Introduction: "Assun" is a work with a long history, from the beginning to today's animation, it has always exuded a different kind of charming brilliance. This article focuses on the 2015 version of the "Asson" animation, and dissects in detail its eccentric sources of creativity and humorous nature.
<h3>Zero, the source of all evil - Akatsuka Fujio</h3>
Fujio Akatsuka, who appeared in the 2015 edition of Assoun
Speaking of "Asso", Akatsuka Fujio-sensei is definitely a character that cannot be avoided. Not only with Osamu Tezuka, Fujiko. F. Fujio and other giants were contemporaries and good friends, and were one of the leading figures in Japanese manga of that era. It was he who gave life to the six sons, laid the tone and spirit of the whole work, and created one precedent after another in the comic book industry. It can be said that without Akatsuka-sensei, there would never be assun today.
When it comes to Akatsuka Sensei and his people, we all know that he is a manga artist at the level of the grandmaster. But if you think that the cartoonists of the grandmaster level must be people who are morally upright, clean-spirited, and make people feel awe at a glance, then you are very wrong. If you know a little about the original manga, you can know that Akatsuka-sensei's festival value is actually... Basically can be defined as a negative number. The evidence is shown in the figure below:
It can be seen that in the original manga of the Showa period, the teacher has no scruples about adding excessive content related to sex (the original "Asson" manga is serialized in the famous "Weekly Shonen Sunday", which is a fake shōnen manga), including the sm props and the text on the Christmas tree that appear in the picture, etc., creating a "precedent" for the funny manga of later generations.
Later generations of cartoonists have done it, teachers have already done it, and the following example tells us that what future generations of cartoonists can't do, teachers can do:
It's a pure yellow strip...
The content of this scale, such a pure yellow paragraph, can not be played in today's juvenile comics under any circumstances. So when you get here, everyone understands: this is the grandfather of funny manga - Akatsuka Fujio. In front of his old man's home, now those little young people are engaged in what no restraint is unlimited, ah, all of which are the rest of his old man's play.
Compared with this, the new animation challenges the various problem scenes created by the late-night TV animation scale, such as the three-word bathhouse quiz, the seven-word public, etc., which are simply small witches, not a matter of fact at all, not only is not a part of the antis who criticize the original work, but it is a high reproduction of the spirit of the original work.
The bathhouse "problem scene" at the end of the 3rd episode of "Asson" (hindered by the regulation of broadcasting, in the end it is still a mosaic.) Akatsuka sensei, the staff did their best... ）
Akatsuka Sensei is arguably one of the most thorough implementers of the spirit of entertainment to death, with the motto "Life is a Joke", and it is said that he has done everything in order to be funny, and it is said that he has also jumped from a tree with a bare ass. Such a character, if you want to say that he is honest and disciplined, you will not even believe the leg hair of the empty orangutan. To know that he had drawn SM props into comics decades ago in the Showa era, added words such as "sexmas" to the Christmas tree, and used sextuplets as material for children's sex education books. No wonder Akatsuki's descendant manga artist Kobayashi sighed as he witnessed as "Asson" was once again popular and popular with the rotten girls after many years: "How happy would it be if Akatsu Sensei were alive!" "That's right, as long as the audience can enjoy the work happily, the teacher will be happy in heaven."
Not only sexual innuendo and yellow paragraphs, but also in the original "Asson" comic, there are countless things such as the sudden change of style into neta. The following is an example of the "sudden change of painting style" in the original work.
There is such a strange temperament (positive meaning), not according to the common sense of the original teacher, as an animation to commemorate his birthday, the spirit of the new work naturally must also achieve seamless docking with it, so as to best achieve the purpose of commemoration. So who controls the spirit and soul of an animation? Animation supervision. Yes, the supervision of an animation is the soul of the entire animation. What story to tell in every word of the animation, how to tell it, everything, all must be controlled by supervision. Supervising is like an animation mind, and the staff who participate in the production of an animation are like their hands and feet, and everyone works together to make a finished animation. What kind of color an animation is, whether it looks good or not, and what kind of ideas it wants to convey, almost all depends on supervision. Even if there is an anime adaptation of the original work, the supervisor has the power to delete and revise the plot of the original work or even completely overturn it (such as the famous original shredder Akiyuki Shinbo). Therefore, when many housemates choose a new fan, they will take a look at the supervision, what works this person has before, whether there is any previous history of feeding, etc., to ensure that they can successfully watch the film with lightning protection.
Okay, now we have a project to celebrate the 80th anniversary of the birth of the amazing Akatsuka-sensei, and we, Assun, are going to animate it again. If you want to do animation, in addition to finding a production company, pulling sponsorship, etc., the most critical one is the candidate for supervision.
As mentioned earlier, the supervisor controls the soul of animation, and this candidate is absolutely sloppy, and it is necessary to ensure that the flavor of Akatsuka's works can be reproduced, and the old antiques of the Showa era can be washed away from the old stench and returned to everyone. At this time, I don't know which genius slapped his head and said the name. It was this person who made this Assun animation set off a rare storm in the animation industry and even in Japanese society. That's right, this person's name is Yoichi Fujita.
<h3>1. The ghost of KUSO comedy - Yoichi Fujita</h3>
Speaking of the name Fujita Yoichi, many Gintama iron fans may not be unfamiliar. Yes, Fujita Yokoichi is the second generation supervisor of the almost household-famous long-form popular anime "Gintama", who was excavated and cultivated by Shinji Takamatsu, a generation of supervisors, who inherited his mantle, and his debut was a strange supervisor of "Gintama". Regarding the teacher-student relationship between Takamatsu and Fujita and even Fujita Yoshihito, it is described in detail in the article "Serious Discussion - Can Gintama Leave a Mark in the History of Animation", one of the Gintama Town Bar Stickers, and interested students can search for it. （http://tieba.baidu.com/p/1479072489）
Koichi Fujita
After gossiping, let's go back to Yoichi Fujita. Since his debut was Gintama, the overseer's style was strongly influenced. Its style is expressed in the extreme neta, the undisciplined bridge section, the endless KUSO, the high demand and high development of voice actors and staff, and the most powerful point, which can be said to achieve a point of the entire "Asson" work - super originality.
According to the previously mentioned post, Fujita, during the supervision of "Gintama", had several episodes of his own creation to save the weak story of the original work, and the original bridge section did not violate the sense of violation, even if the original author personally carried the knife to the battle, the ability was unanimously recognized by fans. Being able to be original without violating the law shows that this person must be gifted, not only has a deep understanding of the original characters, but also has the ability to use the molded characters for super story arrangement. As we all know, storytelling is easy to make up stories, and it is even more difficult to make up stories on a given framework. Friends who are engaged in fandom should deeply understand this.
What is even more rare is that although Fujita was born in 78 years, when he was a child, he was a rare one of their generations who "grew up watching Akatsuka animation", in other words, he was an old fan of the original, which can also be described as a kind of evil fate. The courage to implement the radical neta (the problems caused by the "Gintama" animation neta are simply overwhelming, and interested students can investigate for themselves), the obsession with the quality of the work, the superb original ability, and the fit with Akatsuka Denwa, so Yicai, the "Asson" animation version of this person does not do, who does?
But then again, our Fujita supervisor also had one of the most remarkable instincts, which later ran through the entire Asson anime and led directly to the 25-episode incident in the end. What exactly this instinct is is not expressed for the time being, we will reveal later. When he received a request to participate in the production of the new anime of Assun as a supervisor, Fujita immediately realized that this was a once-in-a-lifetime opportunity to participate in Akatsuka's works, which may never be seen again in a lifetime. So he did not hesitate, and even though he already had an animation project at hand (i.e., the new fanicaloid in October 2016), he still chose to accept the work commission immediately. Incidentally, the first episode of the anime produced by Yoichi Fujita, the 106th episode of Gintama, in which the eleventh twins of the Matsuno family play soccer are played, and it is Akatsuka-sensei's "Asson" that plays football!
Gintama 106th drama
It is true that man is not as good as heaven, and this is the fate of iniquity! The stunned Aotoda, who was trembling to take over the supervision baton from Nobuji Takamatsu, would never have dreamed that a few years later, he would take over the new animation of "Assoun", blowing a fierce revolutionary whirlwind in the industry!
As an old manga of the Showa period, "Asso" has undergone a second animation, and the author has long since passed away. No matter how classic the comic is, it can only become a family treasure in the hands of a small number of people with the passage of time. Times are changing, people's appreciation patterns are also changing, blindly following the ancient road can not really arouse the enthusiasm of a large number of audiences. In order to keep the work in line with the times, it is necessary to add a different perspective from the original work, which was already recognized by Yoichi Fujita when he took over the work. Especially when he learned that the broadcast time was late at night, he couldn't help but show a sinister smile like a conspiracy: this is a game! As we all know, although the golden file has a good audience, it is also limited as much as a fish in the throat, such as a while ago, Conan actually appeared to harmonize the blood into blue farce. However, in the late night stall, the relative broadcast regulations will be much looser, and it is an excellent playground where you can play crazy.
"The original 'Assun' has a lot of memories that reflect the times, so if you want to make the current 'Asson', you must reflect the current era, which is 'Asson'." With this philosophy in mind, Yoichi Fujita made an extremely bold decision: to drastically change the original setting, so that the six sons will grow into adults, enter a new era, and start a new story!
It was a pretty drastic decision. Fujio Akatsuka is a manga master in Japan who is no less famous than Osamu Tezuka, and the idea of trying to make a move on his old man's head is unthinkable for ordinary supervisors. Moreover, once the six sons grow into adults, the character setting and other work is bound to be re-carried out, how to correct the setting on the basis of respecting the original work, this is another heavy project of dancing with shackles, and its difficulty is definitely no less than that of direct original animation. What's more, the proposal of Assoun's animation project has gone through several twists and turns, and because it has not been able to pull sponsorship, it has been on the verge of stranding several times, because no sponsor feels that this project can make money, and finally it was finally completed through the unremitting efforts of Yuji Bugawa, president of the Clown Society.
When the sponsorship was finished and Fujita and other staff came to pick up the pot, there was only half a year left before the scheduled release date. The average original animation preparation time is at least a year, and now you tell me to re-enact the human set-up, what kind of international jokes, can this catch up? The idea seemed so crazy and irrational that when she heard it, Miss Rieko Akatsuka, the president of Akatsuka's original company, was stunned: "This is too risky!" ”
The original party questioned that this was going to be old. Just when Fujita's idea was about to be stranded, the appearance of a person allowed Fujita to successfully overcome this almost impossible difficulty, and the adult version of the project was passed, and as an audience, we were able to see the rokuko living treasure that was active in its current form. The core figure of Showa's old work to achieve the rebirth of the dirt is Naoyuki Asano.
<h3>Second, the pen falls four seats of surprise - character design Naoyuki Asano</h3>
Naoyuki Asano is probably a name we rarely hear. That's a no-brainer, because his position in animation production is far less eye-catching than that of animation supervisors—character setting and drawing supervisors.
Naoki Asano Self-Portrait
Although inconspicuous, the role of human design and painting supervision in animation is crucial, he is the first level of supervision of the idea of filming, all the characters' appearance, clothing and other settings are carried out here, including the shape of the hair, eye size, body shape, expression and even black moles, ornaments and other details, all completed in the character setting.
You know, although many adaptations of anime works have been carried out once by the original work, there is a big difference between the drawing of manga and even illustration and the drawing of animation. Due to the large amount of time for animation production, the amount of work is tight, and it is impossible to do a slow job like comics and even illustrations (in fact, the cartoonists serialized in the weekly magazine have a considerable workload, even if they have assistants to help, ordinary people simply can't stick to it), you let them completely restore the original human settings, and do a girl comic to draw hundreds of eyelashes like the original teacher, that is, two words - looking for death.
In addition, the more complex the drawing method of human design, the higher the price of the original painting, and the cost of making animation will also increase, so the artificial work often has to take into account the budget of animation. Therefore, qualified personnel should not only restore the original style as much as possible, but also consider the budget situation and the hard work of the painters, and try to simplify the lines as much as possible so as not to catch up with the construction period. Moreover, animation is not like an illustration as long as one, so choose a good angle, good composition can be drawn very beautifully; the characters in the animation are to move, you set the picture only for the face, if the original painter wants to draw the character back to the audience shot, there is no standard how do you let me draw? Therefore, the human setting also needs to provide the character's back setting, sideways setting, Q version setting, and special settings provided according to different animation requirements, etc., in other words, the human design is not what the character looks like after drawing it, but to model it 360 degrees without dead angles.
At this point, you can see that this job is not something that ordinary people can do, and it requires a pair of hot eyes that can be used to the bones of the original author and a pair of clever hands that can draw what they want to draw. Therefore, the ones that can be set up as human beings are basically all cosmic superhuman-level big touches, and painting with your eyes closed can hang you.
In addition, in addition to meeting the needs of funding and duration, a good person must also be aesthetically pleasing and let the audience have the desire to see it. The human design must also complete the task of assigning the character setting to the entire painting team, requiring them to be familiar with the human design method within the specified time, and cannot make any mistakes in any detail, because once the painter makes a mistake in the restoration of the human design, the problem will generally be relatively large. Therefore, at this time, it is necessary to perform the responsibility of painting supervision, that is, to correct the original paintings that have problems with the original artists, and strive for the perfection of the finished animation.
This is the work that Naoichi Asano is facing, and it seems that it is really... It's kind of scary (laughs). You know, even if it is a more cutting-edge animation, the number of original pictures in an episode is almost three thousand. If it is a high-cost animation with large productions, the number of original pictures in an episode can even reach more than 10,000. Therefore, the shortage of manpower is one of the most terrible hells for the prisoners, and many miserable prisoners often have to repair the card until they do not eat or sleep, and they are dizzy. If you meet a few original painters who are not on the Tao, it is even more called heaven and earth. There are a few well-known painters in the industry who do not like to restore people and like to let go of themselves, and it is said that they are often cursed by various prisons to die early and overbirth early, which has become one of the urban legends in the industry. In addition, some time ago, there was also news that the supervisor of "One Punch Man" fell ill due to excessive workload. The summary is a sentence, the two jobs of personnel and supervision are all xx people.
Since character design and painting supervision are such important roles, Fujita wants rokuko to grow into an adult, so naturally he has to pass the level of Asano Naoyuki. Asano, after learning of Fujita's idea, agreed with it and thought it was the best way to bring Akatsuka's works back to the public. Enthusiasm was the best food to give birth to creation, and soon, the talented Naoyuki Asano drew the first draft of the six sons who grew up, which is the prototype of the six sons we see today - it is strange!
Yes, the series of touching stories just now are all made up by me, and the truth of the matter is abstracted by me into the following dialogue, please watch it with an entertainment mindset:
Yoichi Fujita: That, Asano-san, I have an idea.
Naoyuki Asano (hereinafter referred to as Asa): What is the idea?
Fuji: Regarding the re-animation of Asson, I wonder why not follow the original setting and let them all grow up! In this way, the stage of the times can be put into the present, we also use knives, and the work of human design will trouble you, how do you see?
Shallow (a face blindfolded): What? Supervising adult trouble again?
Vine: I said, let the six sons grow up to be big—
Shallow (roar): You boy is crazy! Know how many pounds you have! Who do you think Akatsuka-sensei is! That's the old cow in the comic book industry, the grandfather of our group! No matter how crazy your boy is, he can't move the soil on his old man's head! What should I do if I smash the original signboard? Don't do it, don't do it! Or insure according to the original!
Fuji: Asano-san, please be sure to take a good test——
Shallow: Nonsense less, I told you that this matter is no way! Where did I come from, give me back to where I went! Go well and don't send!
So our Fujita supervisor was cruelly rejected (laughs). In fact, Asano really can't be blamed for this, no matter who is put in Asano's position, I think he will understand his thoughts. This is like setting Sun Wukong as a pseudo-bride when remaking Journey to the West, which is certainly not something that ordinary people can accept immediately and calmly. Not to mention that our Mr. Asano is also a fan of Akatsuka-sensei , a fan of a fan (laughs), yes, a fan of a fan.
According to Asano himself, his predecessors he had great admiration for were fans of Mr. Akatsuka, and Asano had an early respect for the idol of this idol — that being said, Asano had never touched the original (laughs). In his mind, "Asson" is like a subset of the history of the scriptures, it is the kind of work that should be bathed and changed, and then read carefully after sitting with clean hands. So you Fujita Yang played this hand as soon as he came up, how could I Asano agree? So Asano did not hesitate to refuse, and choked Fujita with a word: Still according to the original work to insure!
But is Inspector Fujita an idle man? This level of difficulty was completely out of his mind. As long as it is the person he has a crush on, he can't run away. So under the supervision of the day-to-day brainwashing offensive, Asano Naoyuki finally could not resist, surrendered his weapons, and was finally pulled out of the water. Although people are pits, the knots in the heart are not so easy to untie. Therefore, in the early days, when Asano was carrying out the human design work, he still shrank his hands and feet, and did not dare to jump out of the box of the original work. Finally, under the repeated "instigation" of supervision, this process of rebellion, which is in a sense "epic", was finally completed.
The picture shows the comparison between Naoyuki Asano's initial human design preparation and the original Akatsuka, which shows that the human design at this time is still very close to the original work
In a later interview, Asano laughed and said: "At this time, I still have doubts about the human design plan, thinking that 'it is better to be as good as six people', so I was said by Fujita Supervisor (brainwashed) 'Do it thoroughly', so I slowly let them take off their old clothes, put on their suits, and adjust their head-to-body ratios..."
This is the mid-term human design preparation
This is the mid-term human design preparation, at this time the drawing handle has begun to break away from the original, and the small characteristics of each person begin to appear. It is worth noting that the human design of the Fourteen Pines has not yet been finalized at this time.
You can see that the final draft is almost completely different from the initial setting
Final draft. Details such as dull hair and expressions were also fixed, and the molting from the original was finally completed. Looking all the way down, the author who witnessed the process of Asano's rebellion could not help but look up at the sky and shout: Fujita brainwashing Dafa is good!
The finished human design was finally sent to Fujita. I don't know how Fujita felt when he saw the asano character setting, but if I had to guess, I think he would have ripped off his shirt and run out the door to yell at the street: "I've made it!" "The reason is simple, because these characters are so cute! You should know that in this cute culture of the animation industry, cute is economic, cute is justice, cute is the first productive force!
When asano's original manuscript of the adult rokuko was placed on the desk of President Rieko Akatsuka, who had originally rejected the adult version of the plan, the president was immediately attacked with lightning speed: "So cute! That's fine! So the adult version of the project was finalized - many times, the power of the picture is often more than the language, which is a very clear example. Of course, in addition to Fujita's perseverance, brainwashing skills (mistakes) and Asano's talent, the original party's enlightenment is also a factor that cannot be ignored, and their open-mindedness and attitude towards innovation are the best soil for the birth of miracles.
Naoyuki Asano Original
It is worth mentioning that Naoyuki Asano's work does not stop at appearances, he also participates in the design of Rokuko's personality. In general, anime adaptations, since the character personality has already been fixed in the original work, will not have much work in this regard. And Assun new animation has decided to make an adult version, it is no exaggeration to say that it is a completely original animation, in order to enrich the characters, several creators have conducted earth-shattering character personality discussions (according to Fujita and Matsuhara in the interview, sometimes in the middle of the night when there is inspiration, you have to quickly call or email each other, contact is more frequent than the love couple).
<h4>Assun Liuzi looked at each other</h4>
<h4>Big Brother Komatsu</h4>
As the basis of the six sons, that is, the prototype, the ordinary Komatsu that grows into an adult is the basis of the five pines that follow. Although he was set up as an ordinary and personalitless guy, in essence, the personalities of the next five sons were born on the basis of him, just like "Komatsu's other personalities" in Asano's own words. As the eldest man, the façade of the whole work also carries the existence of the spirit of the work, is the character who hangs the Akatsuka sensei the most on his mouth, and at the same time implements the Akatsuka spirit of "this is okay" in every word and deed, and can be said to be the spiritual leader of the entire anime (18 words, the poor brother did not lie ah... ), is also the soul of the work.
Komatsu
<h4>Empty pine</h4>
Asano put a rock star (what?) into his heart. You tell me this is Ozaki Toyo? I choose to die), the so-called rock star is the focus of people's attention, pulling wind and handsome, of course to be in the spotlight! And the empty pine who has a rock star in his heart but does not have the quality of a star as a star has become a narcissistic figure who is cool and handsome. "Well, we often have guys around us, who like to make a very draggy look." —by real Naoyuki Asano. Yes, with this impression, Kumatsu was born little by little.
Empty pine
<h4>relaxed</h4>
The light-hearted character image is based on the people who often appear around Asano and often feel dissatisfied with their surroundings. "Although I am with you now, I am different from you!" Because of the dissatisfaction, the expression is always unable to get rid of the troublesome "へ" shape. Because of the emphasis on the difference between yourself and others, you naturally become a complainer. "Troubled" is the key impression word of choro image. At the moment of birth, this image has an uneasy gene, belonging to the characters who will quickly explode and burn out later in the plot once they are placed in the medium of the novel, which has a longer continuous plot. There is a time bomb buried in his personality, and like our dissatisfaction with the surroundings, sooner or later it will explode.
relaxed
<h4>A pine</h4>
Ichimatsu's character is derived from someone Asano does know, and Asano almost copied the stereotype given to him by that person and gave it to Ichimatsu, so much so that other people who knew the friend often asked Asano, "Ichimatsu is him." Without any modification to yourself, you completely give up on yourself, so your hair will be messy. In general, a person with normal self-esteem will not be indifferent to his appearance. We were given such a strong impression the first time we touched Ichimatsu (Super Meow), probably because of the character's astonishing sense of realism.
A pine
<h4>Fourteen pines</h4>
Fourteen Pine is the character who caused Asano the most headache when he was designed, because he is not a person who can appear in our lives, but rather a creature that exists in people's spiritual world. Asano, who originally painted with the impression of a funny entertainer on TV, did not know when a strange smiley face appeared on the drawing paper, and then this smiley face never disappeared. In the end, Asano found that he could only draw the smiling face, and the image of Fourteen Pine was thus fixed.
Fourteen pines
<h4>Linden pine</h4>
The character impression of Lin Song is "trying to become a person who is full of money" (that means not yet), making efforts in various aspects, such as playing chess, climbing mountains, watching waterfalls, etc., everything is to become a chip for the current charge, and in another sense, it is also a guy who is pretending. There will also be some of us, desperately doing problems to give people the impression of hard work, but still can't become a top student student and the like, which is actually a common role in reality.
Linden pine
Through careful observation of the surrounding life and the ability to refine the art, Naoyuki Asano's successful assistance perfected Rokuko's personality, provided a lot of inspiration for Matsubara's script, and paved the way for The unbridled play of Fujita Yoichi.
<h3>Another bad relationship - Fujita! Joker Society! </h3>
Do you know Studio Pierrot? That's right, it's the veteran animation production company that has produced animations such as Naruto and Tokyo Ghoul, which are loved and hated, and has the industry's top scale and resources.
Joker Society logo
There is such a thing in this world called the evil karma. The Clown Society may not have dreamed that after 27 years of making the 1988 version of the "Asson" animation, it would be able to produce a new version of the "Asson" animation again;
There is such a thing in this world called the evil karma. When Yoichi Fujita, who was still a stunned young man, took over the baton in the hands of Shinji Takamatsu with a nervous mood and fully supervised the 106 words of Gintama, which was also the first word of his career, he would never have dreamed that one day, he would become the first work to be parodied by himself in 106 words- "Asson"!
It was when the adult-oriented plan had been finalized, and the character setting of Naoyuki Asano was in full swing, and the story Fujita thought and thought, almost had some clues, and seeing that the general framework of the work had been established, Fujita Yoichi knew that it was time to find someone who turned the framework into flesh and bones and turned the story in his head into lines - the script was responsible. Put it in the animation staff table, and it is the series composition.
What is the job of series composition? Simply put, he is the pillar of the entire animation script. Although specific to each episode, the line responsibility is completed by the script of each episode (the first thing that appears in the staff table after each episode is the scripters of the episode), but after all, it is written by different people, it is inevitable that there will be overall rhythm, character control and other mistakes, and the characters who correct these problems are the series. To put it simply, it is like the supervision of the scripting industry, which controls the overall plot flow of the animation and the shaping of the characters. It should be understood that although the series composition is fully responsible for the script, it is not necessarily solely responsible for the plot. Therefore, if the animation has a plot collapse or a big storm, how to divide the pot is to analyze the specific problem (although it is generally not clear).
Fujita Yoshiichi needs a series of compositions, not only excellent, but also the most suitable Akatsuka works, the most capable of this aura. With this condition, searching among the existing contacts, a person soon entered his sight.
So, in a bar in Kamiicho, we saw two men sitting at a couple's table for some reason. One of them wore black-rimmed glasses, was slightly middle-aged, and somehow always had an underwhelming look in his expression. In this way, he issued an invitation to another lean and clear-eyed young man: "I haven't seen you for a long time, have you been busy lately?" There is work for you. ”
<h4>(To be continued).</h4>
<h5>Text/Water Harvesting Sandalwood</h5>
<h5>美工/Who will be strong and stand with me？</h5>
<h5>Source: WeChat public account Fantasy is now moving</h5>