Recently is the graduation season, the circle of friends of the ministry of yajun has been brushed by a variety of graduation photos, and the roommates and classmates who used to get along day and night, there will always be some reluctance, and many people once out of the campus, may never see again, think of this is not into a greater sadness?
Budaya Jun also took advantage of this time to give everyone Amway about the friendship of the girls' film "Sunny Sunshine Sister Tao", the Japanese version of the resources has recently been released, is a very brilliant movie that Moya Jun has seen recently, is a sincere remake.
The friendship between girls has always been the favorite theme of screenwriters, after all, three women in a play, once several girls get together at the same time, there will be endless chemical reactions.
The screenwriters are trying to tell the story of the girls' youth to resonate with the audience, but the youth of many screenwriters seems to have a huge deviation from the youth of everyone in reality, thinking that tearing X is the main theme of most people's youth friendship.
However, there are also Korean movies such as "Sunshine Sister Tao", which has resonated with Asian girls, scoring up to 8.8 points on Douban and being regarded as a god.
By the way, he also brought out a sentence "No matter how much time they have each other," they are not as good as the years of silly X together", which has become a famous saying for many young girls to pay tribute to the years of friendship.
Excellent script, other countries want to remake, this is the trend of the world in recent years, "Sunshine Sister Tao" was remade in Japan, the director is "Peach Blossom Period", "Okawabata Detective Agency", "Dream Eater" and other works of Ogenhito.
After all, the pearl jade of the classic original is in front, the remake often has a lot of pressure, and the unsatisfactory remakes emerge in an endless stream, but after watching the Japanese version of "Sunshine Sister Tao", Budiya Jun feels that it is quite good, and the score on douban is also 8.3 points, which is a high rating in the remake movie. (Except for a few fans of the original work itself with preconceived notions about the film, the rating may be a little higher).)
The Japanese version of "Sunshine Sister Tao" tells the story of an ordinary housewife, Nami Abe (played by Ryoko Shinohara), who accidentally learned that her high school friend Serika was cancerous and did not have many days to come, so she decided to find the good sisters who had formed "Sunny" together, and in the process, she also recalled the innocent and beautiful, unforgettable girlhood.
When Nami Abe (played by Suzu Hirose) transferred from the countryside to Tokyo in high school, she was not only silly, but also rustic compared to the girls in the metropolis.
Girls in middle school often have various small groups, and Nami is included in the "sunnny" with Celery as the eldest sister, and goes crazy with several other girls.
However, after graduation, they did not contact each other again, which was later said by Nami's husband, "Women are like this, even if they are very close when they are studying, they will not interact with each other after graduation." ”
But in fact, it was after something happened in the middle that made "sunny" fall apart.
Later, Nami meets Seika again in the hospital after 22 years, but learns that Serika has only one month left to live due to cancer, and her dying wish is to find the "SUNNY" members who used to be together in high school. In order to help Celery fulfill her wishes, Nami tries her best to find her long-lost friends.
Today, they no longer have the youth and madness of high school, they have to face various practical problems such as family and work, and in the process of finding old friends, the memories of youth that they have forgotten for many years have also come back to their hearts.
The film uses such a back and forth between the past and the present, using a nostalgic way to deal with the relationship between the characters, the pull between the present and the past as the main line of youth, while comparing the living conditions and fate of middle-aged women in Japan, making people sigh endlessly.
A major criterion for the success of remaking works from other countries is how well localization is handled, which the upper Yajun feels is very appropriate for the Japanese version of "Sunshine Sister Tao".
If you have seen the Korean version, you will not be surprised by the Japanese version of the plot routine, but I believe you will definitely feel the sincerity in it, and you will feel that the Japanese version is full of characteristics, because it adds a lot of Japanese pop culture, subculture and other soft power elements, and Muya Jun will tell you some details.
The film opens with Namie Amuro's song "Don't Wanna Cry", and Keiya is instantly pulled back to that era.
The TV station in the movie broadcasts the news of the 25th anniversary of The debut of Namie Amuro, Amuro is an artist who has influenced a generation of female high school students, and the 40-year-old is still the "Amuro sauce" in everyone's heart, still slim and slender, energetically performing the famous songs of many years ago, and the tired-looking Nami throws herself at the screen, there is envy and nostalgia.
The day after the news was broadcast, Namie Amuro announced on her birthday that she would retire, which also symbolized the end of an era in the movie.
In the film, the high school era is set in Japan in the mid-to-late 90s, which has very significant social characteristics, especially crazy female high school students who are in stark contrast to the dead economy under the collapse of the bubble.
In the mid-to-late 1990s, the gal hot girl style was popular among young Japanese girls, wearing miniskirts, bubble socks, cardigans, and sunburn makeup to reflect the wheat skin color, which was the standard for fashionable girls in high school at that time.
As well as negative problems such as worshiping money and aiding friends, and even middle-aged employees who blatantly rob and catch hooks on the street.
In the theme song "La · LA· With the accompaniment of LA LOVE SONG, female high school students of the gal department who imitate the idol costume sing and dance.
This period presents the vitality and enthusiasm of everyone in the heyday of Japanese pop culture, the era when everyone pursues freedom, beauty, and infinite aura, and also sets the cheerful tone of the whole film, which is different from the Korean version with cool colors.
For those who have followed this popular culture, it is estimated that they will cry.
In addition to the song by Namie Amuro at the beginning of the film and "LA · LA· LA LOVE SONG), the film invited tetsuya Komuro, a gold medal producer from the 90s, to take charge of the soundtrack.
The theme song of the film is Kenji Ozawa's "Strong Feelings, Strong Love" ("Strong Feelings, Strong Love"), which is also the subtitle of the film.
Kanemi Buya's favorite Nami and her crush appear in cabaret when they meet in a nightclub. (Haruma Miura's long hair pays homage to Takuya Kimura's long hair in "The Long Holiday," which sparked a craze of imitation by Japanese men at the time.)
A collection of 11 Japanese pop songs from the 90s
♪ Toshinobu Kubota "LA, LA, LA LOVE SONG"
♪ hitomi / CANDY GIRL
♪ CHARA / Gentle Feeling
♪ TRF「EZ DO DANCE」
♪ Doji Morita/Our Lost Lives
♪ PUFFY / This Is My Way of Life
♪ JUDY AND MARY / Freckles
♪ TRF / survival dAnce 〜no no cry more〜
♪ Namie Amuro / Don't want to cry
♪ Kenji Ozawa/ Hearty Feelings and Yrinstropolitan Love Affair
♪ Namie Amuro/ SWEET 19 BLUES
Also detailed in the film about Japan in the 1990s is that the Nami family moved from Awaji Island to Tokyo, indicating that they were forced to move after the Great Hanshin Earthquake in 1995. Her brother is an otaku who is obsessed with the anime EVA and idol group Good Morning Girls.
Although there is no Korean version of the great era change to come to the waves, it can also allow people to relive the difficult to reproduce the style of the times in the details.
One of the main actors, Ryoko Shinohara, like Namie Amuro, is also a singer who became popular with Tetsuya Komuro, and later achieved great success as an actress.
Suzu Hirose is a representative of young actresses after 95 in Japan, and has a high popularity among young people.
There are also the help of Yuna Itaya, Eiko Koike, Riki Tomosaka, and Naomi Watanabe.
Among the young actors, the most eye-catching is undoubtedly Ikeda Iraisa, who plays Nai Nai, and Bunya Jun has been completely fished by her after watching it.
In short, Motoya Jun felt that this movie was worth watching, if you have not seen the original version, you can also see the Japanese version, Ande Ya jun in order to write this article is to watch it again.
Recently, it has also been rumored that China will also remake "Sunshine Sister Tao", I don't know how the Chinese version of the earthification will be, the characteristics of Chinese-style campus youth, can accurately and poetically portray the common memory of a generation, please do not beat the tire, tear X, rob the boyfriend.......