Douban 8.1 point animation "I lost my body": Growth, is the best farewell storyline of the past: there is no deliberate sensationalism, in the flat and direct narrative of the protagonist's cruel and depressing life, a warm movie symbol is added: the director uses rich object settings to allude to the sound and music in the protagonist's complex life movie: various sounds of nature, and desolate and magical background music are fused together to make the audience feel a wonderful experience of the real meaning: the history of growth and the past farewell, not to escape the scars Recommended you see

I Lost My Body is an animated film directed by Jehmi Crapan based on the Academy Award-nominated novel Happy Hand by Guillaume Laurent (Angel Amelie).

It was released on May 17, 2019. On December 5, 2019, it won the 85th New York Film Critics Association Awards (NYFCC) for Best Animated Film.

The film tells the story of a hand in the laboratory who returns to his master through an adventure along the way. Half of the film has no dialogue, and a lot of mental montage is used on the camera. The director's idea is very bold, through the adventure and memories of a broken hand, revealing the life and fate of an ordinary person who has reached adulthood but has never grown up inside.

The male protagonist of the film is called Laufer, and he has a mole between his right index finger and middle finger. Shortly after the film begins, a prison break is staged, which symbolizes an independent soul. In the film, the adventure of the hand is explained through flashback techniques and the insertion of dreams.

"Montage", which originally means "assembly" in French, is used in film to denote the creative structure of a scene through the "assembly of the lens". Now, a montage refers to a specific narrative structure —usually a series of shots without dialogue.

Through near-realistic scenes, carefully designed sounds, and two-line flashbacks, the film shows us the life course of an ordinary person at the bottom. We interpret the thinking about life and growth from the following four aspects.

<h1 class= "pgc-h-arrow-right" > storyline: there is no deliberate sensationalism, and warmth is added to the flat narrative of the protagonist's cruel and repressive life</h1>

The film adopts a two-line narrative method, treating the hand as an independent individual, one line is the various adventures carried out by the broken hand in order to return to the male protagonist, and the other line is to show the protagonist's wayward and bad life from the perspective of the broken hand in memory and dream.

The highlight of the plot is that the protagonist Lauffield is late again on a rainy day as a pizza delivery man, and the heroine Gabriel chats with him across the access control of the apartment building, although the heroine accuses Lauuffel of being late and impolite at the beginning, but later the two have been chatting about the rain, and the rain has stopped reminding Lauwoodfeld to go back quickly to avoid being trapped, which is one of the few warm moments that the protagonist gets.

Lauffield, who had been hanging his head, received a long-lost care and warmth from others, so he began to like the heroine Gabrielle, although he only heard her voice.

This is the beginning of Lauffield's love affair, and he is naïve enough to find ways to get close to Gabriel and even deceive Gabriel's uncle. Lauffield later began her second wayward act, the first of which caused him to lose his parents, and the second time when he was cut off.

In the end, the broken hand did not take it back, and the body refused to reunite again.

The whole plot is very tightly paced, through the realist expression method, showing the depression and pain of Lauffer's life, the emotional transmission is very accurate, and the two-line narrative method of montage flashback captures the curiosity and emotions of the audience.

<h1 class = "pgc-h-arrow-right" > film symbol: the director alludes to the complex life of the protagonist through rich object settings</h1>

fly

The fly symbolizes the fate that the male protagonist Lauffield has always been unable to grasp since he was a child. The first scene of the film is a shot of a fly and a hand, with the fly crawling around on the broken hand.

The picture flashes back to Lauffield's childhood, where he tries to catch a fly but is unable to. And Lauffield's father's words about catching flies also hint at Lauffield's fate.

hand

There is no doubt that this hand is more like a protagonist than the main male protagonist, and the camera always enters the memory stage from the flashback of the hand. In the memory and dream shots, there are many close-up shots of the hand.

One of the warm scenes about the hand is when the broken hand picks up the baby's pacifier, and the baby holds the broken hand's index finger and falls asleep.

Compared with Lauffield's cowardice and willfulness, the tenacity and calmness of this hand in the face of birds, rats or ants, metaphorically speaking, is what the male protagonist should look like as an adult.

Igloo

It is a sacred place in the heart of the male protagonist, and a symbol of beauty. Lauffield went to the library where the heroine was located to borrow books, one of which was the igloo.

After returning home, the male protagonist made an igloo on the roof according to the carpenter knowledge he learned and the structure of the igloo, and invited the female protagonist to chat together. And after the heroine knew that he had approached her and scolded him, he smashed the wooden igloo he had built by his own hands, and the warmth and love in his heart collapsed.

wristwatch

The watch first appears in the hands of the protagonist's father. The second time was when Lauffield decided to go to Gabrielle and open her parents' relics and take out the watch and take it with her. Finally, the watch was cut from the middle by the cutter, and then Rauuffel's right hand was cut off.

The watch represents a past that Lauffer could not face, and he never wanted to take a watch when he was scolded by his boss, but he had brought a watch since he worked with the heroine's uncle.

Through these film symbols, the director strung together the symbols of the male protagonist's destiny, spiritual yearning and inner activities.

<h1 class="pgc-h-arrow-right" > sounds and music from the film: the sound of nature, combined with the desolate and magical background music, makes the audience feel a wonderful experience</h1>

The sound of flies flying

At the beginning of the film, the hum of flies appears before it appears, giving people a strange and somewhat crazy feeling. The voice keeps coming

The sound of the cello

Lauffield's voice, a sound that only existed when he was a child, and the soothing music played by the cello hinted at the happiness of Rauffield's childhood.

The sound of the piano

As a child, Laufer played the piano in the company of his mother, and the severed hand was accidentally taken home by a blind dog during the adventure, and he sat on the piano and listened to the blind man play music and fell into memory. The piano is a symbol of warmth and motherhood to him.

Gabrielle's headphones, Laufer's headphones, the first time the male and female protagonists communicated about the sound of rain, and the sound of the wind, the sound of snow and pretending to be snowing. At the end of the story, Lauffield erases the sound of his childhood car accident and chooses to re-record the sound of him jumping on the tower crane. Eventually, the sound of the following snow as the end.

Sound is a dark line that runs through the entire film. These sounds, along with somewhat sad and magical background music, make up another feature and highlight of the film.

<h1 class = "pgc-h-arrow-right" > practical significance: growing up to say goodbye to the past, not to escape scars </h1>

It's a small-budget animation, and at the end of the film, the director gives an open-ended ending, and the male protagonist records him jumping, jumping onto the platform of the tower crane, and then cheering his success. And a close-up shot of that hand.

Wilde said: "No matter how rich a man is, he cannot redeem his past, all we can do is shake hands with his past and make peace." ”

I lost my body, this sentence should be more from the perspective of the hand, the protagonist of this film, Lau Wolffield, did not shake hands with his past and make peace, he wiped away the sound of the car accident, recorded the sound of his own jumping, is a farewell and confrontation with fate.

The film does not explain whether Lauffield really grew up, and perhaps it is unknown whether the hand and Rauuffel will continue to live as two separate individuals in the future.

A person's growth is sometimes understood at a certain moment when something is lost. Young writer Lu Sihao has such a sentence in "You Have to Believe, There Is No Tomorrow That Cannot Be Reached": There is no one in this world who is not injured, and the only person who can really heal himself is himself.

The only one who can really make himself grow up is himself.

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