Crosstalk also looks at the Deyun Society. After experiencing the rebellion of peers to suppress the fanatics, Guo Degang finally saw the flowers and lanterns, and let the cross-talk come back to life. In addition to cross-talk, Guo Degang's favorite is Peking Opera, and some people say that if someone writes the history of Peking Opera in the future but there is no Guo Degang in it, then this history of Peking Opera is very unobjective. Even Kong Qingdong, a professor at Peking University, said: "One Guo Degang's contribution to quyi is worth a hundred qu associations."
But even so, the famous Peking Opera veteran actor Wang Peiyu still openly expressed his disdain for Guo Degang in the program, saying that he was at best a high-level ticket holder, and it was even more one-sided nonsense to say that crosstalk drove Peking Opera. What's going on here?
To say how much Guo Degang loves Peking Opera, it can be seen from his efforts to praise Tao Yang and open the Qilin Opera Club. In an interview, Guo Degang mentioned more than once that his favorites are Peking Opera, storytelling and cross-talk. Storytelling is the earliest craft to learn, cross-talk is the first to become famous, this Peking Opera, but Guo Degang ranked first.
His preference for Peking Opera made him determined to take him as an apprentice when he first met Tao Yang, a talented teenager of Peking Opera, and some people said that he had dug up the corners of Peking Opera. But in fact, Guo Degang did this precisely to protect the child. It is often said in the Peking Opera circle that very few who can become a character are geniuses, and those who play small sing well will not become horns in the future, because the Peking Opera prodigies have to go through a period of inversion, even if they sing well before, whether they can continue to sing in the future is still unknown.
Therefore, Guo Degang taught Tao Yang to say crosstalk, in fact, he taught him another skill of being able to eat.
Perhaps God is also a cherished material, Tao Yang successfully passed the period of collapse, although the voice is not as loud as before, but the voice is also one of the best, Guo Degang opened the Qilin Opera Society, using the fame of the cross-talk industry to promote the national essence, but there are always people who do not recognize such a statement, that is, cross-talk promotes Peking Opera, such as Wang Peiyu.
In the program, although she mouthed a teacher Guo Degang, there was a kind of disapproval between the lines. Even mentioned that the cross-talk masters in the early years were also hung by the Peking Opera masters to win the point of view, so if we want to promote, it should also be peking opera that provides materials for traditional cross-talk. Moreover, he also mentioned that Guo Degang's Peking Opera attainments are actually not a climate, if it were not for the sake of other Famous Peking Opera masters, how could there be a hot scene full of seats and a hard to find? This sentence made the audience feel a little uncomfortable, is it a insinuation, saying that if you are not famous in the cross-talk industry, or if you do not look at the sake of several Famous Peking Opera artists you invited, who is rare? Seeing such remarks, Guo Degang also briefly said five words in Weibo to make his position clear, "I have no intention of fighting for spring."
Just five words let netizens evaluate Wang Peiyu's "pattern is small", also as a traditional art form, in the change of the times today should be harmonious and different, mutual help, you say that I took the material of Peking Opera, then your Peking Opera also stained the light of my cross-talk, this is the thing that goes forward arm in arm, it has to be clearly distinguished by what you say, this pattern is really small.
Wang Peiyu said that he recognized and envied Guo Degang's achievements in the cross-talk industry, but in fact, he implied that Guo Degang did not have a share of the Peking Opera circle, and he was nothing. But we must not forget that Guo Degang sang Peking Opera and was also famous. As early as September 27, 2018, under the joint witness of many seniors and audiences, Guo Degang made up the ceremony of worshiping Mr. Zhao Lintong, Zhao Lintong is an old student of Linpai Peking Opera, Guo Degang planned to worship the teacher very early, Mr. Naihe's physical condition is not good, he has been dragging this matter, unfortunately, Mr. Zhao Lintong finally failed to overcome the disease, so there was a supplementary worship ceremony, in general, Guo Degang singing Peking Opera is also justified, absolutely not like Wang Peiyu said, at best, is a ticket friend.
In addition, since Guo Degang worships Zhao Lintong, he is naturally the inheritor of the Linpai Peking Opera, and Wang Peiyu is the descendant of the Yu Sect, there are more than a dozen sects in the Peking Opera circle, since they are all inheriting Peking Opera, then everyone should have huddled together, and there was absolutely no blatant smashing of other people's rice bowls to provoke each other, Wang Peiyu seemed to have a few short comments, but he broke the rules in the industry, committed a big taboo, and openly exposed the shortness of his peers, which is unique in the history of the development of Peking Opera!
Guo Degang, who has always been clearly divided between love and hate, has proved his strength and status in the Peking Opera circle with practical actions. On February 20 this year, Guo Degang posted a group photo, which has many famous Peking opera artists such as Wang Ping, Deng Muwei, etc., and accompanied by the green mountains, the water is long, this meaning is obvious, I can get the recognition of the mainstream Peking opera industry, but also in this industry fine water long stream, on the 21st, Guo Degang posted a seal, which was given by Mr. Zhang Chunhua's son, which is enough to show his status in the circle. What's more, Guo Degang also ran to Tianjin to open two Peking Opera performances in a row, and the lights and good stories were all happy, but I don't know how Wang Peiyu who saw this scene would feel.
In fact, no matter who it is, as long as it can drive Peking Opera to be well known by more and more people, it is to contribute to the inheritance of Peking Opera, and I sincerely hope that the two can drive the inheritance and development of traditional art treasures through their fame in the industry. I don't know what the little friends think about this matter? Welcome to the comment area like the message, we will not see the next issue!