laitimes

Huang Rongsheng: A soul that is not willing to be lonely, even if it is pointed out by thousands of people, it still bravely moves forward

author:Tree baby

If you were to ask me who was the biggest surprise in the final four of the current "Happy Male Voices", my answer would be Huang Rongsheng.

It's not about the gossip, the gossip, it doesn't affect my opinion of a player. No matter what the disadvantages and problems of the "happy male voice" format in everyone's mouth are, at least for now, the top four selected are still speaking with strength and performance, especially Huang Rongsheng. The reason why Huang Rongsheng is specifically mentioned is because he bumped and bumped all the way, neither has a high appearance, and his popularity is also slightly inferior among the current top four players, especially in these championship games, his promotion is a dangerous victory, so that the small heart of the spectators flutters and jumps. In such a situation, he can constantly flip the tables and let himself advance from the resurrection race all the way to the national top four, this process left a deep impression on me, and what was written on him was the fact of "turning the impossible into a possibility", which was the biggest surprise.

I remember the earliest comment on Huang Rongsheng, it was he and Yin Yuke singing "A Dream" that game. In front of Yin Yuke, who has a distinct personality and a special timbre, in terms of Huang Rongsheng's performance at that time, he is easy to lose focus, so a lot of praise and length are given to Yin Yuke, and for Huang Rongsheng's performance, only "very real, very textured, and the emotion is faintly revealed" to describe, and also added "the details are not delicate enough, the degree of integration into the song is not extreme" Comments. It cannot be said that Huang Rongsheng was not optimistic at the beginning, but I just felt that he needed the space for progress and the pattern of development too much in order to achieve a better and more perfect self. Therefore, I will describe Huang Rongsheng as a piece of jade with a good texture but yet to be developed, and what he needs is to let time and experience be polished.

Huang Rongsheng: A soul that is not willing to be lonely, even if it is pointed out by thousands of people, it still bravely moves forward

I didn't think that Huang Rongsheng could be polished and formed in a short period of time, naturally I wouldn't think that he could go to the back in "Happy Male Voice", especially in the early stage of listening to his singing of "Longing for Love", "Dream", "Kepler", "Blank Grid" and other works, always felt that there was a lack of certain heat, and the musical pattern had certain limitations, and it was easy to break through, and it could only be so. However, it seemed that it only took one night for him to explode.

It is not that Huang Rongsheng's ability is underestimated, but that his staying power and the speed of progress are beyond the normal range, in other words, his musical literacy, background, and understanding are extremely high, which is not possessed by any singer. Therefore, his "explosion" brought a very strong shock, and since then he has become the most enterprising of many "fast male" players. And summing up the more than ten works that Huang Rongsheng has sung in "Happy Boy" from the national competition to the championship competition, it will be found that he is the most daring and challenging of the current top four players.

Huang Rongsheng's transformation began when he chose to sing Faye Wong's "One Hundred Years of Solitude", and Huang Rongsheng, who had been accustomed to lyricism before, suddenly did not adapt to huang Rongsheng who sang the rock version of "One Hundred Years of Loneliness", but it was also because of the gap that there would be shock. In this song, Huang Rongsheng's voice is domineering and open, the sound texture rises to a new height, the sound is crisp as soon as it is opened, the skillful conversion of true and false tones and the misplaced arrangement meet the richness of the sense of hearing, and the most amazing thing is his casual shout in the middle of the song, so tense and full of power, it is difficult to think of not shocking.

Therefore, describing "One Hundred Years of Loneliness" as the beginning of Huang Rongsheng's rebirth, and also the starting point of his "opening up" is not exaggerated at all, on the one hand, he subverts the stereotype that he can only sing love songs in the eyes of the public, and also opens up a new situation for his own music pattern.

Since then, Huang Rongsheng has a smooth as a fish in singing, more adventurous spirit, the selection of songs is more and more bold, but also more and more can highlight the personality of the true self, not blindly try, but targeted choice, the most important thing is that he can sing these different types of works while expressing his personal characteristics.

Huang Rongsheng: A soul that is not willing to be lonely, even if it is pointed out by thousands of people, it still bravely moves forward

He sang Fan Xiaoxuan's "I want us to be together", the song starting point is not low, the difficulty is not small, there is a jazz style, but it seems to be relatively cold, Huang Rongsheng's handling is calm and full of emotion, the capture of details is quite in place, the urgency of the voice at the beginning is in contrast with the emotional slowdown of the chorus, the emotional change in the whole song is a major feature, there is low, there is high pitch, there is sexiness, there is domineering, the most soul-destroying is the chorus part of a series of "Oops" debut, crispy. The quality of the song is too high, the degree of completion is too good, people begin to doubt their ears, remembering that they have commented before that Huang Rongsheng's details are not delicate enough, the integration of the song is insufficient, I did not expect that only a month later, his progress was rapid, before and after the judgment of two people.

Come to think of it, this is Huang Rongsheng's explosive power, this explosive power prompts him to become more and more courageous, even if he is eliminated in the middle of the game, it cannot stop his determination to continue to move forward through the resurrection match. In fact, in the revival match, he only used "I Want Us Together" and "Dream A Little Dream of Me", two similar works in style, to defeat himself, conquer the audience, and re-enter the war.

Indeed, these two works have added jazz elements, but compared to the cold and dull "I Want Us Together", the warmth and style of "Dream A Little Dream of Me" are more pleasing to the ear, Huang Rongsheng is too comfortable to handle, lazy, relaxed, the temperature of the voice is just right, in addition, the thickness and mellowness of the voice is also suitable for this warm piano jazz work, creating a slightly drunken effect. So don't say that Huang Rongsheng's resurrection has luck and scheming, aside from these miscellaneous factors, his strength and ability are the key to his K.O. success.

Huang Rongsheng: A soul that is not willing to be lonely, even if it is pointed out by thousands of people, it still bravely moves forward

As a result, people with hearts began to pay attention to Huang Rongsheng's song selection and singing in the "Personal Championship Competition", and then some people "god" him, or even "black". In fact, Huang Rongsheng is not a god, nor is he black, but he has a little more musical understanding and literacy than other players, and this "little bit" is enough to make him quickly go to a higher level. In fact, in these games he did not disappoint, 6 into 5 competitions, he sang Yang Naiwen "Push open the door of the world", with natural emotions to advance, with the nasal resonance of personality, push open this door the world is quiet; 5 into 4 games, he sang Teresa Teng's "On the Side of the Water", is a tribute to the classics and challenges the classics, not only full of charm, mellow voice also brings out the nostalgic atmosphere, as if into that innocent era.

Don't say that Huang Rongsheng has no pressure, just purely to enjoy the stage, in fact, he can walk into this arena without pressure, everyone is the same. But, perhaps he has turned pressure into motivation and strength, released in singing, which is his superiority again. In the 5 into 4 competition, listening to his singing of "Coke" can fully feel his heartfelt cry, he uses the tension and strength of his voice to expand the pattern of the song, turning the small love song into an atmospheric work, who will say that he can't sing a big song? And in the 7 into 6 competition, he sang "Dust in the Fireworks" also has the motivation to shake, in addition to being hysterical, more emphasis on the presentation of skill, true and false tones skillfully converted, the resonance of the post-nasal tone is not nothing, the vibrato brought out by the false tone is wonderful, who dares to say that he sings without skills?

Huang Rongsheng: A soul that is not willing to be lonely, even if it is pointed out by thousands of people, it still bravely moves forward

There is no Yin Yuke's uniqueness, no cool stage for raising chickens, no super popularity of Wei Tour, and having experienced the brother's anti-purpose "heart machine" questioning, resulting in a disadvantage in the number of fan support, all of which shows that Huang Rongsheng is somewhat isolated in the final championship night final. But it is also this estrangement that has created a domineering spirit of a lonely king for him. From finalisting to elimination, from kicking the pavilion to the top 4, on the stage of "Happy Boy", he did not seem to hear the flag waving and shouting of the lively crowd. The bustle of a person on the stage, the carnival of a group of people on the stage, seems to have nothing to do with him, just like the songs he sings, his heart lives with an old child, he is the dust in the fireworks, he is also a dark horse with infinite possibilities, it is difficult to guarantee that in the end he will not become the first horse.

Read on