Huang Tingjian was a famous poet of the Northern Song Dynasty, and his achievements in poetry, together with Su Shi, were called "Su Huang", and he was also the founder of the Jiangxi Poetry School. Today we also choose the most beautiful four pairs of famous sentences of Huang Tingjian to appreciate it a little.
<h1 class = "pgc-h-arrow-right" >, a glass of wine in the peach and plum spring wind, and a ten-year lamp in the night rain of the rivers and lakes</h1>
This poem should be a well-known poem by Huang Tingjian, and people who like ancient style must have read this poem, and its aesthetic mood is really fascinating. This joint poem is from the poem "Sending Yellow Several Repetitions".
A glass of wine in the peach and plum spring wind is written about the happy time of the reunion with friends that year, and they drink and have fun together in the spring wind of peach blossoms and plum blossoms. The ten-year lamp of the night rain in the rivers and lakes is to write the thoughts of friends after saying goodbye, and after the farewell, they can only miss each other under the lone lamp of the night rain.
Peach and plum spring wind a glass of wine, the night rain of the rivers and lakes ten years of lights. In the fourteen characters, there is the happiness of the peach and plum spring wind, the warmth of friends for wine, the Xiao Suo of the night rain of the rivers and lakes, and the loneliness of the cold lamp hanging shadow. These two poems use the most ordinary imagery, but create the most beautiful artistic conception, giving people a beautiful artistic enjoyment. Reading it is intoxicating, lingering, and finally, drunk in this cup of hot wine, confused under this lone lamp.
<h1 class= "pgc-h-arrow-right" > two, the sky of the thousand mountains is far away, and the Chengjiang River is clearly divided</h1>
This joint poem is from Huang Tingjian's poem "Deng kuai Ge".
Qing Zhang Zongtai's "Collection of Lu Yan's Studies" said: "To the valley of the Song Dynasty, it is inevitable that there will be a disease of roughness and seclusion. As far as its artistic conception is open, it can really dispel the mysteries of ancient and modern times. And the poem "Deng kuai Ge" is also one of them. ”
Falling wood, that is, falling leaves. Du Fu's "Ascending high": "Boundless falling wood Xiao Xiao, the Endless Yangtze River rolls in." "When a thousand mountains and leaves fall, the trees become sparse, and the heavens and the earth are suddenly vast and open."
This joint beauty in the artistic conception, the vast heaven and earth, and the clear Jiang Yue, read to make people open-minded, but also make people clear in their hearts.
<h1 class = "pgc-h-arrow-right" > three, after all, several people really have deer, do not know how to dream of fish all day</h1> long
Huang Tingjian is good at using the codex, but it is not used well, as mentioned above, "sincerity is not exempt from the disease of coarseness and astringency", and if it is used well, it can greatly enrich the connotation of the poem, just like this joint poem. This joint poem is from the first poem of Huang Tingjian's "Seven Miscellaneous Poems".
Delu, the classic "Liezi Zhou Mu Wang", said that Zheng Guoyou had a woodcutter who hit a deer in the wild, and he was afraid that people would see it, so he hid it in a dry pond and covered it with dry wood. Not long after he left, he forgot that the deer was hiding there, thinking that hitting the deer was just a dream he had made, so he thought about it all the way.
The woodcutter's words were heard by passers-by. According to the woodcutter, the passerby found the deer, happily took it home, and said to his wife: "Today a woodcutter said that he dreamed that he got a deer, and now I really got a deer, and he had a real dream." His wife said, "It was you who dreamed that the woodcutter hit the deer, where are the woodcutters, and now that we have the deer, is your dream come true?" He said, "Anyway, we did get a deer, whether it's his dream or my dream." ”
The woodcutter returned home, obsessed with the deer, and had a dream at night, dreaming of the place where the deer was hidden, and dreaming that the deer had been taken away by passers-by. The next day, as the dream had shown, he found passers-by and deer, and the two quarreled endlessly, and went to the priest. The master said, "The woodcutter really got the deer, but he thought it was a dream, and at night he dreamed and found the real deer." Passers-by thought that the woodcutter was really dreaming, but he got the deer, and his wife said that he got someone else's deer in his dream, not counting other people's deer. I don't know what's going on, but now there's only one deer, so let's divide it equally. ”
When Zheng Guojun heard this, he said, "That Shifu also divided the deer for them in a dream!" Asked the Minister of State, the Minister of State said: "Whether it is a dream or not, I can't tell whether it is a dream or not, to distinguish whether it is awake or dreaming, only the emperor and Confucius can do it, and now neither of them is there, and who else can distinguish clearly, it is better to do it according to what Master Shi said!" ”
This story, true into a dream, a dream into a true dream, a true and a dream, the dream and the truth are finally inseparable, is a very philosophical story.
Dream for Fish: From the dialogue between Confucius and Yan Hui in "Zhuangzi Grand Master": "And Ru Dream is strong for birds, and dreams are fish and not Yu Yuan." "When you dream that you become a bird, you will fly to the sky, and when you dream that you become a fish, you will swim in the water, but can you really fly and swim?"
This joint poem, through two allusions, writes the falsehood of life. And "deer" and "䘵" are homophonous, and "fish" and "foolish" are homophonous, symbolizing the fame and fortune and delusional delusions of the world. It can be said that this joint poem is the most classic poem describing the living conditions of red dust sentient beings.
<h1 class= "pgc-h-arrow-right" > fourth, spring wind and spring rain flowers through the eyes, Jiangbei Jiangnan water shooting sky. </h1>
This joint poem is from Huang Tingjian's "Dimensional Ming Rhyme Sending Zi You", Yuan Ming is Huang Tingjian's big song, and Zi Yu is Su Shi's younger brother Su Rui.
This joint poem, the language is natural, there is no trace of axe chiseling, and in the beautiful artistic conception, it contains infinite affection.
In the spring wind and spring rain, the flowers blossom and fall, full of misery, the north of the river, the south of the river, the water potential beats the sky, a vast expanse. Flowers in the wind and rain are like people on the road of the world, flowers are tempered by wind and rain, and people are sharpened. The river water contains the meaning of the passage of time, since the son in the river said "the deceased is like a sifu", the flowing water has been linked with time. In the writing scene, this link contains the infinite taste of life conditions in it, but without the slightest intention, it has reached the extremely high realm of the harmony of the scene.
In Cheng Qianfan's "Selected Notes on Song Poems", it is said: Sentences such as "Spring wind and spring rain flowers pass through the eyes, and the water in the south of the Jiangbei River shoots in the sky", "The thousand mountains and mountains fall far and wide, and the Chengjiang River is clearly divided into a moon" and other sentences can be regarded as 'natural good words'. ”