On the evening of September 15, the TV series "Today is not the last day" was launched on the two episodes of the genuine video platform. Starring young actors such as Wei Wei and Liang Jingkang, the drama tells the story of two "problem youths" forming a travel companion and eventually "healing" each other. The opening tone of this story is very "mournful" and "decadent", and there are some British dramas "Go to the World of His X" (the original drama is not translated as X, this letter represents a Chinese character, and the Chinese characters in front of it are connected, which means scolding the street).
In "Today is not the last day", Liang Jingkang plays a lonely young man. His family died one after another, and he was the only one left in the world. And this child actually carried the name of the Ke family. Therefore, the young man wanted to leave the world by jumping into the river. Who knows, the turning point of events also began at this time. Because not far away, a girl fell into the water. The male protagonist needs to rescue first, and then implement his own death plan.
On the female side, she is actually a bastard in the night scene, who is specifically responsible for pitting and abduction. This time, he was deceived by two men, and he fell into the car and put it in the car. The heroine saved herself and dived to escape. It is under such a coincidence that the story of the male and female protagonists begins to merge. The male protagonist is in a very depressed and decadent state, and he meets the state of the female protagonist who is very cool and very lecherous, and the two live under one roof. The female protagonist even takes the rent of the male protagonist as her own.
The real beginning of the story should actually start around the 40th minute. The male leper behind the heroine finds the heroine and threatens her. The male and female protagonists work together to defeat this leper. Subsequently, the male and female protagonists began the "escape journey" of the electric car. In this process of "escaping", the two personalities infect each other and eventually achieve mutual healing. The male protagonist becomes sunny and cheerful, while the female protagonist becomes warm and lovely.
This story line is not unfamiliar to audiences familiar with British dramas. Isn't this "Go to His X's World"? Of course, in this British drama, the personality characteristics of the male and female protagonists are slightly different from those in "Today is not the last day". The two works are the same in the main line of the story. Because there is a "pearl jade in front" of this British drama, this "Today is not the last day" is not so creative.
Of course, the core emotion of the play is standing and has positive value. A very sad and decadent male protagonist, met a very bad and very leper female protagonist, the two began a road trip, and finally the two personalities infected each other, both to the benefit. The beginning of the mourning, becomes the ultimate warmth. This mutual infection of male and female personalities is also in line with social reality. After a large number of young men and women get married, there will be a communion and mutual infection effect on personality characteristics. Based on this, I think that the beginning of the play is mournful and decadent, harmless.
If fans only like mourning and decadence, it is obviously losing the real emotional tendencies of the show. The ultimate goal of "Today Is Not the Last Day" is the purpose of healing. The style of mourning and decadence has made many viewers like it, which is surprising. We all know that this state is wrong and needs to be cured, so why is there still an audience immersed in it?
Returning to the plot content, "Today is not the last day" is not creative enough because it uses the mold of British drama. The real invaluable thing about this kind of work is creativity. At the same time, the show has other debatable questions. Because the final emotional direction of the main theme of the work is healing, the male and female protagonists that appear in the work need to be typical. However, careful observation of the two protagonists, personality and personality, in fact, are hand-pinched, there is no basis for realistic correspondence.
The heroine's state of hooliganism is really difficult to find a counterpart in real life. And the male protagonist' affluent state of family, which can obviously live by collecting rent, is actually on the verge of mourning and decadence, which is somewhat incomprehensible. Most of the decadent youth we often see are economically unobtrusive youth. Then, the journey that the two began was also traveled for the sake of travel, lacking support based on reality.
To put it bluntly, the story of "Today is not the last day" is not valid under the background of Chinese culture. Such a story content, placed in the background of the British drama, everyone recognizes. Because in British culture, there is more individualism, this maverick state can be tacitly approved by the environment. And our culture is about family groups, this kind of walk-and-go travel, in reality, can not go out of the five rings.
Obviously, this TV series directly copied the main story line of the British drama. The emotional purpose that the play wants to achieve is, of course, positive and desirable. However, the story of the play itself cannot stand scrutiny. Each ethnic group has its own story in its own cultural context. This imported story path is very blunt. (Text/Ma Qingyun)