Art From Media / Tong Gu Tang, Writer / Lin Sister
"Eight paragraphs of ink flowers, pure breath"
The old man's game is inky, and the flowers and plants will be mixed
In Du Fu's "Fengxian Liu Shaofu's New Painting of Landscape Barrier Song", there was a poem cloud: that is, about ink painting, ink splashing, water vapor dripping, rapid brush stroke, and endless blending of the effect of the large freehand picture.
And those who are well versed in this way, when it is not the "lonely talent of the world" Xu Wei, the "Qingteng Painting School" created by him does not seek to be like a god, but also has a long and horizontal atmosphere and a bold realm, and this new wind has a profound impact on the aesthetics of later generations. Throughout the ages, the art of serving wen chang is familiar to the giants, such as Zheng Xie once carved a seal "Running dog under the Qingteng Gate", the old man of Baishi is also willing to "grind ink paper" for Qingteng, Wu Changshuo also praised this can be seen, Xu Wei's Danqing pen ink, must have a strange escape out of the dust, but it can have this fame.
Xu Wei is pictured from the "Twelve Portraits of the Ming Dynasty", collected by the Nanjing Museum
Xu Wei (12 March 1521 – 1593) was an Ethnic Han Chinese from Shanyin, Shaoxing Province (present-day Shaoxing, Zhejiang). The initial character Wenqing, later changed to the word Wenchang, the number of Qingteng Old Man, Qingteng Daoist, Tianchi Sheng, Tianchi Mountain People, Tianchi Yuyin, Jin Lei, Jin Huishan People, Shanyin Buyi, White Bird Mountain People, etc. In the middle of the Ming Dynasty, he was a writer, calligrapher, painter, opera composer, and military man.
Xu Wei had a libertine temperament, and in his later years he wrote his own "Malformations" and regarded himself as a deformed person. Its loneliness is far better than Zhang Xu's "ink with his head" or Mi Fu's "anti-tie robe sleeves". It is precisely because of this that Xu Wei, who is lonely, desolate and stubborn, is insane nine times, kills his wife and causes trouble, breaks up with his friends, bites himself, and finally falls into madness.
It is reported that Xu Wei was gifted since childhood, and he entered a private school at the age of six, and his reading can be described as unforgettable. At the age of eight, he learned to make eight strands of literature, and people have words at the time. At the age of sixteen, Yang Xiong of the Han Dynasty composed "Liberation and Destruction", which was known as a "prodigy" in Zhenxiang.
However, although he is talented, he has a bumpy career and has tried many times. In fact, Xu Wei's eight township examinations also failed to be named, and he was poor in his life, and he was only a "poor acid talent". The meritorious name of this "xiucai" was also his deputy envoy who wrote to him at that time, and he was admitted after counting his study experience and past difficulties.
The blows of several marriages are also directly related to the madness of Xu Wei's mental state. His first wife, the daughter of a wealthy merchant, died at the age of nineteen. The second wife, Hu Shi, was not filial to his birth mother "Miao Shi" and parted ways. The third wife, Zhang Shi, was introduced by Hu Zongxian, but because she suspected of having an affair with her servants, she killed her and caused trouble. For this reason, Xu Wei had a long prison sentence, and his spirit was once again destroyed.
Xu Wei "Qingteng Bookstore"
In fact, Xu Wei's madness is indeed difficult to measure by common sense. Zhang Dai's great-grandfather Zhang Yuanchen admired Xu Wei's talent very much, gave him a horse gold bag, a short-sleeved leather jacket and a liquor, and ran to save him from prison, which can be described as benevolent and righteous. However, Xu Wei had a gap with his relative Zhu Hanlin, and believed that his recurrence was Zhang Yuanbian's responsibility. Zhang Rulin once said:
As a result, friends eventually broke up unhappily. After Zhang Yuanbian's death, Xu Wei caressed the coffin and wept, and only four people were recorded in the "Ji En" column of his "Deviant Spectrum", and Zhang's father and son were listed among them. Before and after the judgment, if the two people's actions stopped, it made people feel that Xu Wei's spirit was extreme and the mood was impermanent.
In addition, Xu Wei was worried all the time because Hu Zongxian was framed and tragically died in prison, and he was afraid of being implicated, so he actually injured himself. One day, he hit the iron nail into his ear, and it was bleeding like a note, but fortunately his friend found it in time. Unexpectedly, when he first recovered from a serious illness, he hit his kidneys with an iron cone, but fortunately did not hit the key point and escaped a disaster. So repeatedly, as many as nine times, it is jaw-dropping and lamentable.
However, although Xu Wei had a rough half of his life and was poor and sick in his evening scene, he finally had a high life. His situation and mental state are quite similar to those of Van Gogh in later generations, equally talented, but lonely before death and brilliant after death.
Xu Wei, Van Gogh
▼Wizards Aoteng: 500th anniversary of birth▼
This year marks the 500th anniversary of Xu Wei's birth, and on the basis of its collection, the "Xu Wei Art Museum" in Shaoxing, its hometown, has borrowed and exhibited 30 cultural and museum institutions such as the Palace Museum in Beijing, the Shanghai Museum, the Nanjing Museum, the Hunan Provincial Museum, the Guangdong Provincial Museum, the Jilin Provincial Museum, the Suzhou Museum, the Sichuan Museum, and the Ancient Book Collection Units such as the National Library of China, and selected Xu Wei's calligraphy and painting works, with the title of "Exhibition of Xu Wei's Calligraphy and Painting Works", which once again triggered Xu Wei's boom.
Among them, the "Ink Flower Picture Scroll" of the Palace Museum in Beijing can be described as the focus, and in the 2021 spring auction of Xiling Auction, it is also quoted by "Zhejiang Xiangxian Xu Wei's 500th Birthday Commemorative Topic", and Xu Wei's "Ink Flower Eight-Paragraph Scroll" is collected, and the volume, regardless of size, shape, content, etc., has the same magic, which can be said to be a rare giant work of Xu Wei's most late style in private collection, which is particularly precious.
In addition, the Shanghai Museum has Xu Wei's "Eight Volumes of Ink Flowers", which is the same in penmanship, ink method, theme, etc., and the typical styles of the two are also the same, and it can also be seen that the auction of Xiling is a rare volume.
Xu wei
Compared with the collection, each section of the Xiling scroll has a famous minister Zhang Zhao and a poem inscription during the Kangqian period, and the feeling of pity for each other overflows on the end of the paper, and all the poems are included in the "Tianquan Zhai Calligraphy and Painting Inscription" published by Qianlong in the thirty-eighth year, and Xu Wei's inscription poems have been recorded during the Ming Wanli and Tianqi years. In the volume, there are also Pan Tianshou, Xie Zhiliu, Wang Geyi and other famous artists of the art forest, all of which are full of praise, and Yu Xining, former chairman of the Shandong Artists Association, copied the whole volume according to the original scale, which can be seen as the exquisite ink of the volume, and the ink treasure of the rare and rare.
Xu Wei's "Eight Volumes of Ink Flowers"
Xu Wei in 1591 as the Eight-Dan Scroll of Ink Flowers
Hand-rolled ink on paper
Description:
1. "Xu Wenchang's Collected Writings", vol. XII, Ming Wanli Inscription.
2. Xu Wen Changyi Manuscript, vol. VIII, Ming Tianqi III Zhang Weicheng inscribed (1623).
3. Supplement to the "Tianquan Zhai Calligraphy and Painting Inscription", written by Qing Zhangzhao, Qianlong Thirty-eight Years Of Kong's Periodicals (1773).
4. The Complete Book of Chinese Calligraphy and Painting, Volume VIII, P866-867, Shanghai Calligraphy and Painting Publishing House, 1994.
5. "Visiting Laoshan Mountain" P636, edited by The Office of History of Laoshan District, Qingdao, Fangzhi Publishing House.
Description: During the Qianlong period, Zhang Zhao painted the heart inscription nine times. Wang Bomin's title is introduced, Wang Gexuan, Yu Jianhua, Pan Tianshou, Xie Zhiliuwei. Another subject is a volume of Yu Xining's facsimile lot.
Quote: 84×31cm Heart: 545.5×31cm Inscription: 207.5×30.5cm
Quote: Shen Yun is integrated in capital letters. Qingteng Boutique, Chengjiao (2006) Wang Bomin. Seal: Wang BominYin (White) Cheng shu (Zhu)
Recognition:
1. Yuanzhang plum blossoms have changed rice, and Yu Jin has changed rice for plum blossoms. An can arouse Wang Jushi and smile at the Flower Family and the Mi Family. Plutonium print: green snake in the sleeve (white)
2. The planted banana yuan loves the green cloak, who unties the banana dye ink pool. But I have no color in my chest, and I am willing to let my heart deceive myself. Seal: Tianchi Shanren (White)
3. The hibiscus in the inner garden is colorless today, and the flowers and branches of Pengze have spring. Grass and trees have never been fixed, and the price increase is higher for a while. Seal of Plutonium: Seal of Xu Wei (Zhu)
4. February 2 wading pen new, water puppet bamboo leaf two spirits. Just like the lady riding a luan under the moon, where can it accommodate meat people. Stamp: Length (White)
5. Fifty-eight years of poverty, He zeng vainly thought of Luoyang Spring. Otherwise, there will be less rouge, and the rich flowers will write ink to God. Seal: Black Samadhi (White)
6. The lotus flower is more and more feminine, and the little ink depicts a god. Encounter the ape gong creek water again, do not worry about losing and Min Qingping. adjacent. Seal: Buddha Shou (White)
7. Looking at the jade of the United States and China, the painting is clearly wanted to wear. The world is more or less ambiguous, and it is all about the blue sky. Seal: Qingteng Daoist (White)
8. Bamboo jin is the same origin, and the painter is difficult to work although it is clever. Look closely at the west wind last night, if you don't go east. Seal: JinleiShanren (White)
9. The Tianchi Daoist wrote a mixture of hui in the depths of the five clouds, when the Wanli Dynasty weighed nine days. Seal: Xiang Guan Zhai (Zhu)
Inscription:
1. There are several houses in the west of Tianzhu, surrounded by thousands of plum blossoms. The spring breeze is old and does not return, but it must really become a rice family. Seal: □ Li (Zhu)
2. The bridge to the east to my house is a pool of 100 bananas. Overhearing Xiao Sao's dream, Mr. Yu deceived at the bottom of the pen. Seal: □ Li (Zhu)
3. Peng Zehe is partial to Ju and does not spring for him to have bones. I think of good things Dongpo old, with the recommended title to paint people's poems. Seal: Jingnan (White)
4. Coral is the bone for the autumn festival, and fragrant jade is the god of the skin and moon. Strangely, Yu Lang was originally a Da Luo person. Seal: Jingnan (White)
5. I came to the sea and the crane, and Pecked the clouds and mistakenly entered the Yutang Spring. Watch his flowers and hair still fall, and once autumn came to the gods. Seal: Jingnan (White)
6. The empty pond continues to rise in the lotus wind, and the wild water is miserable and dewy. Ye Bei let out a fish clap, and whoever suddenly sang and looked at Jiangnan. Seal: □ Li (Zhu)
7. Yesterday, I planted a book in the garden, and more birds flew back and forth. The evening cool bath sits under it, comparable to Gangnam July day. Seal: Jingnan (White)
8. Never push the paintings, but unfortunately the king is a painter. Whoever has both sleeves, the crane shadow jade Shandong. Seal: Jingnan (White)
9. In the early autumn of kangxi jiawu (1714), Zhang took care of paintings and poems. Seal: □ Li (Zhu)
10. Water marks and ink are natural, and flowers are clear and fragrant. The heart of the exhibition is open and swinging, and the old door alley is rediscovered. In his life, he loves qingteng paintings, and this volume is the work of the old man in the late period, with smooth pen and ink, strict demeanor, exhibition readings, such as warm old lessons, the heart is sprinkled, indescribable. Easy to promise again. 癸卯 (1963) Duanyang Festival, a qi qi in the western suburbs of Shanghai. Seal: Wang Xian's Seal Letter (White) Qi (Zhu)
11. The Tianchi Daoists, with their majestic and peculiar talents, their lonely and pure spirits, their patriotic and insulting ambitions, and their anger at evil and evil and jealousy, could have done a great deal in the world, but Gu Nai did not happen to him, and he was unable to aspire to youji, but he became a poet and a poet, and overflowed into calligraphy and painting, so he indulged in arrogance and indulgence as a man, and became a generation of people. The impact is as far as three or four hundred years and the sound and light are more obvious. To taste two to Shaoxing, Gurudwara Vines Bookstore, see Qingteng Huanrui, Tianchi clear, the stone carvings in the room still exist, want to see the Taoist groaning pan, can not be a general overview, as if in sight, low back to linger and can not bear to go. Now more renovated, forever loved by the art world, then the Misfortune of the Taoist people for a while, has not begun to be a great fortune for a thousand years. Comrade Changlin was obsessed with painting, and he especially admired Daoist paintings, and occasionally received a long scroll of this poem, which was a treasure. This volume is a poem, painting and calligraphy composed by the elderly, all of which are pure and elegant, without vertical and horizontal habits, and the so-called pursuit of danger is desperate, and the return to the righteous. In August 1963, looking at Zhifu, Comrade Changlin came out to appreciate each other, and the blessings of the eyes were not shallow. Yu Jianhua was inscribed at the foot of Yantai Mountain, when he was sixty and nine. Seal: Jianhua (White)
12. The hasty articles are all ancient, and they are more spiritual than the paintings and calligraphy. Like rafters, the first person in three hundred years. Read the long scroll of miscellaneous flowers of the old man of Qingteng, that is, the twenty-eight characters of the book, in the early autumn of June and March in Qingdao, Shou. Seal: A Shou (Zhu) Tianshou (White)
13. Qingteng tasted that his poetry and paintings were based on books as his brother, and the painting was at the end, when Ming Jiajing was in charge, Zhu Zhishan looked up to Wumen with calligraphy, which was later Zongshang, but Qingteng's book was based on Zhishan, and it was really up his head, and it was advisable for his eyes to appreciate his brother one, and although Qingteng did not feel sorry for his paintings, the best one was full of happiness. □□ pen is like the spear of the eight snakes, extremely debauched, and it is also the yiji of the painting world, not only the book for the brother Yiye. The ink flowers written in this volume, such as the pictures of peony daffodils, are like white and yang feelings. The year of Xin Di is the nineteenth year of the Wanli Calendar, when the year of Qingteng is seventy-one, only two years after his death, so the brush is also twilight. In December 1975, it was the subject of Comrade Changlin. Baby Willow. Seal: Xie Zhiliu (white) Zhuang Twilight Zhai (white)
Signature: Qingteng Old Man Ink Play.
Biography:
1. Zhang Zhao (1691~1745), initial name Mo, character detian, number Jingnan, Changqing, Tianju resident, room name Fahualu, Shanghai Songjiang people. Kangxi forty-eight years into the soldier, Qianlong seven years of the official punishment department Shangshu, enshrined in the inner court. Tong law, fine music law, gong poetry, calligraphy, and can also paint orchids and plums, and the pen is elegant.
2. Wang Bomin (1924~2013), alias Bai Min, pen name Tian Su Xuan, Zhai number half Tang Zhai, Zhejiang Taizhou people. In 1947, he graduated from Shanghai Art College, entered the Peking National Art College, studied at Huang Binhong, and studied at the Beijing Academy of Literature, specializing in art history and Chinese painting. Paintings, calligraphy, poetry. He once served as a professor of the Chinese Academy of Fine Arts, a doctoral supervisor, a director of the Zhejiang Artists Association, a director of the Xiling Printing Society, and the vice president of the Huang Binhong Research Association.
3. Wang Geyi (1896~1988), mingxian, character Qizhi, trumpet, room name Frost Pavilion, Huan Yan Lou, Jiangsu Haimen people. Wu Changshuo entered the room as a disciple, works poetry, calligraphy and painting, is good at freehand flowers, abides by the teacher's law, has a thick pen and ink, and likes to write vine plants with the seal method and the grass method. Vice Chairman of Shanghai Artists Association, Vice President of Xiling Printing Society, Painter of Shanghai Academy of Painting.
4. Yu Jianhua (1895~1979), mingkun, character line, Shandong Jinan, long-term residence in Shanghai, Nanjing. In 1918, he graduated from Beijing Higher Normal School under the tutelage of Chen Shizeng. He is good at landscapes, flowers, and calligraphy. He has served as a professor at Xinhua Art College, Shanghai Art College, Southeast United University, Jinan University, and Nanjing University of the Arts. He has made great achievements in the study of Chinese art history and has written a lot of works.
5. Pan Tianshou (1897~1971), formerly known as Tianzhi, Character Dayi, Shou Shou, Don't Sign Ah Shou, Lazy Dao Ren, Yi Ren, Lei Po Tou Feng Shou, etc., Ninghai, Zhejiang. A master of modern art and an art educator. He was the director and professor of the Department of Chinese Painting at the National West Lake Art Institute, and the president of the National West Lake Art College. In 1959, he became the president of the Zhejiang Academy of Fine Arts (now the China Academy of Art), and the following year he was elected vice chairman of the China Artists Association. He is a member and vice president of Xiling Printing Society. He has published "History of Chinese Painting", "Listening to Tiange Paintings and Talking About Essays", "Pan Tianshou Art Anthology", "Pan Tianshou Poetry Collection" and various editions of "Pan Tianshou Painting Collection", "Pan Tianshou Calligraphy and Painting Collection" and so on.
6. Xie Zhiliu (1910~1997), name Zhiliu, zizhiliu, with character lines, late trumpet Zhuang Twilight, a native of Changzhou, Jiangsu Province. Famous painter and expert. He has served as a painter of the Shanghai Academy of Chinese Painting, an advisor to the Xiling Printing Society, a member of the State Cultural Relics Appraisal Committee, a deputy director of the Shanghai Municipal Cultural Management Association, a standing director of the China Book Association, a director of the China Artists Association, a member of the Academic Council of the Chinese Painting Research Institute, and a researcher of the Shanghai Museum.
Xu Wei, 1592, "Nine Volumes of Ink Flowers"
Collection of the Palace Museum in Beijing
Xu Wei, 1592, "Eight Volumes of Ink Flowers"
Collection of Shanghai Museum
Xiling auctioned Xu Wei's "Eight Paragraphs of Ink Flowers", which is a volume depicting four miscellaneous flowers such as ink plum, plantain, cong chrysanthemum, daffodil, peony, lotus, grape, and green bamboo, with spring, summer, autumn and winter, different seasons, a total volume, all kinds of business, and inter-painting titles, paintings in poems, poems in paintings, and a combination of calligraphy and painting.
Among them, the book is pointed out and stretched, the characters and lines have a sharp atmosphere, one skim and one do not avoid defeat, and the brushwork is like a dragon and a snake, and it is full of dashing posture. And the painting of "a year of scenery" splashed ink, with hook, dot, splash, wrinkle and other pen and ink forms, a wave, subtle, chic indulgence, the view of the ink naturally seeped, crystal drops, vigorous posture also.
No wonder Zhang Dai praised him: In Ji Yun's "Outline of the General Catalogue of the Four Libraries and Xu Wenchang Collection", it is also said that Xu Wei's paintings are known, and the pieces of paper have only been cherished for a long time.
It is a volume, which was discussed in a special article in the October 1997 "Classic Art" published "Xu Wei and the Ink Drama Hand Scroll of the Old Man of Qingteng". In addition, the Propaganda Department of lanxi municipal party committee "< mustard garden painting spectrum> and Chinese painting" P22, 1999 Yan Shanxi, Huang monograph "Pan Tianshou", 2008 "Calligraphy and Painting Horizontal" published "Xu Wei painting art research", etc., also partly mentioned.
Xu Wei inscription poem: YuanZhang plum blossom once changed rice, Yu Jin changed rice is also plum blossom. An can arouse Wang Jushi and smile at the Flower Family and the Mi Family. Plutonium print: green snake in the sleeve (white)
Zhang Zhaohe poem: There are several houses in the west of Tianzhu, surrounded by thousands of plum blossoms. The spring breeze is old and does not return, but it must really become a rice family. Seal: □ Li (Zhu)
The Plum Blossom Frost Festival is gritty and unsatisfactory, and has always been loved by the scribes. Wang Mian has the reputation of "plum obsession", and his planting plums, wing plums, and painting plums, and he also calls himself the "owner of the plum blossom house", which is quite an iron bone ice heart.
And Xu Wei is arrogant in nature, naturally also likes plums, once had "inscription painting plum poems", poetry cloud: the Palace Museum in Beijing also has his work "Plum Blossom Banana Leaf Diagram".
In this "plum blossom" painting section, Xu Wei said that Mi Fu once exchanged plum blossom paintings for rice, and now he imitates his predecessors, which is also the case. In fact, Xu Weiping lived a wild life and did not do anything about the powerful, so he often fell into an economic dilemma, so he had to exchange calligraphy and painting for money and food. History carries this and the inscription poem, which is very much in response to its actions. It should refer to wang guan or wang wei.
Zhang Zhao's he poems are contained in Qianlong's thirty-eight years of Kong's "Tianquan Zhai Calligraphy and Painting Inscription", and Lu Fusheng's "Complete Book of Chinese Calligraphy and Painting" P866-867. It is a volume, and eight poems, which are in the "Heavenly Bottle Zhai Calligraphy and Painting Inscription", for the person who gives the most poems, knows that when he reads it, his love is unstoppable.
Bibliography: The Complete Book of Chinese Calligraphy and Painting, Volume VIII, P866-867, Zhang Zhao, "Tianjiazhai Calligraphy and Painting Inscription"
Zhang Zhao was a minister of the Qing Dynasty, and in the seventh year of Qianlong (1742), he served as the minister of shangshu of the Punishment Department and the minister of Fuding Miaojiang, and also served as the director of the music department. He is good at poetry and literature, and is proficient in calligraphy in various genres, especially good at painting plums. In the Qing Dynasty court large-scale calligraphy and painting bibliography books "Secret Temple Zhulin" and "Shiqu Baodi" author list, ranked first. This also shows that his appreciation of paintings and calligraphy is very high.
Xu Wei inscription poem: Planting banana yuan loves green cloak, who will dye the banana ink pool. But I have no color in my chest, and I am willing to let my heart deceive myself. Seal: Tianchi Shanren (White)
Zhang Zhaohe poem: The bridge to the east of my house is a pool of hundreds of bananas. Overhearing Xiao Sao's dream, Mr. Yu deceived at the bottom of the pen. Seal: □ Li (Zhu)
"Basho" painting section, the stroke is majestic, smooth and vivid, a reversal of the previous generation of banana painting composition, thick and light changes of translucent color blocks, outlining the flowing and thick sense of substance of the banana leaf, and horizontal painting vertical wipe, dry brush rubbing, between the like and not, a few strokes, in one go, rough stretch, more symbolic and abstract beauty, can be described as a charm.
Regarding basho, Xu Wei has a lot of inscriptions and poems, such as the "Xu Wei Collection, Xu Wenchang Three Collections" Volume VIII, there are poems: "Southern Painting Dacheng" also has a saying.
Xu Wei "Qingteng Bookstore" a corner, basho covered
Instead, in the volume, it is said to be "planting banana yuan love green cloak" and the green leaves of the plantain, the ripples are annoying, but the black and white ink freehand is inevitably limited in color after all, so the poem can "enter the color with poetry", making the picture of "abandoning color with ink" more lyrical and color imagery, and even has the meaning of Zen.
It is an inscription poem, which is slightly different from the "Style Gutang Calligraphy and Painting Examination" P299, which contains its other "Ink Flower Scroll" "Title Basho Poem", and the first sentence is easy to do. "History of Chinese Painting", P339, can also be seen.
Xu Wei inscription poem: The hibiscus in the inner garden is colorless now, and the pengze flowers and branches have spring. Grass and trees have never been fixed, and the price increase is higher for a while. Seal of Plutonium: Seal of Xu Wei (Zhu)
Zhang Zhaohe poem: Peng Zehe's heart favors Ju and does not open spring for him to have bones. I think of good things Dongpo old, with the recommended title to paint people's poems. Seal: Jingnan (White)
It is a "chrysanthemum" painting section, and Xu Wei's inscription and painting poems are contained in many documents, such as the Wanli engraving of "Xu Wenchang Anthology" volume 12, Liu Lei's "Selected Poems of Yongju" or Jiang Yihai's "Dictionary of Chinese Painting Knowledge".
Liu Lei's Selected Poems of Wing Ju, P283
This "chrysanthemum" chrysanthemum leaves are hanging and flowers are clustered, a vibrant scene. Among them, the chrysanthemum leaves are written with large brushes, swinging freely, and the chrysanthemums are sketched with intent, which is natural.
What is even more rare is that Xu Wei was depressed all his life, but he still had the indifference of Ju, and he transformed his talent into paper and pencil. It also has a poetry cloud peeking at his wind bones like Mr. Wuliu, who cultivates and lives in seclusion, and does not bend his waist for wudou rice.
Xu Wei inscription poem: February 2 wading into the pen new, water and bamboo leaves two spirits. Just like the lady riding a luan under the moon, where can it accommodate meat people. Stamp: Length (White)
Zhang Zhaohe poems: Coral is the bone for the autumn festival, and Xiangyu is the god for the skin moon. Strangely, Yu Lang was originally a Da Luo person. Seal: Jingnan (White)
In the "Narcissus" section, inscription poems such as Ming Wanli's "Xu Wenchang Anthology" volume 12, "King Ding Ancient and Modern Book Integration, Naturalist Compilation and Art Dictionary" volume 792, (Ming) Wang Fu's book "Ming Poetry Selection" and so on are all loaded, and there are many bibliographies, and so on.
Bibliography: The Collected Works of Xu Wenchang, Vol. XII, Ming Wanli Inscribed Edition
One flower and one world, daffodils "blossom through water", "golden and silver cups", ice muscle jade bones, and scribes are not lacking. When the east wind begins, when the flowers are not exposed, they open in awe. It is a daffodil that is a few pens, the lines are flowing, and the painting is steep and strong bamboo, so that the fluttering of daffodils and the simple atmosphere of bamboo complement each other, and the concept can be described as ingenious.
Xu Wei also has a poem "Daffodil", and the poem cloud is also lined with bamboo, which is even more elegant and elegant as the Lingbo fairy.
Xu Wei inscription poem: Fifty-eight years of poverty and lowliness, He Zeng was delusional about Luoyang Spring. Otherwise, there will be less rouge, and the rich flowers will write ink to God. Seal: Black Samadhi (White)
Zhang Zhaohe poem: I came to the sea and the sky and the crane body, and Pecked the clouds mistakenly into the Jade Hall Spring. Watch his flowers and hair still fall, and once autumn came to the gods. Seal: Jingnan (White)
It is a "peony" painting section, and the inscription poems such as Ming Wanli's "Xu Wenchang Anthology" volume 12, "King Ding Ancient and Modern Book Integration, NaturalIst Compilation and Art Dictionary" volume 792, "Siku Quanshu Compilation and Collection Department", etc., are all loaded, which can be described as a lot of writings.
Coincidentally, the seventeenth volume of the "Shiqu Baodi" is compiled by Zhang Zhao, and there is also a scroll of Xu Wei's "Sketching Peony", which has the same inscription and poem.
Shiqu Baodi, vol. XVII, p56, edited by Zhang Zhao
Peony is the king of a hundred flowers, and has always been a symbol of wealth and dignity, which means auspiciousness. Xu Wei splashed ink with a large stroke, the flowers and leaves and petals are large-scale dot dyeing, the inner end of the petal is deep and the outer end is shallow, the middle of the flower head is shallow and the periphery is deep, only the branches and leaf veins are drawn with lines, the ink is moist, the layers are clear, and there is a lot of business.
Xu Wei inscription poem: Lotus flowers and women have pity on each other, and Xiao Mo depicts other gods. Encounter the ape gong creek water again, do not worry about losing and Min Qingping. adjacent. Seal: Buddha Shou (White)
Zhang Zhaohe poem: The empty pond continues to rise in the lotus wind, and the wild water is miserable and dewy. Ye Bei let out a fish clap, and whoever suddenly sang and looked at Jiangnan. Seal: □ Li (Zhu)
It is a "lotus flower" section, and the inscription poem is found in the Wanli engraving "Xu Wenchang Anthology" volume 12, and the "Xu Wenchang Three Collections" volume 11, collected in "Xu Wei Collection" P849, but it is "mutual pity" and is written as "adjacent". In addition, unlike the rest of the paintings, it is made to have a sense of "neighbor", from which it should be inferred that Xu Wei or another name is "Xu Lin", which is of great academic value to Xu Wei's research and must not be overlooked. Or it is a mistake of the word "pity" in "Lotus Flower Yue Female Two Pity".
The lotus flower is straight out of the lotus, and the mud is not stained, and the mao is clear and not demon, and it is sincere that he is a "gentleman in the flower". Compared with Liang Kai's coldness, Chen Chun's dashing, and eight idyllic xiaosuo, this lotus flower is more warm and bold. And "lotus flower yue woman" can see Xu Wei's state of mind. It has both the cleanliness of the lotus flower, and the "Yue Girl" teaching the sword to the soldiers, helping the Yue King to destroy Wu. Xu Wei, on the other hand, was like a military master, helping Hu Zongxian drive out the bandits.
Xu Wei inscription poem: Pu Meimei jade-like look, the painting is clearly wanted to wear. The world is more or less ambiguous, and it is all about the blue sky. Seal: Qingteng Daoist (White)
Zhang Zhaohe poem: Yesterday I planted a book in the court, and more birds flew back and forth. The evening cool bath sits under it, comparable to Gangnam July day. Seal: Jingnan (White)
It is a "grape" section, inscribed with the poem "Xu Wenchang Three Collections" Volume 11, collected in "Xu Wei Collection" P401.
In the painting, the vines are staggered, the branches and leaves are scattered, the fruits are crystal clear, and the pen is full of ink. And the inscription poem is especially emotional to read. In Xu Wei's pen, this "grape" rolls like a "pearl", more like the "heroic tears" of his ambitions in his twilight years. The "jade of the United States and The White Jade" alludes to talent, which has not been recognized by the discernment. Huai Cai did not meet Si, how not to make people sigh, in vain to increase sadness, and then sighed
Xu Wei inscription poem: Bamboo Jin is the same origin, although the painter is clever, it is difficult to work. Look closely at the west wind last night, if you don't go east. Seal: JinleiShanren (White)
Zhang Zhaohe poetry: Never push the paintings to push the question, but it is a pity that Wang Men painted. Whoever has both sleeves, the crane shadow jade Shandong. Seal: Jingnan (White)
It is a "bamboo" painting section, and the inscription poems can be found in the Wanli engraving "Xu Wenchang Anthology" volume 12, Tan Tian's "Outline of Chinese Art History" in 1988, and Guo Weiruo's "Top Ten Painters of Ancient China" in 1979.
Bamboo is difficult to paint, so there are painting theories of "bamboo in the chest", "bamboo in the eyes", and "bamboo in the hand". And the wind and bamboo swaying, the sound of the cluster, the most difficult to grasp, Su Shi's "Dongpo Collection" volume 12, once said:
This Xu Wei as "wind bamboo", with light ink to write bamboo poles, bamboo leaves are thick and light, there are "one", "jie" overlapping, the layout is sparse, the spirit is coherent, at the same time, the wet form of bamboo is exquisite, producing a delicate and transparent visual effect, according to which it shows Xu Wei's superb ink mastery.
Xu Wei's knowledge: Tianchi Daoists write miscellaneous hui in the depths of the five clouds, when the Wanli Xin Wei weighs nine days. Seal: Xiang Guan Zhai (Zhu)
Zhang Zhao: In the early autumn of the Kangxi JiaWu (1714), Zhang took care of paintings and poems. Seal: □ Li (Zhu)
According to Xu Wei's knowledge, it was the volume that was composed for it in the Chongyang Festival in 1591, and "Deep in the Five Clouds", his friend Xie Chen once gave the poem "Sending Xu Tianchi into Beijing", the poem Yun:
According to Li Kun's "Analysis and Research on Xu Wei's "Miscellaneous Flower Diagram"", the following article:
Picture from Li Kun's "Analysis and Research of Xu Wei's "Miscellaneous Flower Diagram""
However, there are very few and many incomplete "miscellaneous flower diagrams" in the private collection of Xu Wei, but the "Eight Volumes of Ink Flowers" is a rare giant production for its most late style, and it is also "three masterpieces of poetry, calligraphy and painting", and it is even more rare to have a lot of bibliography.
Famous inscriptions, copying the whole volume
It is the title of the volume, the head of the inscription, and the famous masters, including Pan Tianshou, Xie Zhiliu, Wang Geyi, Yu Jianhua, Wang Bomin and so on. In fact, Xu Wei's painting style has a profound influence on later generations. As far as Shi Tao and the Eight Greats of the Late Ming and Early Qing Dynasties, the Eight Monsters and Zhao Zhiqian of Yangzhou in the Qing Dynasty, and wu Changshuo, Qi Baishi, Pan Tianshou, Xie Zhiliu, Wang Zhiyi, etc., they were all influenced by his painting ideas and concepts.
Pan Tianshou inscription
Pan Tianshou inscription: The hasty articles are all ancient, and they are more spiritual than the paintings and calligraphy. Like rafters, the first person in three hundred years. Read the long scroll of miscellaneous flowers of the old man of Qingteng, that is, the twenty-eight characters of the book, in the early autumn of June and March in Qingdao, Shou. Seal: A Shou (Zhu) Tianshou (White)
In the early autumn of 1963, Yu Jianhua held a solo exhibition, and pan Tianshou went to Qingdao and Yantai, and observed a number of historical famous scrolls, including this "Eight-Dan Scroll of Ink Flowers". Shocked by Xu Wei's rafters and dripping ink, Pan Tianshou's title is "the first person in three hundred years".
This matter is also mentioned in the P22 of "< Mustard Garden Painting Spectrum> and Chinese Painting" written by the Propaganda Department of the Kaolanxi Municipal Party Committee. In 1963, Pan Tianshou and Wu Maozhi went to Shandong for a vacation at the invitation of Secretary Tan Qilong, and Sun Changlin, secretary of the Shandong Provincial Academy of Arts and Crafts (then deputy commissioner of Yantai Region), brought two long scrolls to ask Pan Lao for inscriptions, one of which was Xu Wei's "Eight-Paragraph Scroll of Ink Flowers" and the other was the Eight Mountains Scroll. Pan Tianshou couldn't let go of it after reading it, and took it from Jinan to Qingdao, studied its pen and ink, and sketched the manuscript, studied it for more than a week before returning it, and inscribed it separately.
The Propaganda Department of Lanxi Municipal Party Committee, "< Mustard Garden Painting > and Chinese Painting" P22
Yan Shanxin, Huang's monograph "Pan Tianshou", of which "Pan Tianshou's Annals of Artistic Activities" P162, also contains "In 1963, august and September, he was invited to Shandong to give a lecture and met Li Kuchan in Qingdao (this was the last time they met). During his time in Shandong, he was a collection of eight major and green vine calligraphy and paintings for Sun Changlin. Climb Mount Taishan. ”
Xie Zhiliu inscription
Xie Zhiliu inscription: Qingteng tasted his poetry and paintings as a brother, and the painting was at the end, when Ming Jiajing was in charge, Zhu Zhishan looked up to Wumen with calligraphy, which was later Zong Shang, but Qingteng Book looked at Zhishan, really above, it was advisable to appreciate his brother one, although Qingteng did not feel sorry for his paintings, but the best one was full of happiness. □□ pen is like the spear of the eight snakes, extremely debauched, and it is also the yiji of the painting world, not only the book for the brother Yiye. The ink flowers written in this volume, such as the pictures of peony daffodils, are like white and yang feelings. The year of Xin Di is the nineteenth year of the Wanli Calendar, when the year of Qingteng is seventy-one, only two years after his death, so the brush is also twilight. In December 1975, it was the subject of Comrade Changlin. Baby Willow. Seal: Xie Zhiliu (white) Zhuang Twilight Zhai (white)
According to this, Xie Zhiliu said, "In December 1975, it was the subject of Comrade Changlin. It can be seen that this is also the title of Sun Changlin. In the middle of the journey, Xie Zhiliu praised Xu Wei's calligraphy and painting, the book was better than Zhu Yunming, and the painting was full of vigor and debauchery. In addition, the mention of peony, daffodils and other paintings also has the style of Chen Chun, and it is the most late style painting, which is really rare.
Wang's inscription
Wang's inscription: Water marks and ink are interesting from heaven, and flowers have clear and fragrant. The heart of the exhibition is open and swinging, and the old door alley is rediscovered. In his life, he loves qingteng paintings, and this volume is the work of the old man in the late period, with smooth pen and ink, strict demeanor, exhibition readings, such as warm old lessons, the heart is sprinkled, indescribable. Easy to promise again. 癸卯 (1963) Duanyang Festival, a qi qi in the western suburbs of Shanghai. Seal: Wang Xian's Seal Letter (White) Qi (Zhu)
In his words, Wang Zhiyi praised Xu Wei's paintings as ink and fun tiancheng, and exhibited and read Qingfen, such as Wen Old Lessons. He was also composed in 1963, the same year that he and Pan Tianshou participated in a Chinese calligraphy delegation to visit Japan.
Yu Jianhua inscription
Yu Jianhua inscription: Tianchi Daoist people with majestic and peculiar talents, lonely and pure spirit, patriotic and insulting ambitions, evil and jealousy, could have been very promising in the world, Gu Nai encountered no coincidence, repeatedly could not aspire to Yousi, Naifa became poetry, overflowed into calligraphy and painting, so he was arrogant and indulgent like a person, and became a generation of people. The impact is as far as three or four hundred years and the sound and light are more obvious. To taste two to Shaoxing, Gurudwara Vines Bookstore, see Qingteng Huanrui, Tianchi clear, the stone carvings in the room still exist, want to see the Taoist groaning pan, can not be a general overview, as if in sight, low back to linger and can not bear to go. Now more renovated, forever loved by the art world, then the Misfortune of the Taoist people for a while, has not begun to be a great fortune for a thousand years. Comrade Changlin was obsessed with painting, and he especially admired Daoist paintings, and occasionally received a long scroll of this poem, which was a treasure. This volume is a poem, painting and calligraphy composed by the elderly, all of which are pure and elegant, without vertical and horizontal habits, and the so-called pursuit of danger is desperate, and the return to the righteous. In August 1963, looking at Zhifu, Comrade Changlin came out to appreciate each other, and the blessings of the eyes were not shallow. Yu Jianhua was inscribed at the foot of Yantai Mountain, when he was sixty and nine. Seal: Jianhua (White)
Yu Jianhua's inscription by Sun Changlin was also composed during his solo exhibition in the same year. In the middle of the journey, Xu Wei has a strange talent, a lonely and high temperament, a patriotic ambition to insult the country, angry at punishing adultery and eliminating evil, and a depressed depression, but he uses calligraphy and painting to express his chest directly, and his influence is profound. It is also two to Shaoxing "Qingteng BookHouse", thinking of the sages, so looking at this "eight-paragraph scroll of ink flowers", obeying the purity and elegance of its pen and ink.
Wang Bomin's title is the first
Wang Bomin's title introduction: Shen Yun is integrated in capital letters. Qingteng Boutique, Chengjiao (1994) Wang Bomin. Seal: Wang BominYin (White) Cheng shu (Zhu)
In addition, Yu Xining copied Xu Wei's "Eight-Paragraph Scroll of Ink Flowers" according to the original scale, respected the sages, and deeply won the charm of wen's long-term freehand pen and ink, which is also a rare and good system.
Yu Xining LinXu Wei's "Eight Paragraphs of Ink Flower Volume"
Description: Yu Xining wrote his own inscription.
Painting heart: 561×31cm Inscription: 67.5×31cm
1. It is not difficult for the sages to write and paint, and they do not make evil money in the world. Literature and art self-cultivation is also nourishing, and plum blossoms are endowed with bones. Shining.
2. The source of the Heavenly Han Dynasty is the connotation, and the banana leaves sing Jiangnan. It is difficult for Yulin to call Mr. Sleep, and the pen is happy and cham. Shining.
3. Tao Ling abandoned the official and planted chrysanthemums, and autumn frost was proud to spit out Huang Ying. The Qingteng Daoist priest also watered, comforting the evening sun in front of the rock. Shining.
4. Yujie Ice clear mountain jun, Qingteng Bookstore to cultivate the spirit. A thin and tall wind festival, the old man of July 1 drove away the dust. Shining.
5. The White Crane Sea Heavenly Wings Fly, Bu Shi Dan Ding Shi Xuan Xie. Every year the valley rains Luoyang, but the ink makeup is wrapped in heavenly incense. Shining.
6. The lotus buddha seat means super dust, and the ink leaves are drenched in the taste. Pingcao dawn is more elegant and quiet, and Tianchi washes out the absolutely ordinary people. Shining.
7. The mountain is secluded and secluded in the grape bay, and it is difficult to call it more knowledgeable. Who said that the pearl has no place to sell, loves him to throw wild vines. Shining.
8. Bright knots high knot generation Qin, article calligraphy and painting contain the spirit. Later generations revere Qiankun Zhi and cultivate talents and cultivate people. Shining.
9. Xining imitates the old man of Qingteng penmanship, and records the original title, and like slang.
Inscription: The old man of Qingteng's ink picture scroll was passed down to the world, Yu had to read three volumes, and Comrade Changlin treasured the fine ink pen miscellaneous picture scrolls, Yu Fan three copies, loved its dashing and pure qi to cross the chest, overflowing paper, a piece of heavenly opportunity, this person to get the old stalk of the cloud Xuan, according to the original scale, since mei to learn to walk, the survival of the different, the elderly are still restrained by hand, but also know that it is not without benefits. The attached slang is intended to honor the sages and their people. In the winter of 1989, Xining lived on the outskirts of Quancheng. Seal: Xining (Zhu) Shanzuo Laoyu (White)
Seal: Han Xiang (Zhu) Humility (Zhu, twice) Self-Improvement (White) Quest (Zhu) Habits (Zhu) Changle (White) Xining (Zhu, Four Times) Shanzuo Lao Yu (White, Five Times) Xining ZhiJung (Zhu) Xining Xin hao (Zhu, twice) Yu Xining (Zhu) Humble Heart (Zhu)
About the author: Yu Xining (1913~2007), formerly known as Guiyi, the character Xining, with the character line, the number Pingshou Foreign History, Lu Gen, Shandong Weifang people. Gonghua bird painting and good calligraphy. He has successively served as the president of Shandong Art College and Shandong Art School, the president of Shandong Art College, the director of China Artists Association, the chairman of Shandong Artists Association, and the vice chairman of Book Association.
Detailed drawing of Yu Xining Linxu Wei's "Eight Volumes of Ink Flowers":
Pan Tianshou, Xie Zhiliu, Wang Geyi, Yu Jianhua, Yu Xining, Sun Changlin, Wang Bomin and others involved in the volume have deep friendship with each other. Among them, in 1962, the year before zuoba, when the Shandong Provincial Federation of Literature and Literature and the Artists Association held a conference in Qingdao to discuss the style of Chinese painting, Yu Jianhua, Yu Xining, Wang Geyi, etc., all attended the meeting, and the next year, Yu Jianhua, Pan Tianshou, Sun Changlin, etc., gathered in Qilu Dadi, and so on.
At this point, it is Xu Wei's "Eight Volumes of Ink Flowers", a collection of poems and paintings in one volume, many famous artists inscriptions, quotations, and imitations according to the original scale, knowing that his paintings are loose and unconventional, full of brilliance. In the volume, Xu Wei's chapters are all excellent, and each paragraph has a Qing chancellor Zhang Zhao and poems, and the people are talking and writing, which is more precious than the collection. What's more, it may be the largest and most complete Xu Wei picture scroll that can be circulated in the private collection, with a cappical inscription, close to eight meters, which can be described as a huge production, and the treasure of the knower.
Yang Ke: Xu Wei's mentor, Yuezhong lead dancer
This time, in the 2021 spring auction of Xiling, there is another piece of Yang Ke's "Crazy Grass Seven Words Poetry Scroll", or it should be the only orphan product seen in the current market, which is extremely rare.
Yang Ke in 1551 wrote the Seven Words of Wild Grass Poetry Volume
Lenses on paper
Literacy: □ Jiangtou. The wind flows and the bottle is □, and the long road meets is a farewell feast. Ten years of knowing each other to the sideburns, now more close to the sun. The long pine fell and fell on the sill, and the short bamboo Xiao Xiao suddenly crossed the wall. The crane dance seems to pity □ noodles, and Ju Kaizhong attracts Nian Xiang. The Ming Dynasty was also the head of the river, and It was not to take Biling as its hometown.
Knowledge: □ crossed the river □ two songs. The secret map of the mountain people is written in Shaobai Caotang, when Jiajing Xinhai is in the summer of June.
Jianzang Seal: Xuancheng Wenfeng Meishi Wanxi Beiye Book (Zhu)
Description: Xuancheng Wenfeng Mei's Collection.
In the middle and late Ming Dynasty, Yang Ke's calligraphy was called "the right army of the present" by the people of the time, which shows that his calligraphy is profound. The Ming Wanli "Yuyao County Chronicle" contains:
According to the "Chronicle of Shaoxing Province", it can be known that Yang Ke formed an association with Xu Wei, Shen Lian, Chen He, Zhu Dashou and others, called "Ten Sons of Yuezhong".
Chen He drunkenly painted wildly, Yang Ke reversed the crazy book, etc., this aesthetic taste, for the same Zhejiang people, and relatively immature, but also known for their contacts Xu Wei, the influence is quite profound. According to the history, Yang Ke "wrote many crazy books", while Xu Wei was known for his wild and uninhibited style of writing, which shows that the styles of the two are extremely similar.
The Yaojiang Academy Zhiluo also contains Yang Ke "knowing that he is a hermit, and that all poems and books are available."
In addition, the "Old YiZhi" contains that it can be seen that Yang Ke does not easily write books for people, and Sun Zhen's "Calligraphy and Painting Trek" also has this theory, and praises him as an indifferent person, not making friends with powerful people, Hu Zongxian summoned the curtain, but still refused to go.
It is a poem that can be found in the "Biography of Xu Shan", Yang Ke, the character Ruming, and the number secret map. The "Baiyun Caotang" can be recorded in the "Yao Jiang Yi Poem": "When the white clouds filled the valley, Yang Ke carried a huge urn to the white clouds in it, sealed it with paper, and placed it in the Caotang." When the day was clear, it was led by needle, and the wisps of clouds rose up, haunting the beams, calling friends to laugh. Therefore, the "Baiyun Caotang" was immediately the hall of its worship.
There are very few surviving works, and only the inscription on the volume of the Huaisu Silk Edition "Xiaocao Thousand Character Text" in the National Palace Museum in Taipei is now known, which shows that it is a rare volume, and it is not too much to call it an orphan, and it was written in Jiajing Xinhai (1551), that is, when Yang Ke was fifty years old, when the style of writing was great, it can be regarded as a standard piece.
The calyx has Zhu Wenyin (朱文印) of "Xuancheng Wenfeng Meishi Wanxi Beiye Book". Yang Ke once wrote "Wanxi Fu", which was collected by Xuancheng Wenfeng Mei's family, which can also confirm its circulation. Xuancheng Wenfeng Mei clan, with Mei Yuan, who served as Xuancheng Tuan during the Five Dynasties period, as the ancestor. Around the time of the Southern Song Dynasty, the ancestor of the Wenfeng Mei clan, TaiQigong, moved to Baifeng Mountain, and gave birth to the Prominent Xuancheng Wenfeng Mei Family. Mei Dingzuo, a dramatist and bibliophile of the Ming Dynasty, Mei Wending and Mei Yaocheng, the qing dynasty calendar masters, Mei Wencheng, Zuo Du Yushi Mei, the ancient Chinese master Mei Zengliang, and the Mei painter Mei Qing in the Xuancheng School of painting in the late Ming and early Qing dynasties are all from this family.
In addition, regarding Yang Ke's calligraphy, there is a local legend of "drunken lying stone", saying that after the inscription of a bridge that was repeatedly destroyed by flash floods, the flash flood was diverted and never washed away, which can also be described as an anecdote.
Yang Ke's talent, friendship, and temperament are very similar to Xu Wei, and when Xu Wei was imprisoned, Yang Ke visited him several times, and Xu Wei also wrote the poem "Sending Answers to the Secret Map Mountain People Two (In Prison)", knowing that the two had a lot of friendship. Therefore, Yang Ke and Xu Wei are also teachers and friends, and their influence on Xu Wei's art cannot be ignored.
Green vine white sun, double wall in the art world
In Xu Wei's "Eight Volumes of Ink Flowers", Xie Zhiliu's words show that Xu Wei's painting style was also influenced by Chen Chun.
In fact, "Green Vines and White Yang" developed small freehand flowers and birds to large freehand, which greatly changed the aesthetic fashion of the following hundreds of years. In the Xiling Spring Shoot, there are also Chen Chun's "Xitang Picture Scroll" and the cursive "Ink Flower Poetry Book", which also attracted much attention.
Chen Chun XiTang picture scroll
Hand-rolled colored silk
Introduction: Xitang splash ink method. On November 4, the first year of Daoguang (1875), he was determined to read and cultivate sexual fasting. Seal: Jigu Shanren (Zhu) Cai Zhi Dingyin (White)
Knowledge: The Tao is reworked.
Seal: Fu Father Clan (White) Chen DaoFu (White) Dayao (Zhu)
Collection Seal: Berlin Examination and Approval of Authentic Works (White) Huang Berlin Calligraphy and Painting Appreciation Seal (Zhu)
Description: Introduction to the final title of Cai Zhi in the Qing Dynasty.
Wang Xiaodeng's "Wu Jundan Qingzhi" is contained
He Liangjun's "Four Friends Zai Cong Sayings" also said
According to this, it can be seen that Chen Chun's painting is exquisite and enjoys a high reputation.
part
Cai Zhiding (1750~1836), also known as Linzhao, was a native of Jigushan and Deqing, Zhejiang. Qianlong was a soldier in the fifty-eighth year. In the first year of Jiaqing, he was appointed as the general editor of Emperor Gaozong' Shiyan, and was promoted to the rank of superintendent of the state and a bachelor of lectures. Li Shun Tianxiang took the same examination as the examiner and The Henan Zheng main examination. In his later years, he taught at the Zhongshan and Fengshan Academies, and was known for expounding the science of science. Gong calligraphy, along with Weng Fanggang, Liu Yong, and Tie Bao, is called the four major calligraphers.
Resources:
<h1 class="pgc-h-arrow-right" data-track="350" > Li Kun: Analysis of Xuwei Miscellaneous Flower Diagram</h1>
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