That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Long shots have always been an extreme means of expression that film directors have devoted their talents and material resources to pursuing.
Teacher Ge has commented on those long shots that are very technically nb and very expensive.
This time, Teacher Ge analyzed another way of shooting long shots, those long shots with a bursting sense of art.
What is an artistic long shot?
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Long lenses are not difficult in photography and do not focus on showmanship, but often inside the lens, there is a very attractive treatment.
These treatments are either very closely related to the main theme of the film, or to the character development, or to the context of the plot.
Or even a sublimation of these elements.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Turn off the lights specially, please do not reprint
Text/Ge Ying
Cows, bulls
Hou Xiaoxian
Flowers at Sea 1998
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Precise scheduling presents the spectacle of brothels in the late Qing Dynasty
Let's first look at Hou Xiaoxian's long shot of more than eight minutes at the beginning of "Flowers on the Sea".
This long shot is entered by a fade-in, and after entering, a group of people dressed in late Qing Dynasty are seen drinking around a table.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
<h1>"Where is this?" brothel"</h1>
This kind of first-class qinglou in the Shanghai area in the late Qing Dynasty is also called Changsantangzi, because drinking tea is three yuan, you wine is three yuan, and staying overnight is also three yuan, so it is called "Long Three".
There were thirteen men and women, prostitutes, and officials and guests standing on the left and right sides of the table, each with their own looks inside.
If you shoot it all with a wide-angle lens, it's like this.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
And the of the long shot of Flowers on the Sea is that it doesn't show you, it has to be hidden, and it will be slowly shown to you in the back.
<h1>"At first, the speaker does not appear in the composition."</h1>
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
This table is a major glowing spot and highlight, and men laugh and punch around the table and drink with prostitutes.
The entire ambient lighting is the low color temperature light of the oil lamp, and the environment in the middle and rear scenes is relatively dark, highlighting the role of shadows.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
At the end of the Qing Dynasty, high-end interior decoration mostly used mahogany and rosewood furniture, so the color, color, and tone were relatively dark.
Because this group scene is in the first shot at the beginning of the film, it also has the important function of introducing the characters.
<h1>"Self-reported?" That's not interesting." </h1>
<h1>Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. </h1>
When two men are punching, what is the reaction of the people around them?
What lines are they talking about?
Who picks up after the lines?
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
The composition is so crowded, the camera is basically not in a big move, what to do?
Director Hou Xiaoxian makes full use of the scheduling in the scene, uses the characters in the painting to outline the characters outside the painting, and lets the actors inside and outside the painting perform cooperative group dramas.
For example, there are a lot of plot excitement in it.
Like this young prostitute Yufu standing in the back, blocking the wine for her guests, she complained a word, which aroused the coaxing and emotion of the middle-aged men around her.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
At the same time, it also reflects the interest of this wave of people and the state of high-end brothels in Shanghai at the end of the Qing Dynasty.
As the camera gradually pulled away, we saw more people.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Zuo Yi was especially important inside, he said some interesting stories about the love affairs of men and women, which dominated the atmosphere of the scene.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
What do these frequent visitors think about their intimate relationship with prostitutes?
"Some people think it's karma, some people think it's evil karma."
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
The actors have large lines and perform very naturally.
And the surrounding actors echo him very well, you see not only the two men in the middle scene, but also the women in the back scene.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
This long shot wins over the scheduling of the whole interior.
In this scene, the actor will rehearse many times before, and each person must know exactly where they are, where they say their lines, and how they should echo others.
Liang Chaowei also played an official in the role, but this role always seemed to be more detached from the whole scene.
Why?
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
First, the official he plays is a Cantonese man who does not understand Shanghainese very well.
Second, in fact, he and this group of people are not too familiar, and he has some differences in his interest with them.
"Not a single detail can be missed"
Now you see the camera begins to capture a brief exchange between Liu Jialing and Liang Chaowei.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
The first long shot of "Flowers on the Sea" actually presents some important character relationships that will appear in the later story.
Then a very important thing was picked out, three sentences about Shen Xiaohong beating Zhang Huizhen for Wang Laoye, this matter will be further specifically expressed later in the film.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
But now that I have picked this matter out, the whole topic of conversation on the table has turned the wind.
And more importantly, it shows the red prostitute in the back, her opinion on this matter.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
What was the reaction of another prostitute present, Zhou Shuangzhu (Liu Jialing) ?
From beginning to end, he was very calm, did not stand up to express his views, just like the beauty on Chinese paintings, gentle and quiet, but full of aura.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
It can be seen that between the prostitute and the prostitute, the personality is not close to the same, and this prostitute in red is obviously a lot different from Zhou Shuangzhu's style.
Hou Xiaoxian shows the identity and character of the characters through their respective performances in this scene.
The whole long lens shows us the relationship between people in such a special place as Changsantangzi.
There are both delicate game relationships between officials and prostitutes, as well as relationships between men.
These treatments put the brothel culture of the late Qing Dynasty very well in front of all the audiences.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Carlos Shola
Paradise of Desire in Bordeaux 1998
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Bordeaux Desire For Paradise is a biopic by Carlos Shola for the Romantic painter Goya.
The plot of this long shot is that Goya passes through a ghost gate in middle age - he is sick, and the illness causes him to be blind and deaf.
Notice that in the last shot, the viewer is still in the physical space of the bedroom.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
And when this long shot begins, although it is also Goya's bedroom, but...
<h1>"Suddenly it became a small black room</h1>."
It's an imaginative space.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Carlos Shola set this imaginative space into a black house, and the whole environment was completely black.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
When Goya entered the all-black space, suddenly several paintings lit up.
<h1>"All spirits come so suddenly."</h1>
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
These paintings are actually some of the paintings that Goya has created until middle age, illuminated by blue light lines with low color temperature, and sprayed on the glass.
<h1>"Then came a man who never expected it</h1>."
In the close-up, the elderly Goya appears.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
We know that it is impossible for a person's different ages to meet in linear time.
<h1>"But in the imaginary space they can do it."</h1>
In an imaginary space, the two age groups of the self met, which is the first of this biographical film.
The old Goya and the middle-aged Goya are separated by these paintings.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
This distinction between the two selves is not only in the front and back scenes, but also in the color tones.
The middle-aged Goya is illuminated by a warm color chasing light in the background, while the old Goya is a cool color.
Only in front of this painting, both selves gave their testimonials - Goya, a person who could not forget the heroine of this painting until his death.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Carlos Shola is a director who often uses stage-style scheduling in film scheduling.
Through traversal travel in this non-physical space.
The long shot takes the characters and the audience on a tour of Goya's pre-creations.
The middle-aged Goya began to gradually enter a corridor, but was suddenly overwhelmed by the wall.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
This is not computer processed, but wallpaper is attached to the surface of the glass.
By controlling the difference in brightness of the rear and foreground, the transparency of this wallpaper is changed, which is the technique of stage scheduling.
In this journey of the soul of the non-physical space, the viewer suddenly enters old age from the middle age of the painter, even in a composition, and sees both at the same time.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
This long shot does not have much difficulty in shooting, and the difficulty lies in the art setting.
But more importantly, the director must have such an imagination, and he must be able to integrate the idea of stage scheduling into the film's means of expression skillfully and roundly.
Andrey Tarkovsky
Nostalgia 1983
The characters struggle internally like candles in the wind
This is a famous long shot of Tarkovsky in Nostalgia.
This long shot, located in the second half of the film, is more than nine minutes long. It begins with a small candle lit by the protagonist Andre in the middle of a pool.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
At the beginning of the long shot, the director used a close-up shot showing Andre's hand.
Then as the characters gradually move away from the camera, the camera begins to lift and we can see a dry pool of water.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Watching Andre's movements, he touched the edge of the pool.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Then he began to walk at the bottom of the rugged pond with a lot of water.
<h1>"Let's go to the left first."</h1>
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
He guarded the candle, and the candlelight was very faint and could easily be extinguished by the surrounding sidewinds.
To be sure, the film crew laid a long track at the bottom of this pond.
Then the candle is blown out by the wind (count of failures: 1), and after blowing out, the actor expresses his disappointment to us through his movements and demeanor.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Brilliantly, the camera begins to move back in reverse.
<h1>"Go further to the right."</h1>
The camera follows our hero closely, always keeping him at the center of the composition.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
He lit the candle again and touched the edge of the pond a second time, giving us a sense that the action must have meant something.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
This time he used his coat to shield him from the crosswinds.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
The camera is not only moving sideways, but also starting to push closer, and the position of the hero's hand block always allows us to see the flames.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
Blown out again (failure count: 2).
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
As the camera pushes the character closer, the recording equipment is also very close to the character.
So you can hear the crackling sound of the protagonist's throat, and a small gasp. These textured sounds reinforce the character's anxious mindset.
I'm not confused when I see this.
"What is this man doing?"
In fact, in this long shot, the old tower has to show a lot of things.
Because another male protagonist in the film, madman Domenico, once said to our male protagonist.
One day he would walk through the holy water with a candle, and walk from one side to the other in this pool.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
In the previous scene of this long shot, the madman Domenico has set himself on fire. Self-immolation is actually to make yourself into a large lit candle.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
"What does that candle represent?"
This candle is actually a symbol of faith.
Apparently Andre touched the edge of the pool again and again to make sure that the candle was guarding from one side to the other.
Walking by with this candle condenses a symbol of the process of swimming from this shore to the other shore in a person's life.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
"The Last Walk"
As the plot unfolds, the poet Andrei has a growing sense of identification with the madman, and more and more feels the madman's summoning power for him.
At this moment, the hero is also marching towards his own faith, and this march is embodied in the process of walking with a candle in the pool, and protecting this candle is protecting his faith.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
The music also began to gradually enter, the hero was in poor health, at this time the energy was gone, when he finally reached the other shore, put the candle of faith on the other shore, he died in the real world.
That's right for a long shot! The long-ranging Ge Ying commented on the second shot of "Where is this?" Brothel", "When you come up, the speaker does not appear in the composition", "Self-reporting door? That's not interesting." Hou Xiaoxian tells the audience who they are through the behavior and looks of the characters. "Suddenly it became a small black room", "All the spirits came so suddenly", "Then there was a person who never expected it", "But in the imagination space they can", "Go left first", "Go to the right again".
At the last moment, we hear the male protagonist's groans after falling to the bottom of the pond after the painting.
The old tower uses such a long shot of more than nine minutes to let us see the search for the hero's inner world.
This long shot is a complete record of a life attempt, from failure to final arrival.
The difficulty with this long shot is the continuity of the actors' performances. The performance must show the character's inner world, the search for the spiritual level, a painful struggle.
So it's a long shot of the entire crew and the actors working together seamlessly.
