong star. Such a Xiao Suizi is a true portrayal of many girls in the flower season.
In the face of love, she has an inferiority complex, secretly in love with trumpeter Chen Can, but does not dare to show her heart, heard that people want to set gold teeth, but without hesitation, they sent the gold chain out.
On the night of the dissolution of the literary troupe, just sent the first love letter of his life to Chen Can, who had a crush for a long time, he learned the news that Hao Shuwen had established a relationship with Chen Can.
For the first time, the young girl Xiao Suizi knew the taste of envy and jealousy, and for the first time experienced a disillusionment of long-lasting admiration, tearing up love letters in the night and sobbing silently... Most girls have experienced such pains, right?
But it is undeniable that the girl who does not look lost in the middle is the easiest to fight with life, rather than living as a queen.
The one who brought the queen herself was, of course, Hao Shuwen, the daughter of a high-ranking cadre.
Carrying the aura of her father, she never forgets to establish the authority of her own dormitory chief, and in a group of ignorant literary and artistic female soldiers, she is simply a big sister.comity.
Born into an extraordinary "second generation", everyone has to make way for her and call for her. The accordion is played in general, the mouth is quite damaged, and it is not a problem to scare the boys.
In today's terms, she should be considered a "delicate egoist".
The most obvious example is that after learning that Chen Can's father was the deputy commander of the military region, she chose to become a partner with the object who had been tricked by herself, which in her own words was called "door to door".
Does this union really exist in love? Even if there is, it is rare, even the day after tomorrow. But it was such a realistic choice that overshadowed Xiao Suizi's true love supremacy.
Hao Shuwen's married life is not a happy one, but it is not desolate.
Although I often had to experience the pain of being separated from my husband, I was able to casually take out a thousand yuan in the nineties to help my old comrades-in-arms, which was not too bad.
Life always has to figure something out, Hao Shuwen just wanted to be a door-to-door pair, and finally realized, so even if it looks like a "widowed marriage", at least she has no complaints and accepts her own choice.
When witnessing the bullying of Liu Feng, a former Lei Feng pacesetter and combat hero, a blurted out national curse and a pile of money to throw past domineering also made her strength circle powder.
Although she is self-interested and mean and arrogant when she was young, she still has the tenderness of her heart in the face of her former comrades-in-arms. Don't buy Transformers for children, but are willing to pay for comrades-in-arms, so it is definitely not "bad".
In this group portrait film without a "big heroine", Lin Dingding is the most controversial role.
She was like a white lotus, and people couldn't take their eyes off it.
On the day liu feng returned to the troupe from Beijing, Lin Dingding, as a soloist, sat gracefully in front of the piano, with a melodious piano and a moving singing voice.
The male soldiers loved her, and even the photography officer couldn't help but take the opportunity to take a few more photos of her.
In the face of the suitor's bold flirtation, eating some canned fruit can make the suitor kiss, and almost delaying the stage...
Knowing that Liu Feng's character is reliable and he is interested in himself, he reported and exposed himself in the face of confession, which made Liu Feng bear the false accusation of playing hooligans and buried the great future of a good person.
When the literary troupe was about to be disbanded, Lin Dingding did not hesitate to give up his former lover and turned around and chose the overseas Chinese introduced by his second aunt. The next day after the dinner, I went to get a passport to go abroad.
A few years later, Lin Dingding, sitting on the Australian prairie, smiled like a flower, but his figure was seriously out of shape, and the posture was not only fat, but also: greasy, in any case, it could not be called a goddess.
She has a beautiful illusion like a filter, and in the moments when she exposed Liu Feng, quickly cut off her old feelings, and went abroad to be a broad lady, she no longer existed, because she lacked a warmth in her.
This is too much like those Mary Sue heroines living in the chicken soup text, lovers can not be, friends can not, but be sure to live as a winner in life that everyone envies, and show others the "elegance of wolf nature" at the right moment.
The two main creators of this movie, Feng Xiaogang, have been reported by female comrades-in-arms, and Yan Geling has also been exposed by her crush, each carrying a scar memory, if it is completely in accordance with the original novel of "Fanghua", the female soldiers' encounters will be more tortuous.
For example, after Lin Dingding came out of the literary troupe, he first married the son of a military executive, divorced because he was not welcomed by a large family, and then followed others abroad to become the hostess in a restaurant in Australia.
But in the movie, the two people have no hatred or criticism of these female characters. This may also be why the audience is moved: in other people's stories, shed their own tears.
At the end of the film, the one-armed Liu Feng and He Xiaoping snuggle up on a bench at the station.
In Xiao Suizi's monologue, as soon as Han Hong's "Velvet Flower" song sounded, many people burst into tears.
Xiao Suizi, who once had a silent crush on trumpeter Chen Can, Hao Shuwen, a bright and beautiful newspaper announcer standing on the stage, And Lin Dingding, a soloist of the literary troupe with a sweet and moving voice... They all came out of the literary troupe that never ate fireworks in the world, and became ordinary women in the life of the city.
Many people were touched by this film because of the last monologue full of helplessness:
I can't help but think that the glory of a generation has passed away and is completely different, although they talk and laugh as before, it is not difficult to see the changes that the years have brought to everyone.
The fragrance of one generation has passed away, and the fragrance of another generation of people is still spitting out fragrance.
Everyone is equal in front of time, and no one can keep Fanghua, but at least after reading other people's stories, we can think about how to choose and how to face the richness and desolation of life.