After watching "The Haunting of the Heavenly Palace", reliving the familiar things of childhood can always give people special pleasure, not to mention the good composition of the Haunting Tiangong: the masterpiece of the Wan brothers, the peak of the history of Chinese animation, it is difficult to imagine that this is a work of 40 years ago. Now it seems that this is the blockbuster of that era, director Wan Shi, Zhang Guangyu's styling design, the classic dubbing of the translation, the elite soldiers of the American Film Studio, the group of talents, can be called the peak.
Hollywood in the 60s
Although the giant spirit god of a dozen huaguoshan is a cushion field, it is handled very enduringly, and the shape of the giant spirit adopts the image of the traditional face, which complements the gong and drum guys in the background music. In particular, the dubbing of the giant spirit is too handsome, Yu Ding is a catch in the Big Haunting Heavenly Palace, and also has Ma Tianjun, zhiguo Tianwang, Erlang and Li Jing. Yu's voice is extremely exaggerated, with animation and comedy is unique, when I was a child, I watched the old wolf treat, and I liked to listen to the song that the old man sang: "Good luck today, the old wolf please eat chicken, the old wolf please eat chicken!" Please eat chicken, please eat chicken. Roast chicken with wine, just to fill the belly. Walk fast and forward, the more you go, the more anxious you are! Hahahahahaha, the more anxious you are! "This clip of the Giant Spirit God directly affects the processing of the TV series. Later, which battle monkey was handled slightly simply, first of all, the shape, it was a silly fat boy, his eyes were sluggish, he lacked aura, he did not see the nobility of the three altars of the sea god, and he had a bit of a CCTV shooting eagle Yang Kang's feeling. In the fight, the three heads and six arms should be holding six weapons, and the animation is also simplified to one shot and two circles, which is not lively. The key is that it does not show the fierceness of cutting flesh and bones, and it is impossible to see the momentum of "three days of apologetic evil". When there was no Guanyin jj at the time of the second dozen flower and fruit mountain, the role of the four heavenly kings was added, obviously referring to the four generals of the demon family of the gods, and this treatment also directly affected the TV series.
The two veterans have all become villains in the cartoon. Taibai Venus is portrayed as a fat old man with a honey belly sword, Shang hua's voice is also deeply rooted in the hearts of the people, and in the tidbits, Shang Hua also talked about the time when he specially added some "fairy qi", which is indeed very different from the tone in the tiger's mouth. Taishang Laojun is even more miserable, the film treats Daozu into a demon with a sword, and the voice is said to be matched by Mr. Qiu Yuefeng's sharp voice.
The soundtrack used in the film is also extremely national. The drums of the opera are used to reflect the scene of the fight, which vividly reflects the flexibility of the monkey king and the grandeur of the scene, which is exciting and frustrated. "The Haunting of the Heavenly Palace" tells the story of the well-known Monkey King Haunting the Heavenly Palace, which is a fragment taken from the mythological masterpiece "Journey to the West", in the original "Journey to the West", the author shows people a brilliant and colorful world of gods and demons, and people are amazed by the author's rich and bold artistic imagination. However, any literary work is a reflection of a certain social life, and "Journey to the West", which is an outstanding representative of the divine and demonic novel, is no exception. Everywhere we can see projections of real society.
The reason why "The Great Haunting of the Heavenly Palace" has become China's masterpiece stems from its pursuit of the embodiment of democratic culture. After the founding of New China, Chinese animation began its broad development. It can be said that the late 1950s and mid-1960s were a climax of Chinese animation. It is also a stage of maturity of the national style. The animated film "Haunting the Heavenly Palace" integrates the performance art of traditional Chinese opera liuxue86.com song, depicting the well-known Sun Wukong, making this image leap to the screen and turn the invisible into the tangible. In terms of modeling, scenery, and color use, it draws on the characteristics of ancient painting, temple art, and folk New Year painting.