In eighty years of show business, there are many great actors.
Among them, there are many actresses with good looks and acting skills.
Some are still in the public eye, and some have been in the shadows for many years.
Zhao Na, who was once considered by many to be on a par with Liu Xiaoqing, Pan Hong, and Zhang Yu, belonged to the latter.
Geese pass by, people leave their names.
In those days, her name was the brightest star in the sky.
Zhao Na, who looked pure and had bright eyes and bright teeth, could be called the "dream lover" in the hearts of countless men at that time.
In 1956, Zhao Na was born in Qingdao, Shandong.
As a child, Zhao Na's appearance was more beautiful than other children, especially distressing, and very talented in literature and art.
In middle school, Zhao Na tried to apply for the Jinan Repertory Theatre, but unfortunately was not admitted in the end.
But Zhao Na was not discouraged by this, but worked harder to learn acting.
In 1976, Zhao Na was admitted to the Shandong Repertory Theatre, and then transferred to the Actors Troupe of the "Bayi" Film Studio, officially starting her acting career.
Because Zhao Na studied seriously in the drama troupe, her acting skills improved rapidly.
Coupled with her youthful and beautiful image, Zhao Na soon attracted the attention of others.
After four years, Zhao Na participated in "The Death of the Marshal" directed by Shi Yifu and Que Wen.
In the movie, Zhao Na plays the righteous and beautiful Wu Tonghua, and this image makes the audience shine as soon as it is unveiled, and the industry insiders also clap their hands and praise.
Since then, Zhao Na has successively shot many well-known films, such as "Tianshan Xing" and "Eight Women Throwing the River".
In 1985, Zhao Na believed that her acting skills still needed to be improved, so she joined the Beijing Film Academy's special training class for acting cadres.
You know, Tang Guoqiang, Song Chunli, and other veteran actors in the show business world today were once students of this class.
At that time, to enter this special training class, the threshold was also very high.
Not only do 5 works need to win relevant awards, but also a lot of examination selection is required.
In other words, students who could enter the special training class had a place in the show business circle at that time.
But it is regrettable that in 1987, after Zhao Na filmed "Eight Women Throwing the River", she disappeared from people's vision.
It turned out that when Zhao Na was in a prosperous career, she chose to leave bayi factory due to emotional problems.
After that, forced to make a living, Zhao Na could only go to Shenzhen to sell "Tsingtao Beer" and groped in the commercial sea for many years.
Looking back, leaving bayi factory can be described as a major turning point in Zhao Na's life, and when it comes to this turning point, we have to mention her ex-husband Zhu Yanping.
The acquaintance of Zhao Na and Zhu Yanping also has to be attributed to the filming of the film "The Death of the Marshal".
Because Zhu Yanping and Zhao Na are both from Shandong, it can be said that the compatriots see their fellow villagers and have tears in their eyes, and the two are very close to each other in the crew.
At that time, Zhao Na was like a flower and jade, out of the dust, while Zhu Yanping was extraordinary, tall and mighty.
In the play, the two have complex emotional entanglements; outside the play, the two have a good feeling for each other and secretly have feelings.
After a long time of love, the two slowly became together, and the two were also called Tanlang Xienu by others.
Although Zhu Yanping was deeply rooted in the hearts of the people by relying on the role of "Wu Song" in "Water Margin", his career development and popularity at that time were far less than Zhao Na.
But Zhao Na didn't care about this, and still chose love without hesitation.
In 1983, Zhao Na and Zhu Yanping, who had already received a license, entered the marriage hall together.
Many people hope that they can play a world when they are young, and Zhu Yanping and Zhao Na are no exception.
When they were newly married, the two got along very sweetly, and soon Zhao Na became pregnant.
If you can produce smoothly, it is good, but Zhao Na has experienced the ghost door of difficult childbirth, and finally difficult to produce the next son.
At that time, Zhu Yanping needed to rush to the set for shooting, so he could only have three days to accompany Zhao Na.
As soon as the three days arrived, Zhu Yanping rushed to the set without stopping.
Fortunately, the fact that it is difficult to give birth to a child does not have much impact on Zhao Na's shooting schedule, and her works are still one after another, and her career development is in the sky.
Just when Zhao Na's career was on the rise, her marriage with Zhu Yanping had a rift.
Because both of them are busy with their careers, they have been separated from the two places for a long time, gathering less and leaving more, and the previous emotional foundation of the two is not stable, and the contradictions gradually accumulate.
In 1987, after Zhao Na starred in "Eight Girls Throwing The River", she saw that her relationship with Zhu Yanping had reached a shaky point, and her spirit was tormented.
Constantly collapsing, Zhao Na decided to divorce Zhu Yanping peacefully, and she also gained custody of her son.
Since both of them are employees of the Bayi Factory, they can't look up and look down.
In order to avoid unnecessary embarrassment and the status quo of things being different, Zhao Na is determined to leave bayi factory during the rising period of her career.
It can be seen that this relationship also made Zhao Na scarred.
As a single mother, Zhao Na went to Shenzhen to sell "Tsingtao Beer" in order for her son to grow up in a better environment.
Zhao Na continued to work hard in the business circle, and finally created a career and improved family conditions.
Years later, Zhao Na found a companion under the persuasion of her son, and that person was du Zhiguo, the father of actor Du Chun.
The encounter between Zhao Na and Du Zhiguo was also thanks to the red lady of her friend.
When it comes to Du Zhiguo, my first reaction is not Du Chun's father, but an old drama bone with extremely rich acting experience, who is the dictatorial and indiscriminate killing of Zhongliang in "Yongzheng Dynasty".
After Zhao Na and Du Zhiguo got along for a while, they felt very called and appreciated Du Zhiguo's attitude towards the family.
Then, Du Zhiguo launched a fierce pursuit of Zhao Na, and slowly Zhao Na completely "fell" in Du Zhiguo's gentle countryside.
Later, the two married in 2004.
Zhao Na and Du Zhiguo's feelings after marriage are still sweet, and they have also participated in a show together.
In the show, Zhao Na is full of smiles, in front of Du Zhiguo can be described as a bird yiren, and the two also frequently sprinkle dog food in front of the audience, envying others.
But Zhao Na, who was immersed in the honeypot, did not expect that this marriage would eventually dissipate.
Du Zhiguo has not dared to announce the marriage news to the public, let alone tell his son, although his heart is actually very much hoping to get his son's blessing, but he is afraid that Du Chun will not be able to accept the fact that he remarried.
However, when the program on Zhao Na and Du Zhiguo was broadcast, Du Chun's friends saw it and mentioned it to Du Chun, and Du Chun was very surprised and very angry at the same time.
Du Chun believes that his father does not care about his feelings.
Gradually, the relationship between father and son became particularly tricky.
Zhao Na is also very embarrassed between Du Zhiguo and Du Chun, and Du Chun always believes that it is because of Zhao Na that his biological parents will divorce.
In the face of the tension between Zhao Na and Du Chun, Du Zhiguo is also difficult to resolve.
The so-called home and Wanshixing, such a family that is often accompanied by quarrels, makes Zhao Na more and more tired and wants to escape.
After countless rebellions against life, Zhao Na and Du Zhiguo decided to "surrender".
The two decided to divorce each other and have a clean and relaxed life for each other.
After the toss of this marriage, the exhausted Zhao Na dismissed the idea of remarriage.
Slowly, the son gradually grew into an adult, and the son told Zhao Na: "Mom, you should return to the silver screen." ”
This made Zhao Na very moved, you know, returning to the screen is not only her son's wish, but also Zhao Na's wish.
After that, in addition to filming, Zhao Na rarely appeared in front of the public.
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