[007: No Time to Die], which was originally scheduled to be released in April, although the file change did not affect the new "Bang Girl" Anna de Armas from making the entertainment headlines this month.
After working with Ben Affleck [Deep Water], the relationship between the two continues beyond the play, with beach walks, arm-in-arm shopping, and waves of dog food feeding the audience off guard.
Anna fulfilled the "Big Ben", so that although he was a little slower than Matt Damon and Lucy Anna Balasso, it would be fifteen years, and he would eventually be able to hold latin beauties like good buddies.
Sprinkle dog food every day, and it will drip badly
Latin beauty is also the preconceived stereotype of Anna by many viewers, and everyone thinks that she is a standard vase.
If we understand "vase" as "beautiful ornament", it is reasonable to say that some of the characters Anna has played are "vase".
But if you want to be beautiful just right, it will also test the skills of the actors.
Taking a step back, beauty is not the original sin of the actor, who said that the actor who plays the role of "vase" is the "vase" actor? What's more, before Anna, Latin beauties had long since made generations of audiences willing to be their subordinates.
<h1 class="pgc-h-arrow-right" > girl="Vase"? </h1>
If we turn back the clock to the end of last year, our impression of Anna de Armas is at most the winner of life in [Blade Out of the Sheath], or the artificial intelligence in [Blade Runner 2049].
A few months later, her name reappeared in the overwhelming entertainment news, becoming "Ben Affleck's new girlfriend" and "Bond Girl".
This year Anna has several major plays, and [007: No Time to Die] is one of them, in which she plays CIA agent Paloma, the so-called new state girl.
As far as the currently known film information is concerned, Paloma has provided Bond with a lot of help in this episode, let alone a new teammate. It's just that she doesn't seem to be Qian Banni's hard-working teammate, people are a bit mean, and they love to lose Bond when they have nothing to do, which sounds like a very interesting character.
Kerry Fuyong, who directed [007: No Time to Die], knew Anna for a long time and recognized her performance, and Paloma's role was tailored for her by Fukunaga.
Even before Anna nodded his head to confirm the script, he had already injected Anna's various qualities into the role, a beautiful and self-aware sense of self-confidence, a hearty sense of humor, and an adventurer mentality that dared to try anything.
Fukunaga has laid an embryo for the character, and the screenwriter in charge of finishing is not small. With the hit series "London Life", the talented girl "Fei Bian", Phoebe Waller-Bridge, wrote all the scenes of Paloma.
Phoebe knocked out what she said that day, which was enough to be used in the script as a damaging dialogue, and it was up to her to enrich Paloma's character, a character who was mostly particularly grounded.
Anna got the script of [007: No Time to Die] and said, "This character is written by Phoebe at first glance, and her humor and meanness are too Phoebe's personal characteristics, and you will think that she is a real person who really exists."
Latino Bond Girls are rare in the 007 series of films, except for Stephanie Sigman, who made a brief appearance at the beginning of the previous film [007: Ghost Party], and everything else dates back to the 1980s, such as Barbara Callera in 1983 [007's Cruise Missile], and Talissa Soto in 1989 [007's Murder License].
For the recognized "vase" role of Bond Girl, the audience is mostly not too demanding, beautiful, full of style, and Bond has a good looking flirtation, almost enough. Latin beauties naturally have an exotic, brash attraction, playing a bang girl, and "good steel is used on the blade" a truth.
Anna has already been a "bond girl" once in [Sharp Blade Out of the Sheath]."
Admittedly, taking over the recognized role of "vase", Anna did not want to honestly make a "vase". Moreover, without breaking the stereotype that Bang Girl = "Vase", there may not be no room for play.
If Bang Girl is always flattened in the same way as the Pictorial Girl, what Anna has done is to follow the shape of director Fukunaga and screenwriter Phoebe, so that the role of Paloma has a human touch and fireworks.
Anna said, "I will feel the power of this character based on the stories and dialogues that Phoebe wrote. Paloma is different from other state girls, she is fresh and jumpy, like a bubbling on her body."
It seems that there are three people, Anna, Fukunaga and Phoebe, and Paloma, the "state girl", even if it is a "vase", is like the bottles and cans that have been magically cast in [Beauty and the Beast], the surface is a sitting fragile product, and the inside is the real pulsating vitality, as if it can be transformed back into a human body in minutes, depending on whether she is willing or not.
In [007: No Time to Die], PAL Paloma, played by Anna, is indeed a "Bang Girl", but it is by no means a "vase" beauty with a personality like a blank piece of paper
<h1 class="pgc-h-arrow-right" > Monroe="Vase"? </h1>
In the unfinished [Blonde Beauty], Anna played the most famous sexy goddess of the Golden Age of Hollywood, and to this day is still used by many people as the spokesperson of the "vase" Marilyn Monroe.
Movies about Monroe, like the 007 series, are indispensable to attention. [Blonde Beauty] is based on the novelist Joyce Carol Oates's work of the same name, and the biggest feature of the novel is a memoir written in the first person by Monroe.
Earlier, it was reported that Anna was very likely to restore Monroe's classic screen image in the film, such as "The Seven Year Itch" or "Passion like fire". It's a bit of an exaggeration to say that Anna got the script for [Blonde Beauty] by virtue of her beauty, but she did audition only once and was photographed by director Andrew Dominic.
Jamie Lee Curtis, who worked with Anna in [Sharp Blade Out of the Sheath], after watching the video of her auditioning [Blonde Beauty], exclaimed, "I was so shocked, I couldn't believe it, anna's personality was gone, that was Marilyn.".
Jamie Kwaanna's role of Monroe is good enough, enough to have gold content, because her father, Tony Curtis, just had a lot of rivalry with Monroe in [Passion like fire]."
Jamie also said, "Anna may become the future Sophia Roland, she has an extremely rare, universal charm", for young actors, even if it is to praise her beauty, it is definitely a high evaluation.
But "beauty" is not the ultimate goal of being an actor, Anna in the first few years of Hollywood, because of beauty, because of the unique Latin style, by the audience and even the producers of the rightful "vase".
The stereotypes she encountered were the same as Monroe's, so Anna could empathize with the ups and downs of Monroe's inner world.
Monroe has always been eager to use her performance and strength to tear off the "vase" label on her body, how to interpret her as an actor, the sense of desire to perform, will determine whether Anna is alive and well Monroe.
This sense of longing, when Anna first received the role, has already taken root in her heart, "interpreting Marilyn Monroe, it is exciting and inspiring, but also a little scared", Anna said, "We look at Monroe's particularly famous photos, she smiled sweetly when she was frozen, but it was only a moment in her real life that was too small."
Monroe's beauty and sexiness are like the "vase" labels that people put on her, and she can be seen at a glance. Behind the label of "vase", there is a kind of Monroe hidden, which needs to be externalized and interpreted by Anna.
In the past, there have been many Hollywood actresses who have played marilyn, a special creature in the world, but to say that Latino actresses, Anna is really the first.
In fact, Anna and Monroe when she first entered Hollywood, and even have a little similarity, are people can remember their beauty at first glance, they are mistaken for "vase" actors, and they are people who do not want to be a "vase" at all and have a pursuit of performance.
The difference is that Monroe's bottleneck is more individual, and Anna's dilemma represents the experience of a large number of Latino actors who have broken into Hollywood.
From the Mexican actress Dorothy Delio (masterpiece [Long Night Long Road]), puerto Rican actress Rita Moreno (masterpiece [Rain in the Rain]), to penelope Cruz, Salma Hayek or Zoe Soldana on the big screen today, there are only a few Latin beauties who have not been used as "vases" in Hollywood.
Whether the new generation of Latin beauty Anna can tear off the "vase" label on her body with the movie "Blonde Beauty", it is not easy to decide.
Of course, we hope that her performance is emotional enough, moving enough, enough to prove that not only Anna de Armas is not a "vase", but the Latin beauties who are actors do not want to stop at "vase".
Anna played the legendary Golden Age actress Marilyn Monroe in the film [Blonde Beauty] produced by Netflix, and she was also the first Latino actor to play Monroe
<h1 class="pgc-h-arrow-right" > Anna="Vase"? </h1>
Is Anna beautiful? The answer is yes, but if only "beauty" in Anna deserves to be remembered, this is undoubtedly to erase all the efforts made by a girl who loves to perform in order to get her wish.
Anna was born in an environment that was almost insulated from the film. In the 1990s, in Anna's hometown, a suburban town in Havana, cuba's capital, there was no convenient way for young people here to get in touch with the popular culture that was popular around the world at that time.
Anna recalled that when she was a child, she could only watch cartoons for a few hours on weekends, and the first time she watched a Hollywood movie, she still rubbed dvDs from her neighbor's house.
At this moment, she was fascinated by movies. Later, every time she had the opportunity to watch a new film, she tried to write down some of the dialogues in it, and when she returned home, she played with herself in the mirror. A desire to become an actress gradually occupied her heart, when Anna was 12 years old.
Since then, Anna seems to have only one thing left in her mind: "I want to be an actor". She went to drama school in Cuba, auditioned one audition after another, and even went to a birthday party with her classmates to keep an eye on whether anyone had said anything about the new film project.
Later, with the two hundred euros she had saved, she went alone to Madrid, Spain.
As we know, the Cuban film industry, compared with Hollywood or Europe, is obviously not on the same order of magnitude, and for historical reasons, Cuba is culturally in line with the colonial power of Spain.
Extending to the film field, Spain has a Latin cultural atmosphere that is almost no different from Cuba, and the film and television industry is more perfect than Cuba.
Therefore, going to Spain is not a hot idea for Anna, but a more rational decision she made after weighing the objective factors and her own ability.
In Madrid, Anna met casting director Luis Nasker, who had seen Anna's film debut [Rose from France], a character very similar to her and a girl who worked hard to get into the world.
[Rose from France] (2006)
Nasker gave Anna a chance to play the resident character Carolina in the drama "Boarding School Storm", and it was also with the role of this female student of Qi Bangs that Anna's fame accumulated little by little in the Spanish film industry.
After that, she acted in a series of Spanish-language films and episodes of "Sex, Parties and Lies" and "Rare Kisses", but the roles were mostly convergent beautiful young girls.
During that period, some people said that Anna was like the young Sophie Marceau, and some people said that Anna was like Isabelle Adjani in the golden age, she received a lot of attention and pursuit, but she was not happy, because beauty was not remembered for the role or performance, which was a "vase", not an actor.
Just like Cuba once could not hold Anna's dream, at that time, Madrid, it was difficult to support Anna to go a little further on the road of actors, she packed up again, this time, her destination is Los Angeles, Hollywood, the heart of the global film industry.
[Very few kisses] (2014)
She didn't know English at all, spent two months on language, and during her Hollywood debut [knocking on the door], she was lucky enough to meet Keanu Reeves, who was also a "foreigner" who worked hard in Hollywood, and Keanu gave a lot of help to Anna, who was new to the city.
He invited Anna to star in a film in which he was a producer and starred [Exposure], and since then, Anna has gained a foothold in Hollywood.
[Knock on the door] (2015)
In 2017, Anna partnered with Ryan Gosling to star in Blade Runner 2049, and she began to gain the attention of more and more mainstream audiences.
In [Blade Runner 2049], Anna plays Joey, the artificial intelligence partner of the male protagonist K, who can sprinkle cooking for him, take care of his daily life, and even have a secret affection for him, but there is no physical entity, which can only exist as a virtual program.
This character also has a more or less "vase" meaning, in the cyberpunk city, she is just a beautiful embellishment that people use to make life icing on the cake.
Anna holds Joy's intermediate state of life and inanimate, feeling and emotionless very well, and the almost static, detailed beauty on her face can make people think about whether her existence is absolute or relative.
The philosophical depth of the "vase" character performance, no wonder that as soon as the film came out, the Guardian praised Anna, bluntly saying that she injected "multi-dimensional temperature" into the role.
At the end of last year, [Sharp Blade Out of the Sheath], but also for Anna to accumulate a lot of popularity, she played in the film nurse Marta, this is the duty to take care of the old writer's escort work, a careless was involved in the ancient mansion of the conspiracy.
The old writer died unexpectedly, and Marta became the last person to contact him, and while she needed to clear her suspicions, she had to deal with the old writer's "filial piety" who were pregnant with ghosts.
Finally, the mystery of the death of the old writer is revealed, and this girl with a kind background has received her due reward.
Ryan Johnson, the director of [Sharp Blade Out of the Sheath], said he saw in Anna a similar temperament to Audrey Hepburn
The character of Marta, and Anna who came to Hollywood, are in a very similar situation, Marta is an immigrant, Anna is a Latino actor, and they are all outsiders to the established environment.
The people in the old house have a lot of thoughts, and Hollywood is not much better, but Marta or Anna is doing their so-called "job" one by one, and they can finally hold the mug that says "My house, my rules, my coffee" and become a winner in life.
In 2020, Anna has five or six new films coming out, and the future film contracts are also full. Her later role, or not "Vase"? We don't know for the time being, but one thing is for sure, Anna can play the role of "Vase", but by no means a "Vase" actor.
Beauty is like three thousand flowers, kind, scorpion, naïve, wise, each kind of beauty is different, so even if it is a "vase" role, it is not just that the actor has a good face, it can be interpreted appropriately.
There is a popular name about Anna: "The Latin American who is conquering Hollywood"
Latino actors who have made a scene in Hollywood have more or less been labeled as "vases", can Anna, like her predecessors, use her acting skills to generously shake off this label? I believe that time will tell us the answer.