"Inheritance and Breakthrough - The 6th Beijing Literature Summit Forum" was held in Beijing Fang under Zhengyang Gate
On October 18th, one of the core activities of the 6th "Beijing October Literature Month", "Inheritance and Breakthrough - The 6th Beijing Literature Summit Forum", was held in Beijing Fang under Zhengyang Gate. The event was hosted by Beijing Municipal Federation of Literature and Literature and Beijing Publishing Group, and hosted by Beijing Writers Association and Beijing October Literature and Art Publishing House. Qiu Huadong, He Xiangyang, Zhu Xiuhai, Liu Jianwei, Li Fang, Chen Fumin, Zhang Li, Qiao Ye, Liu Daxian, Shi Yifeng and other well-known writers and critics, Tian Peng, first-class inspector of the Beijing Municipal Federation of Literary and Art Circles, Cao Lei, deputy secretary of the Party Committee of Beijing Publishing Group, Han Jingqun, editor-in-chief of Beijing October Literature and Art Publishing House, and other relevant leaders attended the event. Zhang Li, a well-known critic, professor of the College of Literature of Beijing Normal University and doctoral supervisor, served as the academic host of the forum.
At the forum, the guests conducted in-depth discussions on the two themes of "dialogue with history" and "resonance with the times", reviewed and summarized the creative achievements and experience characteristics of Beijing literature, analyzed and exchanged the creative styles and missions of Beijing writers, and jointly looked forward to the future of Beijing literature.
Inheritance and Breakthrough- The theme of "Dialogue with History" of the 6th Beijing Literature Summit Forum
Dialogue with history
Beijing literature is not only a regional concept, Beijing writers as a group, although the style of works is very different, but the successive generations of Beijing writers have a common responsibility and historical mission, that is: has been paying close attention to the colorful real life, steady based on the magnificent social practice, adhere to the people's life to absorb rich nourishment, the courage to answer the questions raised by reality and life, and gradually formed a Beijing literature with strong regional color and extremely inclusive. It is the realist spirit passed down from generation to generation of writers that has kept Beijing literature and Beijing writers at the forefront of the times.
Liu Jianwei spoke
Liu Jianwei, a famous writer, playwright, winner of the Mao Dun Literature Award, and former director of bayi Film Studio, combined with his own experience in creating the film script "Blood Battle on the Xiangjiang River", pointed out that it is necessary to use a contemporary vision to care for past history, especially from the perspective of overall historical development to dialogue with history. Writers writing history must have the spirit of advancing with the times. The right and wrong in history are judged by future generations, and the criterion for judging needs to consider what impact history has had on the present, and writers should not limit their understanding of history to a conclusive conclusion, but should think about the enlightenment of history through the present, and reflect reality by writing history.
Zhu Xiuhai spoke
Zhu Xiuhai, a famous writer and screenwriter, believes that when we look back on history, we are all concerned about today. Writing history is a big topic that requires the writer's long-term commitment. The value and meaning of the writer's existence in society is to express it through writing, to touch the society with his own feelings, and the social repercussions in turn touch the writer, which is a mutual effect. "I wrote 'The White Horse Gone', and I wrote about this history of the Liberation War because I heard this story and couldn't forget it, and I saw the reactions of many readers, and I was also very touched by myself."
Chen Fumin made a speech
Chen Fumin, a well-known critic, director of the Beijing Writers Association and a contracted writer, believes that using literature to deal with history is dealing with time. Writers should overcome static time, activate historical knowledge, let those historical knowledge come from the distant past, so as to become fresh and effective knowledge, nourish themselves, and nourish society. On the other hand, literary scholars must also deal with the boundary problem of historical themes, "Literary scholars must guard their own boundaries, no matter how much literary fiction and imagination ability, basic historical materials and static history should be respected as necessary." ”
Li Fang spoke
Li Fang, a famous writer, deputy editor-in-chief of the overseas edition of the People's Daily, and vice president of the China Essay Literature Association, believes that history has three characteristics, one is the consciousness of time; the other is the presence of ideas; and the third is the openness to the future. The difference between writers and historians in writing history is that writers write about the parts that make people human, for example, there are many historical materials about the War to Resist US Aggression and Aid Korea in "Chosin Lake", and there are also a large number of detailed descriptions of the battlefield such as "crossing the Yalu River in single clothes" and "ice sculpture company", and the detailed description of history is the most impactful and infectious. The power of ideological value that inspires people to struggle is precisely the meaning of a literary scholar.
Liu Daxian spoke
Liu Daxian, a well-known young critic, researcher of the Chinese Academy of Social Sciences, deputy editor-in-chief of Ethnic Literature Studies, and winner of the Lu Xun Literature Prize, believes that writers and historical dialogue must have a world vision and an international vision. He believes that dialogue with history should have a sense of historical consciousness, and only by serving the current life can writers better serve history, which is the meaning of history for writers. For the masses, history is not only a cognitive function for us, it also has the function of education, which fundamentally affects our emotions and makes us love our country.
Inheritance and Breakthrough - The theme of "Resonance with the Times" of the 6th Beijing Literature Summit Forum
Resonate with the times
The Beijing writers' group has a complete talent echelon with both old, middle and young people, and many excellent traditions such as going deep into life, taking root in the people, diversified themes, comprehensive excavation, and taking realism as the creative tone. The deep tradition also lays a solid foundation for creative innovation. In recent years, a large number of Beijing writers have been able to re-examine reality and history from the perspective of globalization, boldly broaden the subject matter of their works, enrich the means of expression, and base their innovation on the basis of pursuing the depth and thickness of their thoughts, practicing artistic innovation with a steady and steady attitude, making more unique explorations in narrative and writing more mature about current experience.
Inheritance is for breakthrough, and breakthrough means the most vital inheritance. Beijing writers and Beijing literature in the new era grasp the pulse of social development and progress of the times, focus on the new expectations of the masses of the people for spiritual and cultural life, and will reach a new height with a broader vision and more profound thinking.
Qiu Huadong made a speech
Qiu Huadong, a famous writer, secretary of the Secretariat of the Chinese Writers Association and member of the presidium, believes that part of novel writing is a sweet imagination of history, and the other part is writing in time and space with life. Among them, writers must have the ability to transform life experience and life feelings into literary writing. The future of urban literature is incomparably broad, it is the writing direction and writing space that writers should pay special attention to, and at present, for writers, living in a great city, it is necessary to establish a relationship with the city, "if you find the relationship with the city, you can find the relationship with the resonance of the times." ”
He Xiangyang spoke
He Xiangyang, a famous writer, director of the Creative Research Department of the China Writers Association and winner of the Lu Xun Literature Prize, combed through the development genealogy of Beijing literature and Beijing writers in detail. She believes that Beijing literature has entered a new era of five generations of writers, and the inclusiveness of Beijing culture has achieved the unique civilian spirit of Beijing literature. From the Xiangzi of Lao She's "Camel Xiangzi", to the mane in Chen Jiangong's "Mane", to Zhang Damin in Liu Heng's "The Happy Life of Poor Mouth Zhang Damin", as well as Bai Dasheng in Tie Ning's "How Far Is Forever", and Chen Jinfang in Shi Yifeng's "There Is No Chen Jinfang in the World". She believes that the inclusive and civilian spirit of Beijing literature is passed down from generation to generation.
Qiao Ye spoke
Qiao Ye, a famous writer, vice chairman of the Beijing Writers Association and winner of the Lu Xun Literature Prize, believes that creators must have the resonance of people's lives emotionally, and how to write in their personal creations. This requires the writer to have a cooling-off period before writing, to select and improve the hot materials of life, and then integrate them into the creation after this process. Resonance with the times is a big concept, and it is necessary to write from a small place and pay attention to the fireworks of ordinary people in order to make the writing more vivid and finally achieve emotional resonance with life.
Shi Yifeng spoke
Shi Yifeng, a famous writer, director of the Beijing Writers Association, a contracted writer, and a winner of the Lu Xun Literature Prize, believes that today's writers are more difficult to write about Beijing than in Lao She's era. "Without the background of industrial knowledge, you cannot write about Beijing, without the background of financial knowledge, you cannot write about Beijing, and now you need the knowledge background and ideological background of writers to become more and more abundant." Writers must be simple in heart and complex in mind, and only when they are complex can they see the complexity of the times, and your pen can also reflect the complex times. ”
Tian Peng made a summary of the activity
Participating writers, critics and relevant leaders took a group photo