"If I love you, what does it have to do with you?"
More than two hundred years ago, when Goethe wrote this sentence, he certainly would not have imagined that it would become the love code of love pursued by a group of unrequited love patients in the future.
However, Goethe's Fréline is undoubtedly a rebel, and she maneuvers between multiple men with ease. This sentence came out of The Levelière's mouth, and it was a declaration of rebellion against "humble for love".
After Feline, it was always accompanied by the reverse acceptance of what was asked for and could not be followed.
The subtext is: You don't love me, and please allow me to continue to miss each other.
Wim Wenders's [Wrong Move] with Peter Handke is an adaptation of Goethe's The Learning Age of William Meister, in which Hannah Hsugula plays an actress based in part on Frine's image, but the character does not show Frigny's freedom.
The most well-known unrequited lover of modern times, the strange woman who wrote the letter, took "no giving up, no refusal, no entanglement" as a life creed to serve the lover who had never known her.
She gave up her flesh to offer love, although it helped her to feather, but it was inevitable that she would carry a little bit of foolish fearlessness.
This kind of beautiful and extraordinary sexual encounter is probably the dream of many people's hearts, and loving you deeply is not fatal and irresponsible. Joan Fontaine played the character in the 1948 film [A Letter from a Strange Woman], and she was simply the best spokesperson for the image of this gas bag.
In the Japanese romance film "What is Love", unrequited love seems to have become a new type of love model.
[What is Love] was shortlisted for the main competition section of the 31st Tokyo International Film Festival, and this film is based on Naoki Prize writer Mitsuyo Kakuda's novel "Single Love" (literally translated as "What is Love"), "Home on the Ramp", "Paper Moon", and "Cicada on the Eighth Day" are also her works.
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"Why am I not Tanaka's girlfriend yet?"
At night, XiaoZhao tossed and turned.
Review the gains and losses of getting along with your sweetheart today, and let's take a confidant triptych:
You're busy! Sweet dreams. Go to bed early.~
It's not like you who stayed up late in the bed and typed hundreds of words of WeChat but deleted it as "good night"
Although in a film titled "What is Love", XiaoZhao never seems to be bothered by this question.
At a wedding full of strangers, Xiao Zhao was picked up by the equally bored Ah Shou.
Perhaps it was the commotion brought about by the menstrual cycle, or it may be the catalyst promoted by the light of alcohol, in short, after catching a glimpse of Ah Shou's palm holding the cup, Xiao Zhao felt the bursts of crispness coming from the nerve endings——
She was in love.
To be precise, it is unrequited love.
Xiao Zhao naturally succumbed to the signal of love and began to wait for Ah Shou's call around the clock.
Instead, work has become an obstacle to Xiaozhao's "love"
With just one phone call, she can pull out at any time to meet her lover.
Cooking, cleaning, being driven away, even the cold wind on a cold night did not blow away the enthusiasm of the small photos.
Xiao Zhao was called by the phone at night to take care of the patient number, and was helping to clean up but was suddenly pushed out
After all, when a person decides to love, there is no wall that she can't jump over, a fortress that can't be pushed down, and in fact nothing can tie her down.
Finally, after a night of in-depth exchanges, Xiao Zhao believed that the two had established a relationship and began to communicate.
Even Ah Shou never expressed anything about it.
The beginning of modern love is not unique, but when establishing a relationship, it must always be retro and have an affirmation sentence
She is always in favor of her lovers.
Follow his whims and live according to his schedule.
Then, with Ah Shou's encouragement, Xiao Zhao threw away his job without concern.
I thought that what was waiting for me was to officially live together, meet my parents, get married and have children, and go to the peak of my life.
Don't go on the wrong set
Who expected to usher in another expulsion and disappearance.
The next time he said goodbye, Ah Shou brought his sweetheart.
However, Xiao Zhao still did not choose to stay away from Ah Shou.
She is not a victim of the "halo effect", on the contrary, she is well aware of Ah Shou's uselessness.
Like Walter in The Veil, she plunges into a futile love with reason.
I know you're stupid, frivolous, and empty-minded, but I love you. I know your intentions, your ideals, your power, your vulgarity, but I love you. I know you're a second-rate, but I love you.
However, Xiao Zhao did not develop the same desperate desire for destruction as Walter, and she was willing to become Anshou's candidate, and even became a red bride for him.
And neither she nor Ah Shou refuses to acknowledge that the relationship is an exploitation.
In judging the feelings of others, Xiao Zhao and Ah Shou also made an interpretation of their relationship
Xiao Zhao's defense seems to outsiders to be holding his respect for himself, and Ah Shou is not just shirking the "shame of the scumbag", because he is also playing another Xiao Zhao in front of his sweetheart.
Everyone has a Green Nether Sword, a Hulk, a mountain with a broken arm, plus a small photo
In the original novel "What is Love", kakuda Mitsuyo, an author who has always been good at describing women, chose to use the first-person perspective to let XiaoZhao personally explain this love:
If only I were Ah Shou's girlfriend, if it were his mother, if it were his sister, or if it was a triangular relationship, if it would end unrequited love one day, or if I was simply classified as a stalker.
I've thought about this countless times in my mind. However, I did not become one of them. My relationship with Ah Shou is one that cannot be described in words.
I just hope and pray that Ah Shou will be safe and that I can always stick to him. Like a smart and loyal dog. But I'm not a dog.
So, I can only create a new type of love sample myself that doesn't exist anywhere in the world.
The incomprehensible relationship between others is quite a kind of Adele Hugo-like loneliness through Xiao Zhao's own words——
Thousands of mountains and rivers, thousands of mountains and rivers, to meet you, such a thing only I can do.
Not to feel like Atlas any longer.
Compared with Adele's crazy love and possessiveness, XiaoZhao has more childishness of the strange woman in Zweig's pen.
The former follows his changed lover to a foreign country alone, tries to hypnotize him with magic, bribes him with money, helps him recruit prostitutes, pretends to be pregnant, and tries a series of self-destructive pursuits.
Xiao Zhao whispered, bent and greeted, committed to submission, enthusiastic and unrestrained, less greedy.
In order to continue to see each other as ordinary friends, she even denied her love.
As a result, what reaction do you guess the other person?
You think he'll cry and beg you to stay?
XiaoZhao can give up on his lover, but he will not give up loving him.
Until the end of the film, XiaoZhao did not gain any "counterattack" skills.
However, she also refused to "abuse the scum".
[What is love] does not attempt to deify the "sacrifice" of love, or to show a hint of disdain for this seemingly unequal relationship. After all, it's just a choice you'd love.
I love you, what does it have to do with you?
Whether it is Frignel, a strange woman, or a small photo, it may be a necessary condition for eating this word thoroughly:
As long as you don't love me, it will never matter.
Everyone has the idea of becoming a small photo, and even has already put it into action, but it may not be as selfless as she is.
It is impossible not to work, it is impossible in this lifetime
Some people's love is like a flu, and high fever can be cured in the past.
Xiao Zhao seems to have cancer, and the love cells are eating at her step by step.
Such a heroine is probably not in line with today's mainstream aesthetics.
We chase the characters who are dismissive of love, shouting: "Love is just an ordinary thing, not at all unusual".
As everyone knows, the wild rose that sang this "Carmen" also died of love dedication.
This "Carmen" is from the movie "Love of wild roses", Chinese the lyrics are original, not translated from the opera of the same name. The wild rose played by Gülen turned the sentient beings into scorn for love, and as a result, he also caused the disaster of killing himself for the sake of his lover's grievances.
And male unrequited lovers have no good end as long as they are not the protagonists. Think of You Tanzhi, Song Qingshu and the like.
As for the good use of "slutty" and "licking dogs" to evaluate them, either they are fortunate to have "dog bites dogs", or they absolutely do not understand the "upper head" symptoms of love.
Moreover, harmless efforts should not suffer from this stigmatization.
In an age when love transcends race, gender, exclusivity, and species, it is always ridiculous to question the "love content" of unrequited love.
Because who can say what love is?
According to the female solo, it is a free pigeon.